“ORANATOL” unfolds like a dialogue between cultures, a meeting of Anatolian warmth and Western sophistication. Smooth yet expressive, the track moves in organic waves of improvisation, where mellow guitar lines and soft jazz harmonies breathe with soul.

At around ~78 BPM in D minor, “ORANATOL” balances gentle groove and cinematic stillness. It carries the calm elegance of jazz intertwined with the emotional resonance of Anatolia, a sonic horizon where sunlight fades into melody.

Perfect for reflective evenings, mindful sessions, and creative focus, it embodies the spirit of fusion, where emotion and tradition coalesce.


BPM: ~78 /  Key - Tonality: D minor (approx.) / Dynamic Range: ~21.5 dB /  Spectral Centroid: ~2.8 kHz / Average RMS: –17.2 LUFS /  Stereo Width (Side/Mid): ~0.45 / Gender Energy: eminine-leaning (42M / 58F balance)

Fusion Breakdown: Lo-Fi Chill 20% • Cinematic Ambient 25% • Neo-Soul 20% • Jazz 30% • Experimental 5%

ORANATOL

I wrote this one about a best friends struggling relationship,  He put up with a lot before he passed. 2025 October 
Features my Vox organ .
 I live in the " Real World  " lyrics by Glenny G
What's the matter with the car your driving it seems to be running fine 
"Fine Fine Fine Fine "
Why complain about the place your living it's just for doing time
" Time Time Time Time "
I can't worry about your mental state , I'm sick and tired of trying
" Bye Bye Bye Bye "
In just in case you can't relate ,  inside I feel like dying " I feel like crying "
But I'm working on me even though your walking out
I live in the real world not the one all filled with doubts 
So don't lay it on me girl cause I know what I need
 I live in the real not alone in fantasy
What's the matter with this watch I'm wearing it must be running slow
" Time time time time "
I thought I had so much more to do but I need some place to go
" Fun Fun Fun Fun "
Cruising down the lost highway it seemed to be where I'm bound
" Bounce Bounce Bounce Bounce "
I'm satisfy me a real soul someone who wont let me down
 " Wont Let me down "
Cause I'm working on me even though I'm running free
I live in the real world not a lone in fantasy
So don't lay it on me girl cause I know what I need
I live in the real world not alone in fantasy
I'm gonna take a long vacation and write myself a  sad sad song
Shake loose all this aggravation , heal my heart up oh so strong
I live in the real world . I live in the real world , I live in the real world
I LIVE IN THE REAL WORLD >>>>>>>>>>>>>

I live in the " Real World " !

Recorded in Modesto, Ca.   Featuring Hammond B3 Electric Organ solo. Vibraphone solo. Trumpet solo. Gibson L5 Electric Guitar Rhythm. Acoustic Stand-up Bass. Hammond B3 Electric Organ with Bass Peddles. Baritone Saxophone Background. Trumpet Background. Horn section, Trumpet, Tenor Saxophone, Baritone Saxophone. Acoustic Full drum kit set. Percussion Timbales, Cowbell, Zildjian 22" Ride & Crash Cymbal.

Cannery Row

Double Eagle Bluez

I've been hearing so much AI music on SoundCloud lately that instead of jumping on the AI bandwagon, it's pushing me in the other direction where I want to do more songs with just me and my guitar.  
This is a live version that I played straight through from start to finish which I am using as an audition song for the Tucson Folk Festival.
And if you're curious, here's a link to a YouTube video of me singing a different version  the song live (iPhone recording). https://youtu.be/qMe4Uh39uhY?si=jBvf8uvDZQyDgiVg

Elvis in the 1970’s in his jumpsuit and his cape.
Some say he didn’t really die he just decided to escape.
Over the year’s there’ve been sightings like Bigfoot and UFO’s.
Of Elvis shopping at Walmart dressed in ordinary clothes.
They say it’s good to be king – but sometimes maybe it’s not.
When you’re coasting on your past glory and now, you’re lukewarm instead of hot.
If Elvis was still alive, he’d be approaching the century mark.
He’d be a tired old hound dog - would he still be able to bark.
If he put on a pair of blue suede shoes and he tried to shake his hips.
And he strummed his guitar on a street corner would people give him any tips.
They say it’s good to be king – but sometimes maybe it’s not
When you’re coasting on your past glory and now, you’re lukewarm instead of hot
There’s day’s when you feel like you’re trapped in a routine 
And you’re going through the motions, and you want to start fresh and clean.
Somewhere between 1968 and 1977 Elvis took a detour and he ended up in Heaven.
It’s nice to imagine that maybe he was sick of sick and tired of all that fame.
And one day he just decided to retire from playing the game.
If he sang that song love me tender, would it till make the young women swoon.
Or would they stare at him with curiosity like at the zoo when you see a baboon.
If he put on the black leather costume that he wore in 1968 
And he played the same set list would people still think he was so great?
Elvis in Black leather in 1968 strumming his guitar he looked so good
And his voice was really great.
At the top of his game in perfect form he could have stopped right then
He could have walked away - still would have still been a rock and roll legend
They say it’s good to be king – but sometimes maybe it’s not
When you’re coasting on your past glory and now, you’re lukewarm instead of hot.
They say it’s good to be king – but sometimes maybe it’s not
When you’re coasting on your past glory and now, you’re lukewarm instead of hot

Lukewarm King (Acoustic Live Version)

Smiling Grass

Smiling Grass (Mix 2025)

First track in our new album. Rock yer socks off. Gritty rock . Tis almost the season to be Jolly 🎄


Shadows stretch long The day’s on the run
Streets light up Aye the party’s begun 
Kegs are tapped And the whisky flows 
Lanterns swing where the wild wind blows  

Rock yer socks off Shout till it’s done 
Dance like the devil Till the morning comes 
Oot comes the moon In goes the sun 
Rock yer socks off The party’s begun  

Boots on the floor Stompin' like thunder
 A ceilidh so wild It’ll tear the roof asunder
 Pipes are screamin’ Fiddles wailin’ 
Hearts are racin’ No one’s bailin’  

Rock yer socks off Shout till it’s done 
Dance like the devil Till the morning comes 
Oot comes the moon In goes the sun 
Rock yer socks off The party’s begun  

Raise yer glass high Feel the fire burn 
Round and round The world’ll turn 
Laugh till ye cry Sing till ye choke 
Life’s too short It’s the punchline joke  

Rock yer socks off Shout till it’s done 
Dance like the devil Till the morning comes 
Oot comes the moon In goes the sun 
Rock yer socks off The party’s begun

Rock yer socks off .mp3

91_Autumn - released on 18 November 2025

I stayed in Germany for my last holiday. I went to the Szczecin Lagoon. It was wonderful to enjoy autumn there by the water and in the forest. I had mostly really good weather and was able to slow down and relax.
And every morning I passed this beautifully coloured rhododendron bush (see cover pic) and was immediately inspired to turn it into a track that pays homage to the autumn I have grown to love. Here it is. I hope you enjoy it!
#ambient #chillout #guitar #trance #liverecording

(produced with Blocs & LaunchPad)

Autumn

Cast of characters:

Gaz Brownie — @user-755327533 — Gaz — vocals, vocal harmonies, lyrics, and composition
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four-string fretless bass
TexMex Shaman–@texmex-shaman –Stephen– (?) acoustic guitar
J.J. Terrell– @j-j-terrell – organ and piano
Llanpsych–@llanpsych –Tez– mix, production, and mastering

This song began by Gaz composing it and on his acoustic guitar, and singing his original lyrics over it. Gaz is a brilliant songwriter, lyricist, and singer, with whom we've worked before. However, this is the first song he's shared with us. He gave it to Ken first, who started the project and invited the rest of us to it.
  Ken, who was the originator of the project, was actually the second person to lay down a part, which he did to Josh's bass, instead of the other way around, as they usually do it. Stephen then came in and replaced Gaz's guitar with his silky smooth acoustic guitar. JJ got down on his magical piano and organ parts not long after Stephen added his guitar. 
  This was a somewhat uncomplicated process, as Gaz gave us a fully realized song to work with right from the start. Tez sealed the deal with his expert production to cap it off, too.
  As mentioned, this is our second song starring Gaz, and we're very grateful to him for sharing his magic with us. We're all looking forward to working together again in the future, too. We hope you enjoy listening to this as much as we enjoyed creating it. 
Original lyrics by Gaz Brownie:

Im drawing the conclusion that 
Im just being polite 
And questioning myself is it me our are they right
I’m feeling a little angry hope it’s not  out of spite 
Is just a reaction to this uncomfortable  night 

When did the world stop listening 
When did the world stop listening 

As we compete for space to try & speak
Everyone’s on journey on a bus to shit creek
With condescending story’s of there  bad & awesome week
And I’m working on finding just a better style of  technique 

I avoid catching that struggle bus 
Don’t wanna be part of my problem and be misunderstood 
What are you looking at is there something you wanna discuss 
I push his   face up the window cause I’ve had enough 

When did the world stop listening 
When did the world stop listening 


When Did the World (Eclectic Collective with Gaz Brownie)

Echoes in the rain

Awakening

DO ME A FAVOUR…Hans-Michael (Clouders for) / Lillithe Collab
Main Track  Hans-Michael " neuf nouveau"
Guitars: Hans
https://soundcloud.com/clouders_for
Vocals : Christy
Lillithe adding :
Piano, Bass, Synth, Accoustic Noodling guitar, Drum, Beat

DO ME A FAVOUR…Hans-Michael Albers (Production Lillithe)

Lillithe