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Weekly podcast reviewing film, food, life & more. Every episode ends with the Message Of The Week.  You know what you gotta do, Say Eff It!

The Black Girl Podcast is a new audio series created by Scottie Beam (@scottiebeam on twitter/IG), Gia Peppers (@giapeppers), Sapphira (@sapphiraem), Bex (@BexxFrancois), and Alysha P (@AlyshaP819/@AlyshaP).  After the five media phenoms met and became friends at hip hop's most iconic station, Hot 97, they decided to make their hilarious conversations about life issues, sisterhood, pop culture, love, growth, and the pursuit of their dreams to the public.  Listen every week as their differing opinions and life experiences lead them to understand themselves, and the world around them, a little bit better.  Hopefully, you'll laugh, argue, and learn something about yourselves, too.  Follow us on Twitter and IG @blackgirlpod.

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Its a whole new era baby. Introducing LITTY THREADS, from the folk who brought you 4 seasons of LITLIKELEESH.
 Im Lisha (pronounced LEE-SHA) and me and my cohost @ohvelvett are going to be hoping to introduce you guys to the aspects of the world 1 lit blunt  + 1 henny shot at a time. 
So join in and listen to us debate on the hottest topics from the Kardashians to what's hot in politics to daily social injustices that kill our highs. Interviewing and Discussing w/ fellow creatives as DA UNDERGROUND SLAYER, back again.

A REAL podcast for REAL people hosted by @iamranasiak_ ❤️
Available on Apple Podcast, Spotify, & Soundcloud 🎧

A 1DrLaND Production.

Dying To Live.
-Live From The 973-

IG: @Vote4jafoh 


Join bloggers Kid Fury and Crissle for their weekly podcast covering hip-hop and pop culture's most trying stars. Throwing shade and spilling tea with a flippant and humorous attitude, no star is safe from Fury and Crissle unless their name is Beyoncé. (Or Blue Ivy.)

As transplants to New York City (Kid Fury from Miami and Crissle from Oklahoma City), The Read also serves as an on-air therapy session for two friends trying to adjust to life (and rats) in the big city.

The Read is part of the LoudSpeakers Network and is published every week on iTunes, iHeart Radio Talk, Soundcloud & Stitcher.  

It wasn't by chance I came into this industry. Both my father and mother took interest in music far before my conception. It's actually the way they met. I guess in that way I owe a great deal to Music itself. My mother would tell me stories of me humming baselines to songs she created before I even had adequate mastery of the English language. Contrary to my natural affinity toward music, creating it was never interesting to me. At 7 years old, I noticed my family getting more musical around me. Naturally, I felt left out. I couldn't compose my own Raps like my cousins could, but that didn't stop me from putting up the front. At school I would get into a lot of situations where I would be bullied. I wasn't the greatest social being so I needed a way to turn my luck. I began stealing my cousins' raps and going to my school to spit them for popularity. It worked for me until 2005. I'll never forget the day a boy in my school called my bluff, siting my lack of new material. I had a choice: Go back to being an outcast, or be in with this new crowd of rappers and cool people. This spawned my first attempt at rapping in 2006. I must have wasted thousands of sheets of paper on garbage that i thought was fit to be recorded. In early 2007, R.E.A.L. (my current music group and my fore mentioned cousins) took interest in me. There was a debate on whether or not I should have been admitted into the group as the newest member which lasted into early 2008. I figured since we grew up together, there would be no question... -__-. I was auditioned with a track called "We Back". R.E.A.L. was taking a rather long break from rap due to having no place to record, so this track would be their return to the game. A lot of weight rested on my shoulders. I had to show my *ss on the track if I ever wanted to be accepted. The song took so long to record, and just as well too because I had written basically nothing the whole four week period over which the sessions ran. I was basically in a panic. One night, I got a call saying that we were scrapping the idea and moving on to a similar idea with a different instrumental. I sat in the studio the night of the session anxious and ready to give out. I had to think of something quick. So I did what I did best. I stole an Idea from someone I believed to be better than me. It escapes me what song I got it from, but my first two bars were stolen and changed a little to be unnoticed. The rest flowed out of me like I had unplugged a creative cork from my mind and I wrote my first 15 minute verse. I still have the paper to this day. (Knock On Wood) We recorded another song that same night and I wrote an entirely original verse to it. It was called "All My Days". Soon thereafter, I moved to Pennsylvania with my father and his then new wife, cutting my rapping down to a weekend thing. Late 2009, My father received an interesting package in the mail. The Native Instruments Maschine. (Moment of silence for a life changing moment) He bestowed upon me his Akai MPD 24 and plugged up his new toy. Although I still own, and am still very appreciative of the MPD, It hasn't been one day since then where I don't consider Maschine to be my main source for creating beats. My first beat ever came out sounding like professional work. Before then I had messed around with garage band and logic but never had I experienced something so perfect in life. This solved a huge problem for me. I had no way of getting instrumentals. I had to steal from youtube or beg My uncles. I was tired of stealing and I was sick and tired of begging. I cut out the middle man and began plotting on my first project entitled "Full of Beautiful Sound" (Full of BS for short) And although some industry beats found their way onto my mixtape, all in all, It was a child of my own twisted mind. Depression crept it's way up in the summer of 2011 (the eve of my junior year of high school) and my music followed suit. I took on a more darker tone and production style which resides in the breath of my music somewhat to this very day. I released Full of BS on May 30th, 2012 against my better judgement and to no avail. There were less than 100 downloads. I fell right back into the swing of things soon, leaving mere weeks in between my release of Full of BS and my beginning of the mixtape entitled "enigma.alsius (mystery of the cold man)". I changed around the tracklist so much for "enigma" that not one track from the start of the project made it on to the final cut. I didn't want to just slap another mixtape together. I needed to best myself ten fold. I took two years writing and producing, deleting and editing, rewriting and sulking, and I felt like I was getting no where. I had a choice. Put out a lackluster project, or steal beats from online. lol. There was no way my sophmore project would be riddled with garbage that I created just to prove a point. So in 2013 I announced the release of my mixtape. Even though I wouldn't release it until January 10th, of 2014. It's been crazy as hell, looking back from here. There stands a connected flaw in all the things I have done. My originality was not there from the jump. For the past few years, my lyrics have gone through a cleansing period that I am still not finished with. I want you to see my flaws and witness my Transition into Pure Originality. My next project will be an LP comprised of a few very long songs that mean a lot to me. Each one has it's place in my heart. I only ask that you look at the tracks for what they are if you are not an intellectual, and dig deep into my meanings if you are. There's a lot more to say, but I guess I was always better at rapping my feelings anyway. Thank you for reading : )

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