Her address read Earth. But he knew...she was out of this world.

Here is another band blast from the past called faithinfools a seven piece rap rock outfit from Wigan that i played guitar for and is an original rap rock track called Spaghetti Western and was recorded at Jarraf studios in Wigan by John Kettle, and also comes with a video set in Wigan and filmed by Ric Foster! The cover picture is from Haigh festival back in 2012 were we played on a massive stage to over 4k audience. Hope you enjoy! Cheers Peace

Video on Youtube:
https://www.youtube.com/watch?v=56KJQqcOQUY

Band line up:

Stuart - Raps
Natalie - Vocals
Will - Drums
Kurt - Guitar (Clubfungus)
Smalley - Trumpet
Chris - Saxaphone
Rob - Bass

Faith in fools - Spaghetti Western 📹

The Alpha and The Omega Acoustic

Piano score: https://bit.ly/ecmusic_solitude

Solitude

The Winner of Thieves

A little psycho funk trip with accordion and more...

Funk This!

🖤Buy

Sweet Hard

Vocals by IPG1
https://soundcloud.com/ipg1/the-new-direction-now-100-bpm

Production & Music: Cosmic Keanu

The New Direction - IPG1 & Cosmic Keanu

I only sing !!
Mahan Mahan all instruments !!

Mahan Mahan And eddyoffline 22

(Free WAV Download available here under '••• More'; and eventually, as part of a future solo album)

Greetings all you fun and funky SC musicians. I don’t typically upload remastered versions of a song as a new track. I usually just replace the old with the new, and change the title to reflect the remaster. But this one is special, for a few reasons (and if you’re not much into personalized mixing details, you may want to skip this liner note).

First (and most importantly)… I thought I’d lost the ability to edit the original tracks for this song. The last time I opened it up in Logic (updating it for the 2018 album remaster), the siren voices were all messed up (automation in Alchemy can have odd results sometimes). I just assumed the original native file was broken forever, because I no longer had access to that version of Logic. I had to do the album remaster from my only existing mix… and it was definitely lacking.

4 years later, I’m so glad I took a chance on reopening the native file when I concluded this ‘Siren’ trilogy. All the sounds/automations were exactly as I had left them. Prior to this attempt, I just assumed the worst, and never tried again. Thankfully, I was wrong. :D

Second… the remaster turned out much better than I hoped; and the differences were so satisfying, I thought it might be fun to have both versions up (for a side by side comparison, for any interested musicians out there. Here's the older version: https://soundcloud.com/grevusanjl/siren-rising).

So why does this one sound so much better than the original version? (And please take all of this with a grain of salt. I’m no pro. But I have discovered what works for me.)

Honestly, a tremendous amount of credit goes to having a much better understanding of Compression. For many folks, Compression is almost a dirty word. Just the title of the plug-in alone confused me at first. Why would I possibly want to compress my sounds, when I liked them as is? 

But it turns out (for me at least) that the different Compression options really shine when chosen specifically, and used minimally. As an example (and I’m not sure if your DAW offers similar options, but), Studio VCA works brilliantly with strings, female vocals and many of my favorite synths. But Studio FET works great on drums. Etc. And while some might cringe at the idea, I absolutely love what Soft Distortion does to most tracks as well. Used in mild amounts, Soft Distortion adds a phenomenal amount of spacial quality to the sound. I don’t use this one all of the time, but I bet I use it at least 75% of the time now (and Compression in general on about 95% of the tracks).  So there you go… I’m definitely a big fan of Compression… when used responsibly. :)

In addition, I’ve also learned a lot about EQing since I first did this song in 2017; so much so, that I was actually baffled by some of my earlier choices. So a large amount of the repair/update time for the 2022 remaster was spent on getting the EQing for each track set up more effectively.

And finally, I had the opportunity to give the full mix a healthy rebuild. After 5 years, you’re undoubtedly going to have a very fresh perspective on a piece. And I realized a lot of the sounds simply weren’t in their optimal positions in the stereo field. I also reconsidered where sounds faded in and out, and how intensely they did so… and I updated all of that as well. 

And there you have it, the story/history behind one of my all time personal favorites. I’m so glad I had an opportunity to revisit this one (while leaving all the original instruments true to form), and I hope you enjoy all the latest sound enhancements as well. I’m excited to hear what you think of my ’Siren Rising (2022 Remaster)’. :D

WTF! The Musical

Siren Rising - 2022 REMASTER

The word nostalgia is a learned formation of a Greek compound, consisting of νόστος (nóstos), meaning "homecoming", a Homeric word, and ἄλγος (álgos), meaning "sorrow" or "despair"

480BC

NOSTALGIA - ΝΟΣΤΑΛΓΙΑ (432Hz)

He said You know...

singer songwriter dabbling in garageband/creating learning having fun (also some raw acoustic recordings)


Our Father who art in heaven, 
Hallowed be Thy name.
Thy kingdom come. 
Thy will be done 
On earth as it is in heaven. 
Give us this day our daily bread, 
And forgive us our trespasses, 
As we forgive those who trespass against us, 
And lead us not into temptation, 
But deliver us from evil.
For Thine is the kingdom and the power, and the glory, 
Forever and ever.

The Alpha and The Omega Acoustic

linnysalinas

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