Somewhere between DJ Screw and Bad Brains, De La Soul and Scritti Politti sits Houston’s native son, Fat Tony. For the last decade, Anthony Lawson Jude Ifeanyichukwu Obiawunaotu has been everywhere: from star-making turns on the first A$AP Rocky mixtape to hosting shows on Viceland and Super Deluxe, to co-founding a DIY culture magazine to playing every worthwhile rap party in America and burning the stage down every single time. A singular and experimentally-minded rap artist adept at both traditional regional styles and indie pop, hardcore thrash and melodic candy-painted bangers. He is punk in the platonic sense of the word: experimental and subversive, but also funny, whimsical, and virtuosic. 

Over the course of more than a half-dozen LPs, and countless other short-form gems and collaborations with everyone from Das Racist to Bun B, Fat Tony has reimagined and blurred the boundaries of hip-hop. There are a few things you can depend on in this schizophrenic world. About once or twice a year, Fat Tony will drop an album and it will sound like nothing that he has done before. There’s a spirit of creative restlessness and intelligence that runs through his deep discography. He is a national treasure, one of those rappers destined to seem forever underrated until you ask around and realize that everyone in their right mind likes Fat Tony. He is the Whataburger of rappers: if you know you know. 

Raised in Houston’s historically black and culturally radical neighborhood, the Third Ward, Tony’s mom and teachers educated him from the get-go about how this was the regional cradle for the Black Panther Party -- and how BP hero, Carl Hampton, was murdered by the Houston Police Department. It was an environment where social awareness and Pan-Africanism were always around and celebrated. His childhood home was filled with records—country music, King Sunny Adé, and Jimmy Cliff from his father’s collection, his mother’s classical music, rock, and soul, and his granny’s gospel. Then as a teenager, empowered by the internet and his discovery of independent artists like E-40, Bikini Kill, and Bad Brains, Fat Tony began recording and distributing his own music. Heavily influenced by renowned Texas rappers like UGK and Scarface, Fat Tony started playing and organizing live shows at a time when there wasn’t much of a scene for young artists in Houston. He started booking bands of all types from all over, hand-making flyers for the shows and mailing them to addresses nabbed from the Carnegie Vanguard High School student directory. 

His dedication to Houston’s rap scene earned him Houston Press Music Awards’ “Best Underground Hip Hop Artist” in 2008, 2009, 2010, and 2013. Primed for more national audiences, Fat Tony began taking his music on tour and collaborated with more artists around the country. His sonically unpredictable and emotionally vulnerable music has garnered praise from Pitchfork, The Fader, and Noisey. His achievements in rap have pushed him out of his comfort zone into other performance and hosting opportunities on TV and the Internet. This fall, Fat Tony releases Exotica on Carpark Records. It heralds his most visionary work yet, an ode to the art of storytelling through music. A rich and compact iteration of rap short fiction that firmly establishes him as his own one-man genre, the preeminent post-modern griot shooting game.

When It’s Halloween out now 🕷️🕸️
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GENERAL INQUIRIES:
Juliane Hormann
mail: office@mousse-t.com

BOOKING:
Entity Music Agency
Andy Raeside
andy.raeside@entityma.com

Forgetting Mercury is a studio band made up of 2 songwriting producers : Moises Diaz and Christian Lopez .
Edit

Launched in 2010, THE REFLEX is a project from producer / DJ Nicolas Laugier, a French national based in the UK since 1998. Following on the footsteps of remix / DJ edit pioneers Larry Levan, Shep Pettibone, François Kevorkian or John Luongo, The Reflex somewhat redefined the remix rules book by using stems and multitracks to craft fresh, innovative versions (dubbed ’revisions’) from classics tracks and artists, genre-hopping through the decades and styles with ease, combining creativity and functionality with often spectacular results.
With constant support from superstar DJs, tastemakers, A-list artists and creatives to high profile brands / events through to bedroom DJ’s, The Reflex revisions are now part of the musical landscape.

Clocking over 100M+ streams, The Reflex is a multi-faceted artist that has lent his skills to ads for Louis Vuitton, Karl Lagerfeld, to remixes for the biggest names in pop and dance music, to extensive catalogue revisits for the likes of London Records, Salsoul/Westend and Zagora/Because, to a long standing collaboration with Noel Gallagher and to legendary artists like Joe Walsh (Eagles), Cerrone, Kathy Sledge, Blondie, Michel Polnareff, Nile Rodgers, Rita Lee, Kid Creole and more.
Boasting a strong online following and a loyal fanbase, including 322,000+ fans on YouTube, The Reflex is now ready to move into original productions; his first artist track “Weekend” has been snapped up by Glitterbox for release in May, with Ibiza / Malta gigs and a Defected Basement mix lined up to support the arrival of this first single.
On his own vinyl label Discolidays, The Reflex has collaborated with Because Music in Paris re-imagining the catalogue from (Daft Punk) Thomas Bangalter’s father, Daniel Vangarde, and his label Zagora while showcasing his remix work for Cerrone, Patrice Rushen, D.C. LaRue, Nile Rodgers ft Nubiyan Twist, Bruise and others to commercial and critical acclaim.

As a DJ, The Reflex sets are energy-packed workouts firmly rooted into disco / house / balearic territory somewhere between trainspotters’ paradise and revision anthems, with an ability to adapt to audiences and venues through his 20+ years DJ experience.

Bookings / Remix / Press Enquiries: mgmt@discolidays.com
https://linktr.ee/thereflex

Socials
https://www.youtube.com/c/TheReflexRevision
https://soundcloud.com/thereflex
https://www.facebook.com/thereflexmusic
https://www.instagram.com/thereflexmusic/ 
https://open.spotify.com/artist/6E7SbenCPEit9gDFnMlDUA?si=RxLmyt67Q9W-NJgCSSQC9A

Booking inquiries: https://slynk.net/contact

Grammy-nominated indie-pop band Lucius released their highly anticipated new self-titled album on May 2 via Fantasy Records—their most personal and purposeful work to date. Their fourth studio album, Lucius finds the band returning to their roots with eleven new songs written and recorded without seeking outside influence—their first time doing so since their 2013 debut. Produced by Lucius’ Dan Molad, the record explores topics such as relationships, grief and life’s complexities, with a unique vulnerability only made possible due the familial nature of the band. Known for their engaging live performances, Lucius has been featured on “The Late Show with Stephen Colbert,” PBS’ “Austin City Limits” and “The Kelly Clarkson Show" and has toured across the world. This spring, the group will return to the road with their extensive “Gold Rush Tour." Throughout their acclaimed career, Lucius’ Holly Laessig and Jess Wolfe have also become some of the most sought-after collaborators in popular music due to their “otherworldly” vocals (Los Angeles Times). The duo has recorded and performed with artists such as Joni Mitchell, Brandi Carlile, John Legend, The Killers and Harry Styles, including appearances on the Grammy stage and NBC’s “Saturday Night Live.” Lucius is Laessig, Wolfe, Molad and Peter Lalish.

Chart-topping producer & DJ from Sofia, Bulgaria. #1 on Traxsource Main Chart. Worked with Dutchican Soul, Art Of Tones, Miguel Migs. Releases on Salted Music, Puro Music, Bobbin Head Music. Supported by Louie Vega, Kevin Yost, Derrick McKenzie (Jamiroquai).

Artone is a seasoned producer, remixer, and DJ with over 15 years of experience creating deep and soulful house music, combining live instruments, warm harmonies, and the smooth, melodic sound of the West Coast. With roots in nu-jazz, neo-soul, and hip-hop, his sound is warm, textured, and emotionally rich—equally suited for sun-drenched poolside sets or the intimacy of late-night underground clubs. Artone’s DJ sets and productions seamlessly bridge Deep House, Soulful House, and Nu Disco, always guided by a refined musical ear and a deep understanding of the dancefloor.

In recent years, he’s earned international acclaim: his debut single on Salted Music, featuring house legend Jay-J, topped all major Traxsource charts in 2021, while his 2023 remix for Dutchican Soul’s “FUN” (featuring Mr. V and Karmina Dai) reached #2 in the Deep House chart and was supported by Louie Vega, Kevin Yost, Derrick McKenzie (Jamiroquai), and others. Despite these successes, Artone remains a genuinely humble and self-effacing artist, focused on evolving his sound while staying true to his soulful roots and musical integrity.

Artone has been involved in projects with artists from all over the world, such as Miguel Migs, Art Of Tones, Sebas Ramis, the Grammy-nominated and Billboard-charting saxophonist Samir Zarif, a.k.a. FKAjazz, Kinky Movement, Dwayne Motley, the Bulgarian pop icon Lubo Kirov, Marten Roberto, TromBobby, Krista, Lina Nikol, and many more. His music has been released by some of the finest music labels in the world, such as Salted Music (US), Puro Music (ES), Bobbin Head Music (AUS), Mogue Records (US), Diamondhouse Records (DE), Soulstar Records (IT), just to name a few.

True to himself and his artistry, he prefers to create music from the depths of the soul rather than following any mainstream trends. Artone promotes a quality music experience and freedom of creativity.

lIl8 is following