Safe Flight

Safe Flight (Acoustic)

Circles

When You're Feeling Blue

Gone

Slowly Losing Ground

Crystal

Taken from the 'Three Times The Drama' single on Matinée Recordings.

Three Times The Drama

Azure Blue - Three Times The Drama

Call Whoever This Makes You Think Of (Except Your Narcissistic Ex)

Lay It Down

I forgot about you 
When we went to Bethany
My heart is on my sleeve
I made a bloody mess
You just wanna talk to me

You’re walking hand in hand 
But my heart is very slow
I don’t think you understand 
I’m walking on the fence
I feel you break my fall 
The way you let me land 

Yea I know you well
You let me in 
I’ll never think you’re dangerous 

Yea I’m not man enough to do it
I can’t blame you for
Grabbing my arm 

I was shifting shapes carrying around all the things I thought you’d say
I heard the sound break, the music got quiet all around me when you hit the brakes
I could see it on your face
You won’t stay

Yea I know you well
You let me in 
I’ll never think you’re dangerous 

I’m not man enough to do it
I can’t blame you for
Grabbing my arm 

Yes i take it back
I love you still
I’ve run around in circles

Yes you know me well
 I let you in 
I’ll always be unraveling

Bethany

KMT KI Media 2025 (18.08.2025)
Album Nr. 132 "Fragile Hope by KMT" - Style: Ambient, Volk, Classical, Singer-Songwriter | Tracks: 30 (ai generated)
Lyric: English

Theme: A musical monument highlighting the vulnerability of children, urgently calling for their protection to be unconditionally guaranteed.

Track 01: Lullaby in the Storm
ambient, neo-classical, downtempo

Track 03: Shadows on the Playground
modern classical, neoclassical, cinematic

Track 05: Whispers of Innocence
acoustic, folk

Track 07: Tears in the Sand
ambient, experimental, downtempo

Track 09: Angels Without Wings
modern classical, choral, ambient

Track 11: Safe Harbors
acoustic, folk

Track 13: Stars of Hope
ambient, cinematic, downtempo

Track 15: The Silent Cry
modern classical, ambient, neoclassical

Track 17: Hands That Protect
acoustic, folk

Track 19: In the Garden of Dreams
ambient, new age, dream pop

Track 21: The Trail of Tears
modern classical, choral, ambient

Track 23: Light on the Horizon
acoustic, folk

Track 25: Wings of Paper
ambient, downtempo, cinematic

Track 27: The Silence of the Night
modern classical, neoclassical, ambient

Track 29: The Rainbow After the Rain
acoustic, folk

If you would like to use my music commercially, please contact me. No financial income may be generated from my music without my permission. My music is free for private and commercial use. However, I would appreciate it if you would credit me (Kurt Michael Treichl) as the author. Please also mention that this is AI music.

Thank you for your time. Enjoy your journey through my artificially created musical paradise.

© Album cover and music were created by Kurt Michael Treichl using AI support.

Best regards,
Kurt Michael Treichl (KMT KI Media | AI Music Austria) - Austria / Salzburg

Visit me for more on
https://www.mystic-arts.com
https://www.ai-music.at
https://www.kmt.zone

24 Light on the Horizon v2

pagsubok-at-karunungan-ov

Pagsubok at Karunungan OV

Find My Way

Sometimes a song is more than just a song. Sometimes a song can be a mirror to the world, or to the hidden selves we are or want to be. 

Lily Kershaw's debut album, Midnight In The Garden, explores emotional landscapes and heart clutching melodies that say the unsaid things we struggle to say ourselves. The album takes root in the titans of folk music…those classic songsmiths who weave tapestries of sound with fingerpicking and tales of often unspoken truths. 

In song, Kershaw is an old soul, but in person, she's a kinetic 22 year-old, a "nearly life-long Los Angeleno," she says. She's ebullient and lively, quick with a joke and an infectious smile. Raised adjacent to the Hollywood machine, Kershaw offers an antidote to the long-mythologized Los Angeles glitz; she's authentic, and honest, self-effacing and, above all, she is herself. She may not tell you this, but she's conduit, a nexus of the experiences of the world around her. She feels the weight of the world, she says, but through song, she wears it as an emblem of who she is. Like the day-glow dreams of Los Angeles noir, she reveals the darkness that coexists with sunshine. 

"It's all about death," she laughs, while describing her music. "I’d love to say most of my music isn't about death or heartbreak but, well, it is."

It comes as no surprise then, that in 2012, her single "As It Seems" provided the backdrop to the long-running CBS drama series, Criminal Minds. Her voice lilts and flows, as the guitar leans gently into minor keys, and she sings: 

Well I knew what I didn't want to know, 
and I saw where I didn't want to go, 
So I took the path less travelled on, 
And I’ll let my stories be whispered when I'm gone. 

The song caught fire, broadcast around the world. "People wrote to me saying, 'This is the song I want to play at my funeral,' it was unsettling at first," she says, "but it felt good to know that my song connects with people." 

Almost a year later, her song "Ashes Like Snow" appeared on the show with similar effect, wrapping audiences up in the meandering piano and her skyward arcing vocals. It was a song born from serendipity, nearly ten years in the making. "One day when I was at my parents house," she says "I found this poem that I had written right at the time of the September 11 attacks, when I was just a young kid. I took some of those words and added the perspective from where we are today, in the long aftermath of war and struggle, looking back." 

Kershaw is a compulsive creator, she jots down melodies and lyrics as she's wandering through her days. She sings melodies into her phone while sitting in traffic or secretly hums a tune into a voice recorder while out at shows, capturing any inspiration that she can channel back into her music. Her debut layers lush instrumentation over the stark skeleton of her sketches, sauntering between swaying somberness and playful uplifting anthems. Like the subtle beauty of a black rose, Kershaw's music shores melancholy with a sense of hope and catharsis. And like she sings, her stories -- her songs -- are whispers or echoes, messages in bottles, cast out into the world. 

Midnight In The Garden is set for release in September 2013 via Nettwerk Records. 

Call Whoever This Makes You Think Of (Except Your Narcissistic Ex)

Lily Kershaw

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