The Bar Exam 4 Out Now! 
http://thebarexam4.com/

iTunes: http://flyt.it/RoyceLayers
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Detroit Techno Militia is a record label and a street level DJ/Producer collective dedicated to preserving the legacy of true Detroit electronic music and its proliferation around the world.  We believe in what we do, and take pride in contributing to a tradition that has deeply inspired us. Detroit Techno Militia soldiers work to maintain and preserve the significance of techno made in our native city.

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leasing all these beats





B role 
https://soundcloud.com/visavee

twitter.com/wade_theduke
insta: https://www.instagram.com/wadedaduke

inquires and collabs gldgng44@gmail.com

IXXI. contact@danielcaesar.com

Booking
WW: caroline.yim@caa.com / caroline.yimasst@caa.com 
Canada: kemp@feldman-agency.com / joe@feldman-agency.com

Bookings: peter@minttalentgroup.com
313-513-6677 

https://biglink.to/GolfClapDet

Label: https://soundcloud.com/country-club-disco
Facebook Group: https://www.facebook.com/groups/CountryClubDisco
Weekly Radio Show: https://soundcloud.com/countryclubdiscoradio
Promos: golfclappromos@gmail.com


Detroit has long been a hub for electronic beat lovers and speaker freakers, but Golf Clap’s Hugh Cleal aims to lead a new generation. For nearly a decade, he’s hustled the project and its Country Club Disco label to the forefront of house music’s funkiest dimensions. The project (formerly a duo with Bryan Jones), works tirelessly to conjure a palpable energy, one fans can feel at every gig, be it a hot-and-heavy club set or an energetic takeover of a festival stage. Golf Clap feeds off the crowd, spinning the hottest songs of the moment while breaking new records - and this isn’t any press play, hands in the air fair. You're likely to hear a lot of cutting up between facefulls of funk and bass. 

Fueled by a relentless passion, when Cleal isn’t behind the decks, he’s likely pulling all-nighters in the studio. Bodies dancing in real-time is an addiction, but when it comes to original productions or high-profile remixes, Golf Clap wants to create something for every moment. Recent singles “Freak It Out” [Country Club Disco] “Mystery Scene” [mau5trap/Insomniac] and “Gravitate” [Toolroom] showcase their deft and dark grooves, while 2018 EPs  Vices  and  Machines  showcase club-ready attitudes. High-profile remixes for Zeds Dead and Illenium, Zhu and Tame Impala, Louis The Child, and Hotel Garuda give the music makers a chance to showcase stylistic variety. 

While 2020 has been a year of great change, Cleal has never stopped working. With loads of new tunes in the wings and a dedication to the Country Club community, Golf Clap is and always will be, in his own words, “about creating a community.”

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Still on St. Paul Time
The Miggity is the Most 
TraP PACK TraP PACK
PROTEK YA NECK

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Self Taught Artist, Poet, DJ, And   Music Producer and Newly Signed Producer to Kodac M80 by the man himself to GFG Entertainment. Born and raised on the Westside of Detroit, Michigan. Motown soul raised and Dilla influenced. with a strong Boom Bap Asthetic.  A naturally creative person that most of which happens to manifest itself through the arts whether it be through poetry, drawing, and now music production. Am looking to collab with artist as well as producers. for contact info follow me @NATEOGDETROIT
 #WeALLHaveAGift  #GFGENT
For business inquiries please contact nateogdetproductions@gmail.com

Home of BandGang x Drego x Beno x Teejayx6 x Babyface Ray x ShredGang 
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