Nico's Nextbots OST - 8-Twelve (nn_russia)

"A short song made in FL Studio 21 using some weird piano.

It was pretty fun working with this instrument!
I feel it taught me a lot, since it kind of forced me to pay attention to where notes end since usually, I don't have to care too much about that haha.

I also took it as a challenge to try and cram EVERY interval in music into this song :0 :0"

i found a weird piano let me know if you like it - AZALI

"A short song made in FL Studio 21 using pretty much anything but a piano :0
Besides the drums, everything's a synth actually lmao


okay so here was my thought process here :0 :0

to make artcore, i pretty much NEED to be really good at using synths
this is something i kind of suck at since i usually use piano most of the time, and so i decided id make a song using (almost) only synthesizers to try and get more comfortable with them !!!!

thinking of my favorite artists who do similar things, i thought of ujico*/snails house, and really wanted to try composing kawaii future bass !!!


this was SO fun to make, and surprisingly, it went a lot smoother than i thought it would !!

although probably fairly rarely, id love to make stuff like this every now and then for sure :)"

meowsynth kawaii future bass was a mistake - AZALI

"A short song made in FL Studio 21 using a piano, accordion, some breakcore drums, and a very special boy.

I spent like an entire day working on just that little bit about halfway through the song (⁠╥⁠﹏⁠╥⁠)(⁠╥⁠﹏⁠╥⁠)(⁠╥⁠﹏⁠╥⁠)"

boss battle in a french cat cafe - AZALI

the name is literally "please do not listen to this" but I highly suggest giving it a listen, AZALI is a GOATED artist

AZALI - please do not listen to this song

yeah!

azali-abusing my ability to make music

AZALI-theme of a shop that sells you things that you dont want

CUDDLEMETA - lianhua

STAIRWELL TO RuBRIC is a slow-burn descent into a city’s hidden pulse, an underground club where the lights hum like electricity and the bass feels engineered for transformation. Each track is a step lower: steel stairwells sweating neon, security doors sealing behind you, and that first distant thump that tells you you’re close. Cinematic tension, movie-grade sound design, and cyberpunk atmosphere that escalates into hybrid trap pressure and Y2K bass grit. By the time you reach RuBRIC, the sound isn’t just loud... it’s alive choom, glitching in the air, reshaping the night into something mythic and mechanical.

This album plays like a midnight film with no dialogue: EDM built for visuals, for late-night drives, for underground sets, for the moment your heart syncs to the strobe and you forget the surface world exists.

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EDM, cinematic EDM, cyberpunk EDM, hybrid trap, Y2K bass, glitchy bass, gritty electronic, dark club music, underground rave, futuristic bass, sci-fi sound design, no vocals, instrumental EDM, movie effects, soundscape, neon dystopia, afterhours, bass music, electronic album, cyberpunk soundtrack, club entrance music, stairwell descent, RuBRIC, saintkarst, saint karst

AZALI - please do not listen to this song

LinioX