Syntaleta --- Oblivion Inevitable ,  Lillithe --- I've Seen That Face Before feat. Vocalatti

/Motion X --- Last Breath (Video Link)/

/Dj Mabi --- Astral Quarantine Worm/

/Fleursonseaux --- Toys Room/

Lillithe - I've Seen That Face Before feat. Vocalatti

I've Seen That Face Before

Lillithe ---  I Got This Feeling (Paploviante - Colors) , I've Seen That Face Before feat. Vocalatti

Lillithe

My Last Songs and Collaborations

I Hear The Day Has Come

And I Love Her / The Beatles
https://youtu.be/Nm4YlZ3oYsQ

This work was supported by many people in the winter of 2019. The listeners were mainly in various area of the United States. I am very grateful for that. I decided * WINTER 2019/2020 * for this work. I wish you a good Christmas and a good year.

This classic Beatles song is designed to raise the key by a semitone at the stage of the guitar interlude. Some people do not realize that it has been changed the key because it is so natural. I think it's a really attractive and mysterious melody. I developed it and experimented with this recording to see what would happen if I continued to raise the performance of the song by a semitone for each theme. For those who are practicing the guitar, I think it can be used as a basic lesson to aim at playing in any key, whether it is chord stroke practice or melody line practice. 
However,  I know that some people who are practicing guitar can only play the same melody line with different pitches, because the chords are different. If the songs are different, other instruments will perform quite differently. Therefore, even if your performance while practicing guitar is always doing almost the same thing, it is often the case that the listener hears it playing a different performance. What is unfortunate is the fact that you can't grow at all during that time. The problem is that you stay there for years. If you later realize that you were wasting a terrible time, you can't get it back.It's a serious wall for beginners to overcome. Even if you are a skilled top professional guitar player, if you don't pay attention to your condition, it is said that you will be playing only the usual phrases. It is the same that we should always be aware of.If you can't get out of the symptom that the melody you play is almost the same, even if you use different titles for each recording, you first need to realize that you are always playing almost the same phrase.
Such people terribly often don't know or ignore the difference between the Western scale and the Blue note scale. For example, if you add an E-flat sound to the C major scale or A minor scale, and you think it is a blue note scale, it won't cause a catastrophic failure if you are a keyboard player. However, if you are a guitar player, it will be fatal.They are even suspicious of whether they have found a usable scale from the chord progression and are starting to play.Often they do not seem to be fulfilling the important mission of matching rhythm and melody.What's more, it's impossible for a sensitive listener to allow someone to pretend to be a blues player while making a sound unrelated to the blue note scale.To make matters worse, such people do not even master the Western scale enough,many good listeners will gradually move away from the artists who release or spread the works that cannot be called works. We will need to be very careful about that.You may struggle and find someone to pass on responsibility. But that attempt will fail. We all pay laziness and self-satisfaction by ourselves.
Alternatively, some beginners can imitate the performance of a great guitar player, but cannot freely improvise. In general, it is until the early teens that a boy or a girl who is crazy about guitar playing is expected to see the future from the audience by imitating the performance of a genius guitar player.As is well known, copying and covering are completely different acts.That is also a serious wall. In order to overcome this, there is no choice but to accumulate a lot of issues from basics to applications over a long period of time. I would like the recordings shown here to be used as the first step before getting into there in earnest.
December 2019

The chord progression from the 11bars.
F#m7|E6  |F#m7|E6  |
F#m7|E6  |A       |B7     |E6     |E     |

And I Love Her ～slide To End（Instrumental cover,The Beatles）--- * WINTER 2019/2020 *

Proud to present my first collaboration 
with Rudolf Kilian Music and Nathalie B.
I added a few strings and guitars.
Loving Valentine (Open Collab)
Backing track: RKM  Angel Heart (Open Collab)
https://soundcloud.com/rudolf-kilian-music
Spoken Words: Nathalie B
https://soundcloud.com/nathalie-b-tracks
Production, Arrangement and Remix: Lillithe

Loving Valentine feat. Nathalie B - RKM & Lillithe

So Beautiful Under The Moonlight 
Melody : Ramble on  - Led Zeppelin
Vocals : Brandon and Leslie (Ghosthack)
http://www.ghosthack.de
Acoustic Guitar: Sandy William
Solo Guitar: Jack Pearson
Arrangement and Production: Lillithe

So Beautiful Under The Moonlight - Prod. Lillithe

THAR Desert
The THAR Desert, also known as the Great Indian Desert, is a large arid region in the northwestern part of the Indian subcontinent that covers an area of 200,000 km2 (77,000 sq mi) and forms a natural boundary between India and Pakistan. It is the world's 17th largest desert, and the world's 9th largest subtropical desert

angel vocals and dark synth: Paploviante
https://soundcloud.com/paul-racle
Music and arrangement: Lillithe
Free Download

THAR Desert - Lillithe & Paploviante

Piano : Elisabeth Dicker @https://soundcloud.com/liz-dicker
Orchestrations : Julien Morency  @https://soundcloud.com/julien-morency

Based on the book Cilka's Journey by Heather Morris

Cilka is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp in 1942, where the commandant immediately notices how beautiful she is. Forcibly separated from the other women prisoners, Cilka learns quickly that power, even unwillingly taken, equals survival.

When the war is over and the camp is liberated, freedom is not granted to Cilka: She is charged as a collaborator for sleeping with the enemy and sent to a Siberian prison camp. But did she really have a choice? And where do the lines of morality lie for Cilka, who was send to Auschwitz when she was still a child?

In Siberia, Cilka faces challenges both new and horribly familiar, including the unwanted attention of the guards. But when she meets a kind female doctor, Cilka is taken under her wing and begins to tend to the ill in the camp, struggling to care for them under brutal conditions.

Confronting death and terror daily, Cilka discovers a strength she never knew she had. And when she begins to tentatively form bonds and relationships in this harsh, new reality, Cilka finds that despite everything that has happened to her, there is room in her heart for love.

From child to woman, from woman to healer, Cilka's journey illuminates the resilience of the human spirit―and the will we have to survive.

Un Triste Périple

Un Triste Périple - Elisabeth Dicker & Musicar

Please welcome to join Syntaleta community on www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

Oblivion Inevitable

What's good fam?  Gotta thank JellyBeatz for dope, funky instrumental.  Just talkin about cruisin' in the streets.  Hope you enjoy !

Check out the album, "Mr. Mellow's Crazy Ride," by Clu on Youtube
https://www.youtube.com/playlist?list=PLgFucqkpV2AgfU1rja0i2l-4P26zEwogM

Check out album, "Mr. Mellow's Crazy Ride," by Clu on Soundcloud
https://soundcloud.com/cluraps/sets/mr-mellows-crazy-ride

[ [ Check the link for social media and more music ] ]  
~ https://linktr.ee/cluBcooln ~

--  Clu  --
Soundcloud  :  https://www.soundcloud.com/cluraps
Youtube  :  https://www.youtube.com/@cluBcooln
Bandcamp  :  https://cluraps.bandcamp.com
Facebook  :  https://www.facebook.com/cluBcooln
Instagram  :  https://www.instagram.com/clu.Bcooln
Twitter  :  https://www.twitter.com/cluBcooln


--  Jellybeatz  --
Soundcloud  :  https://soundcloud.com/chris-jelly

Mr. Mellow's Crazy Ride

Clu - Cruisin' (Prod. Jellybeatz)

GIVE THEM WHAT THEY WANT
Music: Bitter  Sweet Symphony (The Verve)
https://freevocals.com
Vocal: Sanna Hartfield
Trumpet: Don Clark
Production, Mix and Arrangement: Lillithe

GIVE THEM WHAT THEY WANT

BaNG DrUmS

Motion X - Last Breath - Recorded 1/10/20
For the gloomy Video: https://www.youtube.com/watch?v=soVtoZ00oMM
Photo by JR Korpa

Last Breath

YouTube

Motion X - Last Breath (Video Link)

Toys Room - Fleursonseaux
All rights reserved - © Copyright

Toys Room

Child in Time Instrumental Cover
Cover „Deep Purple“ Child in Time
Musik and Production Paploviante 2020
One of the best from Deep Purple

Child In Time - Cover

Backing track: Paploviante and Friends - Colors
https://soundcloud.com/paploviante-and-friends/colors-paploviante-open-collab
Vocal : Sana Hartfield -This is the Night
https://freevocals.com
Vocal : Emily / I Got This Feeling
www.Ghosthack.de
Lillithe : Arrangement vocals, adding Strings, Picolo, Organ

I Got This Feeling  (Open collab Paploviante - Colors)

Astral Quarantine Worm

Please come in

Behind the Fence / Open Collab Paploviante 2020
Instrumental Version of the track Enchanted
BPM 140
The track is downloadable as a mp3 file!
You can complete what you want!
If you publish it, you have to mention me in the description and title!
Thanks !

Behind The Fence - open collaboration Paploviante

I’ve Seen That Face Before feat. Vocalatti
I am very happy to present my first collaboration with Vocalatti.
Vocal Vocalatti
https://soundcloud.com/vocalatti
A huge thanks to Paploviante for remastering
https://soundcloud.com/paul-racle
Music and Production Lillithe
Lyrics:
Strange, I've seen that face before
Seen him hanging 'round my door
Like a hawk stealing for the prey
Like the night waiting for the day
Strange, he shadows me back home
Footsteps echo on the stones
Rainy nights, on Haussmann Boulevard
Parisian music drifting from the bars
Tu cherches quoi, rencontrer la mort?
Tu te prends pour qui?
Toi aussi tu détestes la vie
Dance in bars and restaurants
Home with anyone who wants
Strange he's standing there alone
Staring eyes chill me to the bone
Dans sa chambre, Joel et sa valise
Un regard sur ses fringues
Sur les murs, des photos
Sans regret, sans mélo
La porte est claquée, Joel est barré

I've Seen That Face Before feat. Vocalatti

FEELING GOOD feat. TheGat’s
(Cover- Michael Bublé - Nina Simone
Vocal : TheGat’s  - Jan Schonander 
https://soundcloud.com/thegats
Music : Lillithe
I am very proud to present my first collaboration with : Jan Schonander @thegats
Please check out his amazing music.

Feeling Good feat. TheGat(s)

8 Urban Express 
https://soundcloud.com/paploviante-and-friends
Lillithe adding: vocals, guitars, beat, drums, percussions, synths

Here is my new collaboration with Paploviante.
Here are the different places:
Cairo, London, Bogota, Moscow, Paris, Neuschwanstein Schloss (D),
 Agra Taj Mahal (India), Jerusalem.
Free Download

8 Urban Express Paploviante-Lillithe

Lillithe: Arrangement, Mix and Production
Vocal : www.Ghosthack.de
Lyrics:
Too many times
Did i sit here and cry
After  the lies
Can we say our goodbyes
Why are you playin
I'm tired of saying
You took it all
When you walked out on me
You're from the city
I'm from the sticks
You were so pretty
But you made love a bitch
Just go 
Take it all with you
Moonlight 
On the morning dew
I'm so sick and tired 
Of messin around
Of mucking it up
Every time that i'm down
I’m so sick and tired 
Of running away
I must be in love
Won’t you just stay