Kit: Hammerhead, volca fm, uKORG, Jamstik, Air (eno), Teraverse, SynthMaster One, Logic Pro X.

Acknowledgements:
Vocals - 
(1) Modified excerpts from “I Am Stretched On Your Grave” traditional 17th century Irish folk song (unknown) sung by queeniemusic (Kimberly Steele) (2009). Licensed under a Creative Commons Attribution (4.0) license (CC-BY).
(2) Field recordings from Valencia. Hotel rooftop bar guitar duo, church choir, accordion busker, people.

Cover Art - Detail from “Far from here” by Klara Kristalova, which features “Beast” (2019) and “Watching the sleeping woman [after Rousseau]” (2017).

Stretched On Your Grave (ft. queeniemusic)

Just a girl and her music, trying to do everything on her own. I like older rock, hard rock, and punk rock music, but maybe not so much typical heavy metal. I only like a few songs by the big metal bands Metallica and Iron Maiden, but of course I like a few of theirs too. My music is therefore more rock or punk than metal.
Thank you for all the PMs proposing DAWs to me!!! I have now everything including and USB-Audio-Interface to record a bit more professional. My musical story: after the winter holidays 2015/16 my teacher told us Motörhead ist dead, since the main person of it died. We children did not really understand it. But I always wanted to find out what Motorhead is. So a few years later 2020 or 21 I finally wanted to know it and tried listening to them - and I liked them. Actually I never liked Metal, but with Motörhead it is different. One of their songs is Ramones, well then I discoverd the Ramones wich I also liked! At the beginning of 2022, I wanted to play their songs and started to play guitar, bought a 2nd hand Epiphone and got an amp from my older brother who has a band. I played very much and soon discovered I needed to learn barre-chords to play Motorhead, which I did. The Ramones songs were also the right songs, usually only chords and vocals, not too difficult, just the right songs to play and sing for me. 
Actually my first expierence with music making was my brother's band. When I was 15 or 16 he needed a female voice and asked me, so i did 2 songs with them and had a lot of fun. A bit later I started playing the guitar. I am very sorry for my poor sound of my first 2 songs. I did not have an audio interface and a DAW at the time I recorded and uploaded them. The songs were played in one go and phone-recorded. Hope that some of you can ignore the sound and enjoy the music.

Hey there! Thanks for stopping by my SoundCloud page!

We are looking for musicians to join our community. If you would like to join, send me a message.

I quit my secondary job not long ago, so i guess this is my secondary job now. (?)

I'm an independent musician exploring different genres and styles that resonate with me. I play drums, guitar, bass, and keyboards, and I’m always looking to grow.

My philosophy in music is simple:
If we don’t lift each other up, who will? The industry won’t. So let’s support and inspire one another. If you have the power to help, use it—otherwise, what’s the point?

ENG (ESP below)

-éliane- is an environment for programming electronic music, whose main concern is to separate the sound design from the sequencing, allowing the creation of, for a lack of a better name, "scripted scores". At its very core it's just a code based function sequencer I developed with the aim of making my workflow a little more playful and inspiring.

What you will find here is a growing (hopefully) collection of sketches, experiments and silly sound musings, if you want to see/mess around with the code that produces the sounds you can visit the link below.

ESP

-éliane- es un entorno para programar música electrónica, creado con la idea de separar el diseño sonoro de la creación de secuencias, permitiendo la creación de "partituras codificadas" (a falta de una mejor descripción). En el fondo, es solo un secuenciador basado en código que desarrollé con la intención de hacer mi proceso más lúdico e inspirador.

Aquí encontrarás una colección (que irá creciendo, espero) de apuntes, experimentos y tonterías sonoras, si quieres ver o jugar con el código que produce los sonidos, puedes visitar el enlace de abajo.

All here, in reality, are works in progress and are therefore apt to change at any time. All those except XIII Sisters and RAW which, as many of you may have done, I literally gave away in return for their placement in a library. Something I won't be doing again any time soon. If you have a use for something you hear here please just ask.

 .ooO -------------------------------------- Ooo.

ChatGTP said of AI Music...
'Creative AI tools can be seen as sophisticated plagiarism software, as they do not produce genuinely original content but rather emulate and modify existing works by artists subtly enough to circumvent copyright laws'

Sometimes it takes a dispassionate, independent view to actually see the truth of it ...

 .ooO -------------------------------------- Ooo.

There are links to XiiixxiQ below. Your mileage may vary as to whether it decides to work on your system or not. It only runs on a Mac because I really don't have time to do all the necessary work to make it compatible with anything other than my 2015 MacBook Pro :-(. It is still being developed (for my own use) and improved, and I may yet get round to doing another release if I can find the time to tidy it all up.

Almost all tracks are free to download and covered by a Creative Commons license. Collaborations / Remixes are welcome so feel free to experiment - no need to get my permission first. Just send me a link to your track when you're done :)

I love listening to & creating ambient, dark ambient, avant-garde & experimental electronica (and the occasional beatscape). I have no professional aspirations  - I just really like creating music / manipulating sounds. It's my way of relaxing after a hard day at the office. All my tracks are produced using monitoring headphones (Audix A140) so I recommend that you listen to my music through headphones. My DAW of choice is FL Studio. I also use Reason every now & then. 


To the artists I follow; I do my best to try to listen to as many of your tracks as possible each night (I listen to each track all the way through - you went through the effort to create a track so you deserve to have it heard in full). If I miss a recent upload of yours, please forgive me...

Thank you for taking the time to visit my little corner of the soundcloud.

a.k.a.  -..-
Pre-releases and Experiments
- Final releases via https://linktr.ee/dashdotdotdash (Apple Music, Spotify)
Support creativity through Bandcamp.

- Artists: 
  (1) -..- , xperimental 
  (2) XLab3 , xperimental
  (3) Ding Dong , vintage electronica

- xmachines: Logic Korg Yamaha Orchid Moog Teenage Engineering iApps ccMixter freemusicarchive field recordings radio
- Header Image Acknowledgement: (my silhouette in front of) an excerpt from the video, 'Plato's Alley' by Charles Atlas (2008)
- Profile Image Acknowledgement: 'Switching Marys' by Mike Kelley (2004-2005)

- History: 
1980s - Casio VL-tone, Wasp synth, Moog Concertmate MG-1, 2 track compact cassette recordings: tape to tape mixing ... emergence of Ding Dong. Revelled in the limitations in lo-fi sonic pallette and student budget...
1990s - Upgraded to 4-track compact cassette recordings... Casio CZ1000.
2000s - finally onto DAWs & xmachines & budget soft/hard synthesis & quirkiness in the Hikari Monos......Cakewalk>Sonar>Logic

operador3 de estibador hidráulico en Lágrima.
⁂ ❁
aka autokad iv:
https://helsinki.at/podcast/610444/

This is the Blagovrecords record company page. We do the recording, digital processing (mastering and mixing), assist in the preparation and composition of the material and publish our musicians.