Les nouveautés et découvertes Post (rock, metal, punk), psychedelic/ Indie (folk, rock, pop), instrumental, Noise, Trip-hop, Experimental, electro/Stoner, soft-rock, soul ... et genres proches de la semaine 42 de 2023 (16 au 22 octobre)

Pintes Musicales 2023-s42

Watch the snow fall with the best indie-folk music in our winter compilation! Thank you for listening and for supporting independent artists :)

You can also find this playlist on
YouTube: https://www.youtube.com/watch?v=qLwmryRpC50
Spotify: https://spoti.fi/49JCDTB
Apple Music, Deezer, Amazon and more: https://onerpm.link/IndieFolkWinter23

Find alexrainbirdMusic on
Official website: www.alexrainbirdmusic.com/
Spotify: spoti.fi/350QXar
Instagram: instagram.com/alexrainbirdmusic/
Discord: discord.gg/nQxwjC25YX
Patreon: www.patreon.com/alexrainbirdMusic
Everywhere else: www.alexrainbirdmusic.com/discover

alexrainbirdMusic - the finest independent pop, folk and rock music.

Indie/Indie-Folk - Winter 2023/2024 ❄️ (alexrainbirdMusic)

Copy of Your MegaMix

road trips

sing and dance

Florence + The Machine - No Light, No Light (Slowed Down)

Good For You

McKenzie

MoonChild Era (Full Album)

Hoops - Diljit Dosanjh

West Coast Drive

Thank you Joey we love you.

LYRICS:
And I never thought that I'd save my praise
For the song-less prayer for the opulent days
When I met my maker, looked him in the face
For the lost return of my childhood haze

And I never thought that I'd meet my match
In a parking lot outside the pumpkin patch
With your auburn hair, the way you tied it back
So I left my date, didn't even look back

Never believed anything I was told
'Cause my mother left when I was twelve years old
And I slept outside under the old orange grove
Eating tangerines for a sunken soul
Soul soul
Soul

A little compassion is too much to ask
Of the old white men buying books with cash
Say I "take too long" so they're talking smack
And I quit I'm not paid enough for that

'Cause I spent my whole life thinking I was wrong
For questioning things, for writing songs
For forgetting choreography I was shown
For feeling the things that I've always known

And there is so much that I'll never know
Why this fox it follows everywhere I go
From the church we pass into the grocery store
Even when I ask, he waits at my front door
Door
Door
Door

Never had faith in my life before
'Til I found my god at the department store
Where you worked the night shift and got off at four
So I'd wait for you up on the kitchen floor

And I think the worst part of growing up
Is starting to hate the ones you used to love
And you sit there staring in the dining room
And you try to love them but they hate you too
And you try to hate them but they love you too

Think I'll make it to the pearly gates?
'Cause I know I've seen better when I saw your face
Make Saint Peter crumble under all that grace
All that good in you outweighed all my hate

Yea, I think I'll leave, now it's time to go
'Cause I've slept in this grave 'bout a month or so
And if I don't leave now then I'll never go
I'll eat tangerines in my new found home
Home
Home
Home
Home
Home

CREDITS:
Nolyn Ducich: Music/lyrics, producer, lead/harmony vocals, acoustic guitar, synthesizers
Daniel Bermudez: Producer, engineer, synthesizers, electric guitar, bass
Joey MacMahan: Producer, engineer
Erik Chapman: Cello
Julian Kirsch: Trumpet
Sammy Hinrichsen: Mixing
Timothy Stollenwerk: Mastering

Tangerine

The Alpine Universe

The Hunter

Saturday Sun - Live at Sydney Opera House

Warm A Cold Heart

Warm A Cold Heart (Acoustic)

I Got Heaven

Grow

The Vase

Burden

Peacemaker

The Line

White Rabbit

Wildfire

Depreshmode

Toothpaste

Pre-order Sigma's debut album 'Life' from iTunes: http://po.st/sigmalife

Single on iTunes: http://po.st/glitterball 
Single on Spotify: http://po.st/glitterballspotify
Single in Belgium: http://po.st/glitterballNEWZ
Remixes on iTunes: http://po.st/glitterballremixes
Remixes on Spotify: http://po.st/glitterballremixesspotify

https://twitter.com/sigmahq 
https://www.facebook.com/sigmahq
https://soundcloud.com/sigmahq 
https://www.youtube.com/user/sigmahq
http://instagram.com/sigmahq 

https://twitter.com/EllaHenderson
http://instagram.com/official_ellahenderson
https://www.facebook.com/EllaHendersonMusic

https://twitter.com/3beatmusic 
https://www.facebook.com/3Beatmusic 
https://soundcloud.com/3beat 
https://www.youtube.com/user/3BeatProductions 

Glitterball

Glitterball (feat. Ella Henderson)

Buy on iTunes

Changing

Changing (feat. Paloma Faith)

Little Neon Limelight

Darlin'

Coastline

Knees

Welcome, Friends

Зеркало (feat. лэривэйн)

The Baby

Pool

Fleurie - Don't let me down

Sometimes a song is more than just a song. Sometimes a song can be a mirror to the world, or to the hidden selves we are or want to be. 

Lily Kershaw's debut album, Midnight In The Garden, explores emotional landscapes and heart clutching melodies that say the unsaid things we struggle to say ourselves. The album takes root in the titans of folk music…those classic songsmiths who weave tapestries of sound with fingerpicking and tales of often unspoken truths. 

In song, Kershaw is an old soul, but in person, she's a kinetic 22 year-old, a "nearly life-long Los Angeleno," she says. She's ebullient and lively, quick with a joke and an infectious smile. Raised adjacent to the Hollywood machine, Kershaw offers an antidote to the long-mythologized Los Angeles glitz; she's authentic, and honest, self-effacing and, above all, she is herself. She may not tell you this, but she's conduit, a nexus of the experiences of the world around her. She feels the weight of the world, she says, but through song, she wears it as an emblem of who she is. Like the day-glow dreams of Los Angeles noir, she reveals the darkness that coexists with sunshine. 

"It's all about death," she laughs, while describing her music. "I’d love to say most of my music isn't about death or heartbreak but, well, it is."

It comes as no surprise then, that in 2012, her single "As It Seems" provided the backdrop to the long-running CBS drama series, Criminal Minds. Her voice lilts and flows, as the guitar leans gently into minor keys, and she sings: 

Well I knew what I didn't want to know, 
and I saw where I didn't want to go, 
So I took the path less travelled on, 
And I’ll let my stories be whispered when I'm gone. 

The song caught fire, broadcast around the world. "People wrote to me saying, 'This is the song I want to play at my funeral,' it was unsettling at first," she says, "but it felt good to know that my song connects with people." 

Almost a year later, her song "Ashes Like Snow" appeared on the show with similar effect, wrapping audiences up in the meandering piano and her skyward arcing vocals. It was a song born from serendipity, nearly ten years in the making. "One day when I was at my parents house," she says "I found this poem that I had written right at the time of the September 11 attacks, when I was just a young kid. I took some of those words and added the perspective from where we are today, in the long aftermath of war and struggle, looking back." 

Kershaw is a compulsive creator, she jots down melodies and lyrics as she's wandering through her days. She sings melodies into her phone while sitting in traffic or secretly hums a tune into a voice recorder while out at shows, capturing any inspiration that she can channel back into her music. Her debut layers lush instrumentation over the stark skeleton of her sketches, sauntering between swaying somberness and playful uplifting anthems. Like the subtle beauty of a black rose, Kershaw's music shores melancholy with a sense of hope and catharsis. And like she sings, her stories -- her songs -- are whispers or echoes, messages in bottles, cast out into the world. 

Midnight In The Garden is set for release in September 2013 via Nettwerk Records. 