WOMK Chopped Not Slopped Out Now ÷ https://ovo-dvsn.ffm.to/womk_chopped

YVNG SWAG is a Young Millennial Hip Hop Artist, Celebrity Dancer & Entertainer born and raised in Maryland on The Rise Towards Success. With more than 1 Million followers on Instagram, he is one of the best well know entertainers in the Maryland/DC areas who has taken the social media world by storm.

After continuing to grow a huge fanbase with his mix of dancing 
and music videos on Instagram, Worldstar HipHop, MTV.com 
and Vine. Yvng Swag then began a music career in 2016 with 
his debut single "Fall in Luv" which caught the attention and 
likes of Nick Cannon's N'Credible Entertainment and later then released his first Solo EP 32teeth in Nov 2017 with a smash single "HIT MY PHONE"

Two Friends Soundcloud: @two-friends

Snapchat: theTwoFriends

Management
info@twofriendsmusic.com

Bookings - CAA
Ferry Rais-Shaghaghi
bookings@twofriendsmusic.com

New album LEVELS out NOW! http://smarturl.it/FameOnFireLevels

Fame on Fire is genre-defying and pushing the boundaries of rock, hip hop, and heavy music, by unapologetically being themselves. Unpretentious, honest, and boldly brash, Fame on Fire has delivered a diverse, energetic, and emotionally-wrenching collection of songs for their debut album, LEVELS. Holding multiple meanings, LEVELS, is both about going through the motions of life, the various levels, ups and downs that all people can relate to, and about the quest to level-up and continue to progress and move forward. This dichotomy defines a band that is not willing to stand still or be complacent, but one that continuously tries to evolve their sound and craft. 

Hopeless Records / Hopelessrecords.com

Management
dan@mdpmgmt.com
MDMGMT.com

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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