Edgar Hurley’s new addition of songs comes in the form of ‘HAVE ARMS WILL HUG’. Recorded and self-produced at home with a couple microphones, a Nylon Guitar, Keyboard and other various instruments found around the house. Have Arms, Will Hug, in an otherwise experimental folk collection, stands with a maturity that is an artist exploring the employment of self production, weaving a complex simplicity through an otherwise fable collection of old and new tricks, vocally and instrumentally.
PR / 4000 Records 
john@4000records.com
Aus / NZ booking:
jordanwearn@hotmail.com

4 girls guaranteed to make your face melt and your boyfriend cry. 

Anji, Kate, Rinae, Jas. 
 
All songs are copyrighted  ©

Pink Matter are redefining what it is to be an all-female band. Sonically sitting somewhere between Madonna, Channel Tres, Bakar and Mildlife, it’s not everyday you see three young classically trained jazz musicians playing club-ready dance music. Following a long line of women doing it better for themselves - from The Supremes, to Destiny's Child, The Spice Girls, TLC, HAIM, and all the talented, powerful women in between - Pink Matter are shaping this tradition in their own way on Australian shores. Crafting a unique intersection between dance, neo-soul and jazz, the three-piece have quickly developed a devoted following in their hometown of Brisbane and beyond. With just a handful of releases under their belts, Pink Matter have earned support slots for Unknown Mortal Orchestra, The Internet, Mildlife and Lastlings and been booked for the country’s biggest festivals, Splendour In The Grass, Laneway and Pitch. Having already collaborated with Harvey Sutherland (who’s past remixes include Disclosure and Khruangbin) and Jesswar (who’s latest single features Erica Banks), 2022 will see a slew of collaborations with some of the most respected musicians in the country.

clairo aka DJ baby benz
ty for listening <3

'Charm' out July 12th

Purchase/Save the album:
https://clairo.lnk.to/charm

Off the swirling Central Coast of Queensland, the year 2015; 16 year old Kate McGuire (Guitar) and 15 year old Anji Greenwood (Vocals) met in high school through mutual friends. The two would form a strong bond relating to their shared passion of music, pouring their parents stolen liquor into emptied body wash bottles and growing up in a small town that would ultimately fall short in catering to their dreams. 
 
Resulting in the Rockhampton runaways to pile into the back of an old Ford ute and drive to Queensland's capital Brisbane; the two would find the missing pieces of their journey in the form of Gold Coast drummer Jasmine Cannon partnering her piercing attitude and vast percussional skills with the fast chugging basslines of Antonia Hickey learning the instrument weeks prior to her first performance. Now with Kate’s unconventional catchy riffs and Anji’s vocals angelically soft yet turning razor sharp, cutting right through to deliver powerful and honest lyrics. 
 
VOIID was born and taking influence from the likes of L7, Smashing Pumpkins, and Hole the quartet would release critically acclaimed EP’s Pussy Orientated and Drool. Not just taking influence from the grunge rock revival of the 90s and noughties but giving their modernised answer to the genre almost 30 years later. Together the band would set out to play, Groovin’ The Moo, GizzFest, BIGSOUND, as well as sharing stages with Grinspoon, Amyl and the Sniffers and DZ Deathrays, including their own flurry of successful shows around Australia, making a name for themselves with their raw, unruly and sporadic performances.
 
In a world full of injustice, inequality and ignorance, VOIID endeavour to lend a voice to those in need of it and as a band strive to their larger ambition of reinventing the role of female.

Link Parsons is following