Name: su lekesi by Liminal Objects in HK_Fantaisies_tracks_08
Duration: 4 min 40 s
Description: /a track from album: https://wouwiuwa.bandcamp.com/

.... love this track, great atmosphere . .

Nice! the soundscape grows by grabbing fragments along the way...

Fantaisies series

The tracks were uploaded between September 2019 and July 2020.

In these tracks there is either very little rhythmic patterns in the traditional sense, or those that are present are mutating too much. Only professionals can dance on this stuff.

HK_Fantaisies_tracks_08

New music from XT (saxophone player Seymour Wright and percussionist Paul Abbott) in the form of an exhilarating, super compressed, reflective re-assembling of a dozen years working together. Re-animating free improvisation with a Chicago house palette, Deorlaf X is made up of frenetic slabs of mutated multiphonics and triggered percussion, suspended in bouts of possessed reflexive quiet. 

Where the duo’s 2019 release Palina'tufa on Empty Editions focused primarily on a response to the real (and imagined) landscapes of Hong Kong, Deorlaf X is located in Dalston, and specifically at OTO. Wrung through Shaun Crook’s studio over three nights, the recordings dug from XT’s archive aren’t simply ‘duo’ - instead they actively draw on their public and social contexts, involving the influence of audience, engineers and other visiting musicians - Ghédalia Tazartès, Jamaaladeen Tacuma, Senyawa, RP Boo and others. “A changing cast of OTO guests, audience and emotions hosted each time in a new London. XT structures sound an ongoing attempt to listen and learn about the rich and transformative affordances of the situations we occupy.” 

The resulting record puts a pin through a dialogue between Abbott and Wright, between histories, potentials, fact, fiction, ideas, friends, audiences, and spaces. The heavy use of referencing recalls the footwork or house traditions of sampling across all manner of influences; what’s recalled is primarily the structures of jazz - Ornette Coleman, Charlie Parker, Anthony Braxton - but also Ann Quin, Clarice Lispector, Anna Halprin. What’s created in recall is a kind of diary, a hyper re-membering - a blisteringly warped kind of future music. 

Recorded by James Dunn, Shaun Crook and Paul Skinner. Assembled, mixed and re-recorded 19, 20 and 21 January, 2020 by XT at Lockdown Studio, Cable Street. Engineer Shaun Crook. Sounds/design by XT. Cover painting Leon Kossoff Dalston Junction No.3, June 1973 oil on board, 20.5 x 25 cm. © The Estate of Leon Kossoff.

ROKU026
OTOROKU
18-22 Ashwin Street, Dalston, London, E8 3DL
cafeoto.co.uk

ROKU026 - Deorlaf X [sample]

This piece of music helps me.

when I made it, the image conjured in my mind was of a battlefield at night, uninhabited by people, but laden with technological tripwire and military traps beaming flashing blue LEDs. Inside all of the warfare was a bright white spirit, tormented and innocent. 

I wish I was in my womb again

Internal Conflict

25 01 22

Sweet Harmony

TLF Trio - Passacaglia (Latency 022)

Goddaughter - Goddaughter C38. Available Summer MMXXII
Echoes of music smeared with urban field recordings from NY's Weston Czerkies (Magnetic Coroner / Prime Ruin). Simply GORGEOUS! Limited to 80 copies with screen printed artwork.

Goddaughter - Goddaughter C38 (Excerpts)

but i'm close too

collective private commissioning

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”. More info and music: https://kioskradio.com

Cimetières de France @ Kiosk Radio 20.10.2022

/a track from album: https://wouwiuwa.bandcamp.com/

yeknesak

su lekesi

synesthesia

identity of discernibles

サブマリン

Bois Mes Règles

Pic & sound effects - Esthwaite Water, English Lake District

Published on SC 13 July 2020

June evening, Esthwaite Water

Like entering a palatial hall of mirrors, LXV’s A Screen Memory opens with a baroque, choral synthesis. There are seraphs atop gilded plinths, chandeliers overhead. You’re ushered through an ornate, jeweled backdoor, and outside, it’s a beautiful bright day. Down a mossy path the calm patter of rain begins. A brook gurgles. There are voices too, though indiscernible. You arrive at a well brimming with crystalline data. But then a fog descends from behind. And down you go.

The place you arrive in appears familiar, but something is off. Strange transmissions travel the air. Anomalies all around. Paradox reigns. Notions such as backwards and forwards lose meaning as do sender and receiver. The landscape is littered with softwares, broken bells. Looking up, there, some things in the shrouded distance: sonic objects, unidentified, glowing, you squint to get a good look, but before you can comprehend, the brain change concludes, and your paranoia turns to coursing pleasure.

LXV is the most prolific alias of David Sutton, a sound arranger and independent researcher from Philadelphia, Pennsylvania. He also records under the monikers Heaven Copy, Temporal Movement, as well as his full name, David Wesley Sutton.

releases November 20, 2020

professionally dubbed type I cassettes limited to 75 copies with hand-printed covers using water-based ink on recycled paper

mastering - A Campbell Payne
production assistance on 'Edouard' - Glyn Maier
all proceeds to Friends of the Nanticoke Lenni-Lenape (Bridgeton, NJ) - nanticoke-lenape.info/friends.htm

pre-order - https://enmossed.bandcamp.com/album/a-screen-memory

https://soundcloud.com/lxv
https://soundcloud.com/enmossed

Premiere: LXV - Slip [enmossed]

// broken electronics for broken people //
co-founder https://soundcloud.com/tablerecords - 2018

for contact/booking: info@tablerecords.com

Music,
centered on dance but I made the circle very,
very wide,
from everywhere, for everyone.

Enjoy.
...
2024/03/20:
My linux won't boot so I'm presently forced to use Windows, and because of the bug in Soundcloud's system my account is all messed up when I don't use a VPN to connect which I am unable to do now... trying to get help from my VPN provider.  Because of this, and because I started working very long days I will be less present here.  Sorry, I'm trying.

2024/02/22:
Hi,
"Tracks: 0" is wrong, it should read 40.
Ever since the closing of this account by error by SC two or three months ago, this problem has remained unfixed.  Soundcloud and their AI are apparently still working on solving this and other problems with this account, and with my other account ; )

2024/01/29:
What I wrote below was heart felt but presumptuous and pretentious.  I would have to not be stupid myself to be allowed to claim such a thing.  More importantly though, I don't believe it is correct or accurate.  These people are probably not stupid but just don't care.  Justice is a collective thing and many if not most people seem to live in bubbles.  It is perhaps economic oppression which is responsible, they just don't have the resources, the time, the energy to be concerned about what lies behond that bubble.  It used to be fine but there's this thing they call globalization which makes this increasingly impractical or impossible.

mid January 2024:
Justice and vengeance are not the same.  Apparently most people are too stupid to see the difference.  Unfortunately it is not something unique to the Israeli-Palestinian conflict, and not unique to group conflicts.

What happened to intelligence?  Aren't we supposed to be the "intelligent" specie.
...

Here's the other account, for celebrities, ... this one here is for regular folks:

https://soundcloud.com/ha-kekong

I love you.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

su lekesi

Liminal Objects

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