Horoom Mix 02.12.2022

The full recording of Stef's Maschine master-class.
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Date | 21/10/2023
Location | H7 Warehouse, Amsterdam

I N T E R C E L L
Website - www.intercell.events
Events - www.intercell.events/events
Socials & more - www.intercell.events/links

Stef Mendesidis [live] at Intercell x BCCO | ADE 2023

Album Name: Captions
Catalog: LEP001
Release date: 19/09/24
W+P: LiNK
Artwork: LiNK
Master: Symbolism

Buy Link:
https://linkon.bandcamp.com/album/captions

Captions

Zero Point Collapse

Bandcamp

Returning to the Podcast for yet another round of Mach 4 techno comes Mala Junta head honcho DJ Tool, a live recording from his clubnight’s Bassiani takeover back in March. The Danish-born, German-based selector and former Fast Forward collaborator is every bit the sound and feel of Copenhagen, the gritty, trance-focused beats that have found a home in the Danish city run through his work like liquid mercury and now have Berlin in their grasp. And for one special night earlier this year, alongside D.Dan and Yazzus, Tbilisi too came under his fevered spell. With a manifest focus on inclusivity, support, friendship, and community, his signature sound is faster than a speeding bullet, one that whips up every ounce of a crowd’s energy and leaves behind the type of excited chatter you hear at the cloakroom at the end of the very best nights. It’s a techno that cuts right through and connects with people in the most visceral way, releasing pent up spirits through ferocious tempos and whirling bass. Bassiani Podcast 230 is unchained, unapologetic and pure DJ Tool throughout, four hours of pyrotechnic force from the Mala Junta firebrand.

@dj-tool

Bassiani invites Dj Tool / Podcast #230

Francisco Fernandez Araya, or more succinctly and stylistically, Zisko (aliases Oksiz, Iksoz), is an Argentinian DJ whose percussive flourish has begun its campaign for community-building and beat-centric sounds worldwide. His childhood was spent learning to play the drums; watch any of his live performances nowadays and you’ll see it’s a habit he’s reluctant to give up. And why should he? Years of fixation and practice have refined his intuition and made him the force he is today and built a palpable level of trust with his growing audience. Geography plays a role here too, outside the well-traveled axis of techno that links the northern hemisphere in a criss-cross web, Latin America also has something to offer, in what he terms an ‘emotional and ancestral link to rhythm, dance and sound’. Hot off the release of this year’s The Skin of the Snake, and championed by the likes of DVS1, Luke Slater, Truncate, Ben Sims and similar industry heavy-hitters, his voice is getting harder to ignore. It’s plugged-in, body-focused techno that moves relentlessly like a wave of energy through a crowd. Powerful, immediate and primal. Bassiani Podcast 231 is an hour of hammering bass and sprinting prime cuts, Zisko’s drum addiction is catching.

@ziskomusic

Bassiani invites Zisko / Podcast #231

Support the label, buy it here:
vaultrecords.bandcamp.com/album/vs10yrs

@rodhad

RØDHÄD - Wormhole Situation [VS10YRS]

The Lady Machine is back for another round of Podcast fun for Bassiani Podcast 266. Born in Rio, based in Berlin, Camila Milieme developed an ear for techno at a young age, attending Brazil’s Galaktika parties and picking up tracks from radio show Novas Tendencias before landing her first gig at the fresh age of 21, and at the famed Bunker 94 in São Paulo no less. Following studies in music production in the UK, she eventually landed in Berlin and channeled everything into a dual career as DJ/producer. Her vinyl sets were, are, contagious and brimming with rapid-fire basslines, relying heavily on the type of techno à la Detroit that has been so foundational to the genre without aging a day. These ones she’s published on Mote Evolver, half of Unterwegs with musicmate Decka and resident at free-spirited Berlin party series Pornceptual. A successful crowd-DJ alliance is no easy task, but twenty years of experience have sharpened her instinct for sound and the people she’s playing it to. Driving techno that lurches along on a razor edge, slamming rhythms that vibrate through the body, the magical and unquantifiable substance that allows the very best raves to coalesce. Whatever it is she has it in spades and this latest instalment proves it. This recent number’s a cut from her live set at Bassiani in mid April; rampant grooves and low-end layers picked, welded together and distorted by this singular Brazilian talent, and mastered by @neptunemastering. The Lady Machine’s chopped-up beats are a techno purist’s dream, this newest arrival makes it reality.

@theladymachine

Bassiani invites The Lady Machine / Podcast #266

SHDW is the phantom moniker of Marco Bläsi, a Stuttgart native with a penchant for racing percussions and big room sounds. 2014 saw the beginning of his long-term partnership with like-minded techno dealer Obscure Shape (Luigi Urban), with whom he co-ran the party series and label spin-off From Another Mind. Ten years later and Bläsi has set out on his own journey, building on a decade-long legacy of sounds with just himself, ‘his music, decks, and a mixer’. Following on from his previous label, he founded Mutual Rytm in 2022, an outlet and creative platform focused on putting out the type of expansive techno SHDW’s come to be known for. His signature style a blend of intelligently superimposed and shuffling basslines, blink of an eye beats that elicit movement and social bonds. Unerring prime time techno, Bläsi’s path forward is looking promising, with a surge of Mutual Rytm releases and worldwide dates, the next ten years look set to further build on what he’s achieved since he started out. Bassiani Podcast 267 is a true to type episode from this master of the genre, a sleek and contemporary spate of rumbling kicks, dizzying effects and hedonic vibrations, a chugging and groovy 65 minute edition with SHDW’s fingerprints all over it.

Bassiani invites SHDW / Podcast #267

Recorded at Laster Club @ The Garage Club, OFFSónar 13.06.25

check out more mixes at:
https://soundcloud.com/lasterclub

LASTER MIX #023 · BEN KLOCK

Space Funk

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. Full send — this one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes, chronicling a moment when the resting heart rate of dance floors plunged lower than potentially any comparable point in the 21st century. A masterclass, and entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like a racecar.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. We sought to render an accurate picture of DJ culture in 2025 for the longhaul.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

Inquiries via dm here on soundcloud or on ig

@link.quadrat (ig)