eeanduh (for orchestra)

Performed December 9th, 2021 by the Yale Philharmonia and conductor Ryan Tani, Woolsey Hall, New Haven, CT

A procession of sights and sounds that walks, crawls, dances, and drags itself before disappearing into the distance.

Artwork by the composer
Recorded by YSM Media Production
Mastered by Jack Frerer

eeanduh (for orchestra)

Performed by YXUS Ensemble:
Olga Voronova, violin 1
Mari Targo, violin 2
Laur Eensalu, viola
Leho Karin, cello

Since I moved to Tallinn in August, the landscapes of Estonia have become an enduring source of inspiration for my music. In September, I made a particularly memorable visit to the peninsula of Paljassaare at sunset. As the evening chill set in, a thin layer of mist formed near the shore, almost appearing to join with the surrounding water. "Where Mist Meets Water" seeks to recreate the conditions of that magical evening, continuing a series of recent works focused on the sound and texture of water.

Where Mist Meets Water for string quartet

0:00 – 1. ergets vayt (H. Leivick)
2:15 – 2. tirtl-toybn (Yankev Glatshteyn)
3:30 – 3. nakht (Kadya Molodovsky)
6:35 – 4. a lonke tsvishn berg (Rokhl H. Korn)
8:05 – 5. the meadow with the butter-flowers

An absolutely golden performance of Butter-lider (2022), commissioned and premiered in full by No Exit New Music Ensemble, Dec. 3, 2022, SPACES Gallery, Cleveland, OH. Special thanks to No Exit directors Timothy Beyer and James Praznik; the brilliant musicians of No Exit; and my advisors, Yu-Hui Chang and Ellen Kellman.

Sean Gabriel, flute
Gunnar Owen Hirthe, clarinet
Cara Tweed, violin
Nicholas Diodore, cello
Nicholas Underhill, piano
Luke Rinderknecht, percussion
James Praznik, media and recording

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Butter-lider is a setting of poems by H. Leivick, Yankev Glatshteyn, Kadia Molodovsky, and Rokhl H. Korn, four of my favorite Yiddish writers of the 20th century. However, instead of setting these texts for voice, my music accompanies recordings (graciously archived and provided by the Yiddish book Center) of the poets themselves reciting their writing. The final movement features my own text assembled from translated fragments of each of the four poems.

Through this piece, I hope to facilitate a dialogue, across artistic media, across time and space, between these writers’ unique perspectives, and my own, on what it means to make Yiddish art. I refuse to fall into the elitist and insulting narrative of “elevating” a folk tradition by bringing it into classical music spaces. Rather, I hope to participate in this living culture so that it may reach new audiences and new generations, and to offer another medium, another language, through which to tell Yiddish narratives.

Butter-lider (2022) פּוטער־לידער

Marieke Keser, violin; Elisabeth Smalt, viola; Damien Harron, percussion

The Hanged Fiddler

Bailie.AbletonElectronicComposition1

Composer of acoustic and electronic Music
lilameretzky.com for more music, video, visual art, scores, and teaching and collaboration inquiries

eeanduh (for orchestra)

Lila Meretzky

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