Jak Chto Nia Byŭ

This Ukrainian pagan folk song comes from very old times, most likely it is related to slavic spring rituals. It has survived through Christian period, because this text was used in a popular game, that children and young people are playing in the spring, mostly at the time of Easter. Some researches think that Šum (means "forest" in several slavic languages) is personified image of the spring forest spirit, and this song is calling for him to wake up. There are a lot of different variations of the text, some are quite new, but the rememberance of Šum and his "green fur", that is used in each version, shows real age of the original song.

The first mention of the song dates 1865.
lyrics
A v našoho Šuma zelenaja šuba,
Divky hulialy, šubu porvaly,
Siju-viju, siju-viju konopelečky,
Siju-viju, siju-viju nevelyčečky.

Divky hulialy, kukly porobily,
Kukly porobily, vony pohorily,
Siju-viju, siju-viju konopelečky,
Siju-viju, siju-viju nevelyčečky.

Oj numo, numo, zapletemo Šuma,
Šuma zapletemo, huliaty pidemo,
Siju-viju, siju-viju konopelečky,
Siju-viju, siju-viju nevelyčečky.

Zapletysia, Šume, zapletysia,
Chreščatyj barvinku, rozstelysia.

___


А в нашого Шума зеленая шуба,
Дівки гуляли, шубу порвали,
Сію-вію, сію-вію конопелечки,
Сію-вію, сію-вію невеличечки.

Дiвки гуляли, кукли поробiли,
Кукли поробiли, воны погоріли,
Сію-вію, сію-вію конопелечки,
Сію-вію, сію-вію невеличечки.

Ой нумо, нумо, заплетемо Шума,
Шума заплетемо, гуляти пiдэмо,
Сію-вію, сію-вію конопелечки,
Сію-вію, сію-вію невеличечки.

Заплетися, Шуме, заплетися,
Хрещатий барвінку, розстелися.

Šum

Control

PTSMH - little bit deep.wav

Once Hit, always hit! Breakthrough song of my carier.

“room-thirteen-(the-key-you-hold)” original

Slave to My Desire

Building on the simple bassline, we created a song worthy of a road movie. Some say the bassline is reminiscent of the Peter Gunn theme. Others think it's more of a B-52's song. What do you think? Unfortunately, it was winter, so we had to shoot the video in the rehearsal room at Castalian Spring instead of on the road. You can find the video here: https://youtu.be/VFsxCh19Enc?si=CgsvbunCHgd0Qe2y

Glass Eye

Month of sorrow 
original title - ditto1_v6
bleep

+
+
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to get some of the feeling back 
i was in the city posted with the rats 
wrist like 50 k cover it in trash 
i cover my eyes watch the red go to black
i might say i wont but i think i will
i wanted to be with dharma like jack 
that boy got burned so then he turned to ash
i gotta break it down with a hammer and a bat 

sometimes i stand up too fast 
head rush just to get the feeling back 
i used to be in trees like a lumberjack 
now im posted at the chevron i ain’t going back 
24 hours im away for 12 
i would say its heaven most would call it hell 
slow it down like codeine i got me a friend 
purple mana field breaking out the shell

out the shell
out the shell 
purple mana field breaking out the shell 
american boy bumping to estelle 
i throw all my coin in the wishing well

Rats (2022)

Grafenberg’s debut full-length No Saints, No Proof is a hallucinatory collision of Anatolian psychedelia, dark electronic ritual, and surf-noir energy.
Ten tracks unravel like a midnight drive through shifting mirages: fuzz-saturated strings, trembling synths, hypnotic motorik drums, and a deep female voice bending between whispers and fire.

It is an album about memory and resistance — how glitches, ghosts, and fractured signals can become sacred. Ritual mantras (“Order Eats the Sun”, “Loom of Wires”) sit alongside spectral ballads (“Tape Ghost Mirage”, “VHS Desert Prayer”) and driving nocturnal anthems (“Motor Moon Communion”).

The sound is tactile, imperfect, and alive: warm compression, tape-delay halos, lo-fi grain.
For listeners of Gaye Su Akyol, Altın Gün, Tame Impala, and anyone seeking a darker, cinematic edge to psychedelic electronic music.

Order Eats the Sun

[Verse 1]
I'd take it on the chin if the dream hadn't died
Could take the weight of my head
Take it in stride
Take it like a man if I still had some fight
Wouldn't be a problem if the dream hadn't died
 
[Chorus]
If the dream hadn't died
There'd be so much to love
So many things to keep a heart above
And I'd walk around with my arms open wide
It wouldn't be a problem if the dream hadn't died
 
[Verse 2]
And I could say that this just happens to everyone
And I'd believe it if it wasn't for the fact that I'm
The only one
And the sun's setting on me
It's like the world has gone and left me to the night
It wouldn't be a problem if the dream hadn't died
 

[Chorus]
If the dream hadn't died
There'd be so much to love
So many things to keep a heart above
And I'd walk around with my arms open wide
It wouldn't be a problem if the dream hadn't died

[Verse 3]
I'd stop countin' my failures
Just learn to forgive
I could let go of some things
Lord
I could forget
Wouldn't matter at all if I just hadn't tried
Wouldn't be a problem if the dream hadn't died
 
 [Chorus]
If the dream hadn't died
There'd be so much to love
So many things to keep a heart above
And I'd walk around with my arms open wide
It wouldn't be a problem if the dream hadn't died

[Verse 4]
And when I look around and I see that it ain't there
That good ol' faith
Just feelin' up in the air
It's all good
I know
It's just not what I had in mind
Wouldn't be a problem if the dream hadn't died

[Final Chorus]
If the dream hadn't died
There'd be so much to love
So many things to keep a heart above
And I'd walk around with my arms open wide
It wouldn't be a problem if the dream hadn't died
If the dream hadn't died
There'd be so much to love
So many things to keep a heart above
And I'd walk around with my arms open wide
It wouldn't be a problem if the dream hadn't died
Wouldn't be a problem if the dream hadn't died
Wouldn't be a problem if the dream hadn't died

[outro]

If The Dream Hadn't Died (feat. Nostalgia Boy)

Dark Beach (Cavii Cover)

For the past six years, Lil Mountn has been channeling his deepest thoughts and emotions into his music. Inspired by the iconic SoundCloud era (2015–2019) and artists like Yung Lean, Lil Peep, Lil Uzi Vert, XXXTentacion, and Mac Miller, he blends elements of alternative hip-hop, punk-pop, and rock to create a unique sound.

In his songs, Lil Mountn reflects on personal struggles, addictions, and his journey of self-growth — raw, honest, and unapologetic. His lyrics delve into dark phases of life while still leaving room for hope and reflection.

With a few live shows under his belt, Lil Mountn brings his energy to the stage, connecting with his audience on a deeply emotional level.

His music is more than just sound — it’s a reflection of his journey.



Alles andere
https://linktr.ee/lilmountn

Alter Ego:
https://soundcloud.com/gnckfck