Fractals

Trolls in the Cloud

Soul of a YETI

My first cover I’ve ever attempted but a song I’ve really admired for a few years now. Nothing But Thieves are one of my favourite bands and definitely my favourite of the 2010s! 

I Decided to put an electronic spin on it later on and also the first time I’ve recorded acoustic guitar as well. I hope you enjoy!

6 Billion ( Nothing But Thieves Cover )

Fuori Tempo Massimo

Rado - Cold Sun

Aye salutations everyone! so here is another vital taste of that Future Trap Alchemy. And now officially moving into what you guys will be able to soon discover over the web. All over. So speaking of which I actually find it rather interesting how you can search my productions everywhere as (Electronic/Dance & HipHop Music) when I'm googled. 
It fits the bill perfectly because That is precisely how I aim to portray my sound... *FutureTrap*. And why I say this. It is because that is exactly what is this thing called - *FutureTrap* Music. Giving this varied combination an actual name sort to speak. And as I continue to push forward through the breakage that we call this "Music Industry" This Edm Industry of course, I break in with this thing called - Future Trap once again, I mention it. Lol. And once again explain, it is Electronic Dance Music and HipHop Music put together.. Thanks to a friend of mine, A brand new name that it was given upon my sounds evolution is - (TantrumTrap Music. As day in and day out, Day by day, each an every day, My sound continues to evolve from one song to another. And if your truly rolling with me throughout my journey, You will discover these marvelous turn of events of the universal vibe. Coming straight from the music movement dreams works

WhizPk Magicka

Grab your Vibes Here

WhizPk Magicka P5; From The USA To The UK (WorldWide Vol 5)

Duration: 13'
Instrumentation: for trumpet, violin, cello, piano, marimba (six-mallet), percussion, harp and banjo
For more information: https://robertpaterson.com/journey-into-courage-film-score/suite

PROGRAM NOTES
Journey into Courage is a documentary directed by Bess O'Brien about domestic violence in rural Vermont. It was originally a touring stage production with a cast of women from rural Vermont who were victims of domestic violence. The documentary is largely made up of footage shot during the tour as well as interviews of the women in the stage production.

Journey into Courage Suite is derived from the soundtrack for the documentary and is intended to be performed on stage as a suite for eight musicians. The performing ensemble can choose which versions (if there are multiple ones) of each piece it will perform. The short version, e.g. without repeats, may be performed if a shorter suite is desired.

Journey into Courage - 5. Lullaby (Solo Piano-Alternate Version)

Wind Quintet
Duration: 18'
Commissioned by Quintet of the Americas; Underwritten by the American Composers Forum with funds provided by the Jerome Foundation
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=909

PROGRAM NOTES
All of the movements of this wind quintet are connected and inspired in some way by American icons, surrealism, collage, post-1950s imagery and suburbia.

The first movement, Andante, begins with the ending and ends at the beginning. Some instruments mimic others and just when you think an idea might go in one direction, it goes in another. I gleaned many of my ideas from studying cinematic character development and the unusual forms used in many modern films such as the 1994 film Pulp Fiction by Quentin Tarantino.

The second movement, Suburban waltz-fantasy, contains quotes from 1960s-70s TV show themes: The Jetsons, All in the Family, Green Acres, The Dick Van Dyke Show, The Brady Bunch and Leave It To Beaver. The movement begins with a waltz-like feel and two of the players mimicking “suburban chicken lady housewives cackle-gossiping across a backyard fence.” An obnoxious stray dog interjects with loud barking and then the movement takes off in a different direction. Some of the quotes are re-composed to sound like bird songs, others are textural and a few are so subtle that they are not easy to discern. Some of the parts even sound like they are mocking each other. This movement is a strange, surrealist collage.

The most immediate and obvious reference in the title of the third movement, Melting Clocks, is to Salvador Dali’s famous 1931 painting The Persistence of Memory in which there are images of melting or limp watches. I imagine a room full of clocks all ticking away, yet slightly inaccurately, the “baby clocks” a little faster than the “old grandfather clocks.” The middle section contains a few brief quotes form the first movement, and the “slightly melted” end of the movement brings back the cuckoo, but this time it melts as if it is in a house consumed by fire.

The fourth movement, Klezmeshugeh, derives its title from my combining the words ‘klezmer’—which is a combination of the two Hebrew words, kley and zemer, meaning ‘instrument of song’—and meshugeh, which is a Yiddish word meaning ‘crazy’. Essentially, this made-up title means “crazy instrument song.” In this movement, there are a few “wrong notes” that allude to the players pretending to sight-read. The end also concludes with a few thematic fragments from the second movement.

Wind Quintet was commissioned by Quintet of the Americas and underwritten by the American Composers Forum with funds provided by the Jerome Foundation.

Wind Quintet - II. Suburban waltz-fantasy

A prog rock track about moving on

LYRICS:

No shelter from the rain
For those who helped her to explain

Too tired now to explore any more
Blew the fires out when we saw we were sure

It’s not that you’re kidding me, it’s just that your mask looks too real
I see what I look for, when I watch you my brain slips a gear
It appears you fit me ideally
But your beautiful heart is already separate and healing

We crawl and we walk and we run and we jump and we’re flying
We call and we talk and we sing about something that’s dying

I’m not such a fool, I just have a rule
Don’t cut your loss ‘til it’s over
If you slice it too soon you’re risking a wound to a lover
So what would you say when the fog melts away
And the warmth comes to rest on your shoulder
Would you look at me then and choose me again
Or still walk away with another

Your Beautiful Heart (Dying)

Throw Um Up

Head Space

Music by Michael Hanson, for your listening enjoyment.

Fractals

Light Webs