The Space in Sound

A selection of music, sound design elements and demos composed for Isaac Julien's multi-screen installation 'Playtime'-exhibited in New York and London

A Distant Presence

Ambient music design/sound design for 'The Falling' a film by Carol Morley. Electronic choral music underscore to enhance the magical atmosphere of this compelling film.

Angelic Choir For Airports

Angel Drift Choir

Excerpt of the live performance using Spring reverb with a broken amplifier, feedback itself, controlling with finger. 

Time - Folding V5 - excerpt

becoming sounds - 30 objects 10 minutes is a book and sound project.
http://www.rienakajima.com/becomingsounds.html

becoming sounds - 30 objects 10 minutes

We hear from and interview Hugo Esquinca, fresh off a site-specific sound performance at Berlin's Berghain for CTM Festival. 

Turn the volume down - this one gets glitchy. :)

CDM Cues: Hugo Esquinca on making radical electronic sounds

In spring 2018, the Conlon foundation organised a call in collaboration with the Orgelpark for compositions for the Utopa Baroque Organ. This instrument is brand new in the Orgelpark and makes a historical sound structure accessible by means of digital technology such as MIDI and OSC. Both the invited composers for the call — Danny de Graan, Janco Verduin, Laurens van der Wee, and Zeger de Vos — and the Conlon board composers — Boris Bezemer, Ji Youn Kang, Robert van Heumen and Christina Oorebeek — have researched the organ and its many sound possibilities - each in their own way, leading to eight completely different maiden voyages with this new intrument.

5 Ji Youn Kang - Mechanical Breathing

The other day I have met a man reading palms and offering a piece of very reasonable advice > to become a farmer of our bodies - farm your health - farm your conversations - actions - view yourself as a farmer - farm your breath - change the context - cultivate - farm you!

NINA PIXEL | Farm Your Body

A pre-apocalyptic fairy tale on the unsustainable direction of our values. Darkrooms vs. All leaders summits, rape of the planet vs hedonistic self-centered indulgence. Fortune teller story of your present.

Samples:
John Giorno poems
Greta Thunberg

NINA PIXEL | THE PALM READER @ Rituals Berlin

Glue, taken from the second part of Lee Gamble's 'Flush Real Pharynx' three part release, called 'Exhaust'.
Released on Hyperdub 15/11/2019, Clear Vinyl and Digital. Preorder here: https://fanlink.to/GambleExhaust

Exhaust

Lee Gamble - 'Glue' - Taken From 'Exhaust' 15/11/2019

The content of this cassette and digital audio files is the outcome of a series of studio recordings and live performances which took place in Berlin during 2017 and 2018. They are the result of a series of improvisational exercises on the mechanical potential of repetition via reel-to-reel tape loops (Auguste Vickunaite) and its spectral disruptional process via diverse DSP techniques (Hugo Esquinca).

klammklang.bandcamp.com/album/works-for-electromagnetic-tape-digital-signal-processing

Performed & recorded by Auguste Vickunaite & Hugo Esquinca in 2017–2018. Additional on site recordings by Adam Asnan (Part I 00:48–03:52, 08:25–14:55) & Kipras Dominas (Part II 07:08–16:10). 

© Klammklang 2019

Auguste Vickunaite & Hugo Esquinca – Works For Electromagnetic Tape & DSP (Klamm21)

Sound the @hyperdub klaxon! Label regular and @uiqmusic bossman @LeeGamble is releasing part two of his three-part album 'Flush Real Pharynx' this November.

The new chapter, an eight-tracker titled 'Exhaust', builds on the overarching narrative first introduced earlier this year on 'In A Paraventral Scale'.

On 'Exhaust' Gamble dives deeper into the concept and delves further into the world at hand. A world, we should add, stemming from his explorations into the 'Semioblitz' theory, which focuses on "the aggressive onslaught of visual and sonic stimuli of contemporary cities and virtual spaces".

It's nervier, neon-hued and more chaotic that the previous volume. In typically Gamble style it's an exploration of familiar, brain-aching real-world reflections and computer-generated sound design intended to provoke dancers instead of chin-strokers, with faint hints and intentional hues of jungle, rave and techno obliterated and rebuilt in shiny new mutated forms. 

On track 'Envenom' Gamble offers up a heady, woozy number that fuses those forms all together, all at one time, all in one track. A thrill-seeking tune that refuses to sit still, constantly changing course and tempo much like a race car speeding around a course right up until the end. 

Hyperdub will release 'Exhaust' on November 15. 

Pre-order below: https://hyperdub.net/products/lee-gamble-exhaust

More exclusive music

Premiere: Lee Gamble 'Envenom'

info + playlist: https://radio.syg.ma/episodes/klammklang-hugo-esquinca
https://www.dekj.org/
https://soundcloud.com/klammklang

Hugo Esquinca

Klammklang – Hugo Esquinca

Deconstructed Club Music --> Bin Aural (headphones)

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The Space in Sound

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