Pulse Music Group is a music company founded and operated by songwriters and producers -- writer/producer Josh Abraham (Pink, 30 Seconds to Mars, Shakira) and writer/producers Scott Cutler and Anne Preven (Madonna, Béyonce, Katy Perry). Since its inception, Pulse has grown rapidly from a small start-up to a vital and energetic company that is now home to more than 40 of today's top songwriters, producers and artists, including hitmakers Bonnie McKee (Katy Perry, Britney Spears, Cher, Ke$ha), Tim Pagnotta (Neon Trees), OLIVER (Jennifer Lopez, Kelly Clarkson, Christina Aguilera), Tony Maserati (Béyonce, Pink, Lady Gaga, Robin Thicke), and Luke Laird (Kacey Musgraves, Carrie Underwood). The impressive catalog of writing and production work by Pulse clients has accounted for sales of more than 75 million units worldwide

Digital marketing agency owner for the $ to support my music-making hobby, which helps keeps me sane and sober, which in turn helps the marketing agency keep running strong. It's a circle of life kinda thing.

Easy categorization of a genre-flipping artist like GRAY is difficult.
By the time she appeared as a finalist in the 2014 Edge 102.1 (Toronto) Next Big Thing competition, she had already left the indie-pop of her 2013 REWIND debut ep at the door. Performing at 2015’s Edgefest – the only artist appearing without representation of any kind, alongside stylistic contemporaries like Mother Mother and Kongos - her newer, more synth heavy songs were emotional weapons. REWIND only hinted at the potential of an artist in possession of a Masters in Opera Performance. No sooner had readers nominated GRAY runner-up in Now Magazine’s 2015 Reader’s Choice Poll as Best New Act, than GRAY decamped to Los Angeles to write and gig. Toronto probably needed a break from so much swagger. GRAY had already made the rounds of showcase gigs at CMW, NXNE and Indie Week. When Edge on-air personality Adam Ricard intro’d GRAY with the declaration “Brody Dalle look out! There’s a young lady coming for coolest chick in rock’n’roll…” it was a legit warning. A song like ‘CRZY’ from the current batch of songs introduces itself like an overheard conversation before it suddenly becomes a dynamic, soaring, pop anthem. ‘LIGHTS’ is an inventive leap forward from there, establishing itself as the new standard, but left alone long enough with a guitar, a piano, her thoughts… GRAY is likely to eclipse her own benchmark by the time you finish reading this. 

https://open.spotify.com/artist/2JSBQeazRlk0kVp2gelwbZ
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