te,nu, arī ir tas, kur pakāpties virs Zemes.

Continuing our ambitious People Like Us vinyl reissue program with Welcome Aboard – a strangely relevant 10-year-old album (originally released in May 2011) when People Like Us aka Vicki Bennett became stranded in the US after the Icelandic Eyjafjallajökull volcano eruption closed much of northern Europe’s airspace. 

More info at www.discrepant.net

Welcome Abroad LP

People Like Us - Sing (from Welcome Abroad LP)

Chumps - Grumpus Theme
Pre-Fix - Ectomorphine
De Klumb - Rolly Polly
Stillsuit - 12 4
Upsidedown Cross - Kill for Satan
Colette Magny - Jabberwocky
Molto Brutto - Kiste Bier
Destroy All Monsters- Take Me with You
Jean Tinguely - Sculpture at The Tate no. 2
Rahsaan Roland Kirk - Black Root
Bay of Pigs - Addiction
Frank Lowe & Eugene Chadbourne - Composition for David Murray
TDA - Sans Douleur
Swell Maps - The Graveyard Shift
Taiwan Housing Project - Salt Sugar Fire
Burmese - Sweet Child of Yours
Lowest Common Denominator - Fish (I Like…)
Bpeople - Persecution, That's My Song
Emergency - Don’t Walk on the Kitchen Floor

No-Wave & Adjacent Past & Present April 27, 2021

this sound is my first (well, second or third) exploration of the error instruments sonic lullaby eurorack module which basically places a music box and a contact mic on a module. it's absolutely beautiful and so much fun. not just the bell sounds of the music box, but all of the mechanical noises and squeaks as well.

this modular patch is quite simple:

sonic lullaby > make noise moraphagene > three sisters filter > intellijel rainmaker

there's a bit of bricasti M7 reverb on the end

enjoy!

july 15, 2017 (error instruments - sonic lullaby)

Preview of Mark Gergis new tape Early-Century Sound Recordings.

Featuring locational recordings, radio and TV intercepts, cassette excerpts, environments and street music all expertly all expertly meshed up into a vivid sound journey from places that were (and might) never be again.

More info at www.discrepant.net

Mark Gergis -  Early- Century Sound Recordings (Morocco tape excerpt)

"A ringing that approaches from the distance. An accumulation of harmonics, of a fullness, a density, craning ever upward. The examination of states of solitude, the vast expanse of singularity, the violence of realization. Minor percussion mingles with gasps of tape manipulation. The mangled fidelity, a blown-out tonality: are we in the red?"
- Lea Bertucci, 2019 

"These tracks are based on excerpts from electronic improvisations investigating the cycle, as opposed to the loop, in arrangements. Sounds portray various irreversible emergencies, such as an attack from a psychic vampire or a spilled glass of water." - Kyle Eyre Clyde, 2019  

3 color risograph edition of 100.  Digital download included.

Lea Bertucci - Leaden Hours

Limited edition CD/download out now on Jason Lescalleet's Glistening Examples. Purchase here:

http://meagreresource.com/paper-gestures/

Paper Gestures was originally created as an 8-channel sound work at EMS, Stockholm in 2019. The piece is based upon field recordings made across Norway over a 13-year period including sounds of military exercises with tank fire, a road surface stripping machine, breaking panes of glass, high speed trains, ultrasound recordings of stomach noises, wind whistling through vents on the Oslo underground, sliding wardrobe doors, microwaved popcorn, soap suds, bee hives, hand bells and bicycle races. 

Composed from field recordings made in Oslo, Lillestrøm, Deset, Eidsvoll, Risør, Øysang, Røros and Trondheim, Norway between 2006 and 2018.

Released 27th February, 2020.

Created with the support of EMS and Creative Scotland.

Permea - from 'Paper Gestures' CD (Glistening Examples)

Laurent Fairon is a French musician, DJ and record collector. Active as a sound art blogger and archivist from 2007 to 2016 via Continuo’s Weblog and Continuo’s Documents. As a composer he has published several cassettes in the early 1990s on various DIY labels.

‘Eclipse Profonde – Experimental Church Organ Music 1970–2020’ is a two hour long mix, focusing on organ+electronics or electroacoustic treatment, as well as organ+live instruments.

Tracklist:
Codespira1 – Triangular Progression (2020)
Alfredo Costa Monteiro & Bruno Duplant – Un cercle autour du soleil (2020)
Pierre Alexandre Tremblay – BWV1080-1 (2015)
Alex Bonney – Liebster Jesu remix (2015)
Michel Estellet-Brun & Gerard Berlioz – Jungle (1972)
René Baptist Huysmans – Accretion (2014)
Thomas Demenga & Horst Reber – Cellorganics I (1981)
Mudboy – Live at the Providence Performing Arts Center (2008)
Bronius Kutavicius – Jubiliejinis Koncertas (1982)
Juan Allende-Blin – Mon Piano Bleu (1970)
Winfried Mühlum-Pyrápheros – Musica Nova Contemplativa (1970)
Michael Bonaventure – Interlude (2017)
Davorin Kempf – Interferencije (1981)
Michael Bonaventure – Coronach (2019)
Xavier Darasse – Organum I (1970)
Franz Richter Herf – Alapa (1980)
Franz Richter Herf – Wie schwache Fontänen (1974)
Gilius van Bergeijk – Over de Dood en de Tijd pt 3 (1980)

Eclipse Profonde mix

MIXTAPE: Eclipse Profonde – Experimental Church Organ Music 1970–2020

Dontyouknow

Lizzie Urquhart (1/11/20)

Geometric Counterpoint for harpsichord and electronics

Sofa Music is proud to present the solo debut album of Norwegian composer and sound artist Tine Surel Lange. 

Works for Listening 1-10 is a series of spatial electro-acoustic works developed at Notam (NO), MISC (LT), and EMS (SE). All the works are made in 5th order ambisonics but have been presented in many different formats- as in this stereo decoding of the works.

In Works for Listening, there is a strong focus on listening-aesthetics and our psychological categorization of sound. Surrounding sound environments are created with material taken from everyday life: organic sound sources reconstructed to varying degrees by tone, rhythm, timbre, and layers. The sonic material in Works for Listening appears physical and tactile, and often abstracted from their original state. 
As Tine Surel Lange expresses herself: With Works for Listening, I hope to create inspiration for increased listening experiences in life.

Geometric Counterpoint for harpsichord and electronics

Linda Leimane

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