M Y   S O N G S  -  LILLITHE

Lillithe --- YOU GOT IT BABE , AÐE --- Monster face - feat.Wyra

Paploviante --- ELIXIR - OPEN COLLAB , Lillithe --- YOU GOT IT BABE

LILLITHE Spotlight

Lillithe - YOU GOT IT BABE

Lillithe - You Got It Babe

Syntaleta --- A Better World , Lillithe --- YOU GOT IT BABE

Lillithe - Excellent Musician & Songwriter!

Lillithe --- YOU GOT IT BABE , Nathalie B20 --- Everybody Loves To Do It

I Hear The Day Has Come

And I Love Her / The Beatles
https://youtu.be/Nm4YlZ3oYsQ

This work was supported by many people in the winter of 2019. The listeners were mainly in various area of the United States. I am very grateful for that. I decided * WINTER 2019/2020 * for this work. I wish you a good Christmas and a good year.

This classic Beatles song is designed to raise the key by a semitone at the stage of the guitar interlude. Some people do not realize that it has been changed the key because it is so natural. I think it's a really attractive and mysterious melody. I developed it and experimented with this recording to see what would happen if I continued to raise the performance of the song by a semitone for each theme. For those who are practicing the guitar, I think it can be used as a basic lesson to aim at playing in any key, whether it is chord stroke practice or melody line practice. 
However,  I know that some people who are practicing guitar can only play the same melody line with different pitches, because the chords are different. If the songs are different, other instruments will perform quite differently. Therefore, even if your performance while practicing guitar is always doing almost the same thing, it is often the case that the listener hears it playing a different performance. What is unfortunate is the fact that you can't grow at all during that time. The problem is that you stay there for years. If you later realize that you were wasting a terrible time, you can't get it back.It's a serious wall for beginners to overcome. Even if you are a skilled top professional guitar player, if you don't pay attention to your condition, it is said that you will be playing only the usual phrases. It is the same that we should always be aware of.If you can't get out of the symptom that the melody you play is almost the same, even if you use different titles for each recording, you first need to realize that you are always playing almost the same phrase.
Such people terribly often don't know or ignore the difference between the Western scale and the Blue note scale. For example, if you add an E-flat sound to the C major scale or A minor scale, and you think it is a blue note scale, it won't cause a catastrophic failure if you are a keyboard player. However, if you are a guitar player, it will be fatal.They are even suspicious of whether they have found a usable scale from the chord progression and are starting to play.Often they do not seem to be fulfilling the important mission of matching rhythm and melody.What's more, it's impossible for a sensitive listener to allow someone to pretend to be a blues player while making a sound unrelated to the blue note scale.To make matters worse, such people do not even master the Western scale enough,many good listeners will gradually move away from the artists who release or spread the works that cannot be called works. We will need to be very careful about that.You may struggle and find someone to pass on responsibility. But that attempt will fail. We all pay laziness and self-satisfaction by ourselves.
Alternatively, some beginners can imitate the performance of a great guitar player, but cannot freely improvise. In general, it is until the early teens that a boy or a girl who is crazy about guitar playing is expected to see the future from the audience by imitating the performance of a genius guitar player.As is well known, copying and covering are completely different acts.That is also a serious wall. In order to overcome this, there is no choice but to accumulate a lot of issues from basics to applications over a long period of time. I would like the recordings shown here to be used as the first step before getting into there in earnest.
December 2019

The chord progression from the 11bars.
F#m7|E6  |F#m7|E6  |
F#m7|E6  |A       |B7     |E6     |E     |

And I Love Her ～slide To End（Instrumental cover,The Beatles）--- * WINTER 2019/2020 *

This work was made using the track of "Cool Times - Paploviante Open Collab".
MARCO TURRINI  added Synth Hammond and Cello. JUNZO KOWASHI  added Guitar.

About"Cool Times - Paploviante Open Collab"
https://soundcloud.com/paplo-repost/cool-times-paploviante-open-collab
You can download the track and complete your work. When publishing it,write the name of Paploviante in the title and description.In addition, it is only the above that you can use it as a sound source of "Open Collab", upload it as a work. It is strictly prohibited to use the track finished as a work by another artist ,without permission.

"Collaboration Artist"
Paploviante https://soundcloud.com/paul-racle
Marco Turrini https://soundcloud.com/marco-seekx
Junzo Kowashi https://soundcloud.com/h560rjzkmtiq

"Management and promotion of collaboration"
Special thanks to
Lillithe https://soundcloud.com/lillithe
Demelia Denton https://soundcloud.com/demelia-denton
Syntaleta https://soundcloud.com/syntaleta
 In addition to the above, we have received your cooperation from many artists.

JUNZO ---- "COOL TIMES" ---- PAPLOVIANTE / MARCO TURRINI / JUNZO KOWASHI

So Beautiful Under The Moonlight 
Melody : Ramble on  - Led Zeppelin
Vocals : Brandon and Leslie (Ghosthack)
http://www.ghosthack.de
Acoustic Guitar: Sandy William
Solo Guitar: Jack Pearson
Arrangement and Production: Lillithe

So Beautiful Under The Moonlight - Prod. Lillithe

RAISE THE FUNK
Happy to announce my 13th collaboration with Hans Albers(Clouders for:)
Vocals: Urban Shokker
https://www.looperman.com/acapellas/detail/7217/raise-the-funk-acapella-with-additional-stems-by-urbanshokker-96bpm-funk-acapella
On Soundcloud:
https://soundcloud.com/urban-shokker
Lillithe: backing track, arrangement and production
Guitar: Hans-Michael Albers
Bass and Mastering:  Paploviante
https://soundcloud.com/paul-racle

RAISE THE FUNK (Vocals Urban Shokker) - Hans-Michael Albers / Paploviante (Prod. Lillithe)

EVEN IF WE FIGHT
Vocals: Leslie
Vocals and lyrics: Ghosthack
https://www.ghosthack.de

Even If We Fight

ALL THE SAME GAME
Vocals: LOU6 - Ian Greaves
https://soundcloud.com/lou6-224024339/vocal-88-bpm-the-game-deconstructed
https://soundcloud.com/ipg1
Music, Arrangement and Production: Lillithe

ALL THE SAME GAME   LOU6 / Lillithe

ECSTASY
Vocal and Lyrics: Brandon
https://www.ghosthack.de
Backing track- Small Talk: Paploviante Open collab 
https://soundcloud.com/paul-racle
Arrangement, guitars, synths, sound effects and vocals : Lillithe

ECSTASY   Lillithe & Paploviante

Please welcome to join Syntaleta community on www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

Show your support

Taken To Heaven

Dancing in the Moonlight
Vocal: Mirja
https://www.ghosthack.de
Backing track: Paploviante 
https://soundcloud.com/paploviante-and-friends/funky-potatoes
E-Piano Jeff Lorber
Music, Arrangement and Production : LIllithe

Dancing in the Moonlight (Open collab by Paploviante)

We wish all of you a Happy Hollidays and Merry Christmas!
Move In Dance  
Vocals :https://www.ghosthack.de
Backing Track: https://soundcloud.com/paploviante-and-friends/in-the-beginning-open-collab
Cover: Emerson Lake & Palmer- From the beginning
Sax: Mark Douthit
Trumpet: Don Clark 
Lillithe:   Arrangement  and Production

Move In Dance   Lillithe & Paploviante

A Better World

JUPITER FALL 
Release date: 18 January 2020
Production and Mix: Lillithe
Free download

JUPITER FALL

MODULAR / 2020
Music: Paploviante
free download

MODULAR - Paploviante

Here's my latest collab with the very talented Cwn Annwn & Moddey Dhoo. It was a pleasure working with him once more.
Produced by: Cwn Annwn & Moddey Dhoo - Kit Kat
Vocals by: Nathalie B20

Everybody Loves To Do It (Produced by Cwn Annwn & Moddey Dhoo Ft Nathalie B20)

YOU GOT IT BABE
Release date : 15 February 2020
Production and Mix: Lillithe

YOU GOT IT BABE

ELIXIR / Open Collab Offer / Paploviante 2020
BPM 110
The track is downloadable as a mp3 file!
You can complete what you want!
If you publish it, you have to mention me in the description and title!
Thanks !

ELIXIR - OPEN COLLAB

All For Nothing
Vocal: Brandon
www.Ghosthack.de
Bass and Mastering: Paploviante
https://soundcloud.com/paul-racle
Lillithe: Music, Arrangement, Production

All For Nothing (Collaboration with Paploviante)

LIKE A SUGAR CANE IN A HURRICANE
Lillithe:  Remix Ballroom Blitz/ Sweet