##many types of guitar sounds and performances##

A guitarist who favors music from the 20th and 21st centuries, but doesn't neglect other repertoire. He graduated from the University of Minho and the Royal Conservatory of Music in Madrid. 
On this platform he posts some of his edited and live performances.

Helilooja ja muusikaline kujundaja! Composer and musical designer for theater productions!

Composer

Contact:
liinasumera(at)gmail.com

Simon Cummings is a composer, writer and conductor based in the Cotswolds, in south west England. He composes instrumental and electronic music, both of which exist at the meeting point between emotionally potent extra-musical concerns and highly intricate algorithmic processes. These processes are rooted in carefully-defined behaviours and processes, the music emerging from stochastic relationships in which these behaviours are juxtaposed and intermingle. His work has received notable performances; Bromsgrove’s ‘Mixing Music’ Festival has twice featured his music, with acclaimed first performances of lent for solo clarinet and Orbus. (Fragment), the latter premièred by the Smith Quartet and broadcast on BBC Radio 3. His solo cello work, gravest one, won the SPNM/Huddersfield Festival composing competition in 2002, and was performed there by Arne Deforce. In recent years Cummings has composed works for a variety of soloists and ensembles, including Christopher Redgate, the Curious Chamber Players, BCMG, Thallein Ensemble, Icarus vocal ensemble and Thumb, and several of his works were featured in the 2014-15 Diva Contemporary concert series. Cummings’ electronic music draws liberally on noise and pitched material, also incorporating elements of an ambient persuasion. Several CDs of his electronic music have been released, including Dither • Pother • Roil, Simulated Music and Triptych, May/July 2009, in addition to a number of digital downloads.

Cummings’ composition studies began at Coventry Centre for the Performing Arts, with Christopher Best. After this, he studied composition, conducting and organ at the Birmingham Conservatoire, and directed their contemporary music group, Thallein Ensemble. Upon graduation he was awarded the Creative Studies prize. Aided by a substantial grant from The Countess of Munster Musical Trust, Cummings undertook the Sonology and Masters degree programmes at the Royal Conservatory in The Hague, at the same time studying privately with Richard Barrett in Amsterdam. He is currently pursuing a PhD in composition at the Birmingham Conservatoire under the supervision of Howard Skempton. The primary focus of his research is the development of extended algorithmic and stochastic techniques, presently directed towards a group of works for orchestra. He is also engaged in an ongoing series of electronic studies, exploring audible processes and the time/pitch organisation of music from an entirely visual perspective.

Cummings is an accomplished writer about new music; he is the author of the contemporary music blog 5:4, and is a contributor to a number of print and web journals, including Opera, Bachtrack, Pan (journal of the British Flute Society), Mexican arts magazine La Tempestad and Fluid Radio. Most recently, he has written an introduction to Marko Ciciliani's book/audio DVD Pop Wall Alphabet and a major retrospective essay for the ebook Imperfect Forms: the Music of Kenneth Kirschner, published by Tokafi in late 2014. As founder and artistic director of the ensemble Interrobang, Cummings has directed numerous new works; these include the UK premières of Paul Dolden's The Heart Tears Itself Apart with the Power of its own Muscle, Ryoji Ikeda's op. 1 and Chiyoko Szlavnics' (a)long lines; we'll draw our own lines, alongside works by, among others, Kenneth Hesketh, Galina Ustvolskaya, Sorabji and Stockhausen, as well as student compositions.

Pranav Ranjit (they/them) is a composer of new music currently based in Reykjavik, Iceland, with prior studies in the United States, Estonia and Finland. Ranjit’s works explore themes of space and texture, incorporating sounds from the natural world, influences from the Carnatic music of southern India and Lithuanian folk music, and the contrasting extremes of fullness and silence.

From Deep House to Proper Techno ;)

Some Links:
http://www.mixcloud.com/hurmet/
http://dj.beatport.com/hurmetilus
https://stillout.ee/

The Estonian Music Days festival, held since 1979, focuses on the latest music by Estonian composers.
The festival "SADA / 100" will take place from April 25 – May 4, 2025.

Platon Buravicky – Composer of Contemporary classical music and pianist (b. 1989). Electronic music producer and sound designer (Max/msp and Ableton Live). 
Based in Riga, Latvia
 Studying with Vilnis Šmidbergs, Pēteris Vasks, Selga Mence and Rolands Kronlaks.

The composer and pianist Platon Buravicky was born on May 10, 1989 in Riga. He graduated the Riga 5th School of Music (1998–2002) specialising in piano (also studying composition with Vilnis Šmīdbergs), and the Emīls Dārziņš College of Music Keyboards Department (2002–2007, studying composition with Pēteris Vasks). He received a Bachelor’s Degree from the Jāzeps Vītols Latvian Academy of Music, studying composition with Selga Mence (2009–2013), and, under her direction, continues his Master’s studies. As of 2007, he supplements his knowledge with many teachers – he participated in algorithmic composition courses with Achim Christian Bornhoeft, electro-acoustic composition courses with Rolands Kronlaks, composition master classes with Dieter Mack, Alexander Tchaikovsky, Christian Wolff, Richard Cameron-Wolfe, and Ed Benett, and electro-acoustic music master classes with Lamberto Coccioli and James Bullock.

His works have received awards at the new composition competition (1st place – 1999, 2007) and at the Pēteris Vasks composition competition (2nd place – 2012, 3rd place – 2014). His music has been performed at the festivals Skaņu mežs, Dominante, Survival Kit 5, Art and Communication, Arēna, Latvijas Jaunās mūzikas dienas, and elsewhere.

He has worked as a teacher of music theory at the Jugla School of Music (2011–2013) and as a music teacher at the Riga Classical Secondary School (2011–2014). As of 2013, he is a teacher of composition and music programming at the Jelgava College of Music.

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