2023 DAH Ursurpers BEST OF FYFA

easy -..- sampler

ContempJz6

THE MOON BRINGS SOUNDS OF YESTERDAY

Amekaze Hanako-syokudo  - MUTE UNDERGROUN REC @ 333 xxx

August Friends

Perlmutt aka Pearlescent #42 w/ Dilian for Cashmere Radio, Berlin, streamed Oct. 2, 2021

Perlmutt aka Pearlescent #42 w/ Dilian for Cashmere Radio

Recorded in the 1990s on 4 track recording machine and a hardware sequenzer.
©1995 m: H. Krumm / t: & vocals: E.
Guitar played by R. Hanke
This ist the 1997 version of the song.
Remastered from compact cassette  in 2022.

Passenger

🖤Buy

Passenger - 1990s Vintage

Blink Twice is back here on my main ME profile - 
Available on Bandcamp - https://moodexhibit.bandcamp.com/album/blink-twice-residual-energy-momentum

Thanks for listening

Blink Twice - Residual Energy and Momentum

TREDO

ON PARLE DE NOUS

ON PARLE DE NOUS (Chanson Française)

Full release on Album: "Travelogue" on:
- Spotify: https://open.spotify.com/album/73xuLKbM0EEYSIuy8pQ0k2?si=FJqkpMHrTQqR3ucZ8MDIaQ
- Apple Music: https://music.apple.com/gb/album/travelogue/1808904936

Kit: Korg iMS20, Synthmaster KV331, Loopoperator, Hammerhead, uKORG, Logic Pro X.

Samples: Modulated waveforms: Found TV audio snippets and themes, band rehearsal in the Royal Military Chapel -
 London, Illinois school band.

Cover Art: Detail from "Black Chapel" (2022) by Theater Gates. Constructed at the Serpentine Gallery.

Watch this Space (excerpt)

Thank You for 1000 plays ❤️!

I was wandering what happens when I'll try to make song base on starting patch from NI Massive. And this came out ;) Thanks for listening. I hope You'll enjoy.

I wanna point out that all instruments are VST. 

Thanks to:
Alexander Stratonov (@ephtrackx) for lots of great tips and advice on the final mix,
Brian Butts (@brian-butts-565934842) for reviewing guitar solo.


Mastered with Bandlab Mastering: https://www.bandlab.com/mastering

Image in thumbnail: Stable Diffusion: https://lexica.art

The Break in Tranquility

The Break In Tranquility

Take Me With You

FOR THE SONG
NOT YOURSELF 
REALIZE 
AND CONVERT
ITS TIME FOR US TO LEAVE THIS PLANET
EARTH 
ONWARD TO MARS
RED PLANET
CONQUER
ah thats the way the assholes planned it
they started the fire and fucking fanned it
AH FUCK NO IN SLOW MO I FUCKED UP LARGE INCOGNITO

QUESTION IN-THORITY

Waiting For A Ticket To Mars  Uncle Junez

Cover of the Dire Straits classic - sometime its good just to have some fun. Best heard with AirPods walking at a brisk pace.

Six Blade Knife

Peacefull

Peacefull #1 - Level up

a track by Marco Lucchi reworked by
M.Nomized : Synthesizer, Loops, Treatments

giugno 2023

Marco Lucchi - OneHandPiano n°2 (a morning mix) - remixed by M.Nomized

Kit: uKORG, Animoog, Fugue, Volca FM & nubass, Audulus, Mono/Poly, ODYSSEi, Hammerhead, Logic Pro X.

Acknowledgments:
1) SackJo - modified vocal stems from
 a) "The Haunted Hotel" [2013].
 b) "White Out (Shade of the Moon Mix)" [2009].
Both a) & b) - Licensed under a Creative Commons Attribution (3.0) license (CC-BY).
2) Josh Woodward, "Follow the Road" [2014] - modulated samples, mostly vocals. 
Licensed under a Creative Commons Attribution (4.0) license (CC-BY).
3) Rukmani Devi {1923-1978}, "Dushmantha Aho" taken from a 2017 compilation of single tracks - Public Domain from the Free Music Archive website.

Summer of '23

Featuring:

@wichita-nynke

Used samples:

Title: Eldinfei
Author: Boson Spin
Link: https://soundcloud.com/boson_spin/eldinfei

Title: NOISEshort.wav
Author: ReadeOnly
Link: freesound.org/people/ReadeOnly/sounds/47648/

Sacred Grounds (featuring Nynke)

So in the EU they want to kill these birds because it eats all the fish…….
One day build on ipad with the Logic Pro app. All notes painted with fingers, the first few chords played with the touchscreen Keyboard.
I could have added more progression and some audio an alotof other stuff but did not.
The drums are from the logic pro app virtual drummdesigner tweaked a bit by me.
As all my tracks this is unmasterd, out of the box using only a limiter in the stereo master.

Kormoran

Gallop

Disquiet Junto Project 0600: Reaching Out
The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer.

Step 1: The musician Marcus Fischer, long a friend of and participant in the Disquiet Junto, has graciously put together a set of shared samples that will be the source audio for this project. Part of the beauty of a shared sample project is that there will be an underlying quality — a tonality, a texture, a commonality — to all the disparate works that are produced from the foundational material. Listening to the variations as they surface will be its own special source of pleasure. You can access the files here:

https://www.dropbox.com/t/TGexgpq93GPLGFxE 34

Step 2: You can rework the audio from Step 1 in any way that you see fit. You can use all of it, or just one tiny piece, or whatever subset you find strikes your ear. The one stipulation is your finished piece should begin and end with an unadulterated segment of one of the provided tracks for at least two seconds. Please credit Marcus Fischer when posting your track.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0600” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0600” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0600-reaching-out/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you.

Deadline: This project’s deadline is the end of the day Monday, July 3, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, June 29, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 600th weekly Disquiet Junto project, Reaching Out (The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer), at: https://disquiet.com/0600/ 2

Please credit Marcus Fischer when posting your track.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0600-reaching-out/

DC feat. the samples of Marcus Fischer  - disquiet0600

Platform

With, Electric bass guitar, piano and electric guitar.

If you like, free download

Dark Night

IL FAUT TAIRE LE TEMPS

Les vérités fragiles, celles qui indisposent
Des heures indociles qui vieillissent les roses
Sous des lueurs ingrates dans ce compte à rebours
Les années qui partent aux allers sans retour.

Les folles images sans oraisons verbeuses
Nous tournent la page des idées voyageuses
Devant ces rêves fanés de pensées furtives
Le souvenir d’un passé aux humeurs positives.

Il faut taire le temps, se faisant si rapide
A moquer le présent sans le rendre stupide
Briser le miroir des ans, s’il est tant lucide.

Sous couvert d’absolu, larguer le mauvais sang
Vers des terres inconnues au milieu d’océans
S’oublier des hier sans se moquer de tout
Il reste tant à faire pour aller jusqu'au bout.

Il faut taire le temps, se faisant si rapide
A moquer le présent sans le rendre stupide
Briser le miroir des ans, s’il est tant lucide.

Il faut taire le temps, se faisant si rapide
A moquer le présent sans le rendre stupide
Briser le miroir des ans, s’il est tant lucide.

En rêvant de son mieux, vers de jolies pensées
Un sourire dans ses yeux ne peut faire qu'avancer
La vie est ainsi faite, elle va, elle vient, elle fuit
Et même quand tout s'arrête, rien n'est jamais fini.

Mais regardons l'avenir, il reste tant de choses
Beaucoup d'éclats de rire qui font les vies en rose
Profitons du bonheur en vivant ce présent
Et sans penser à l'heure qui brisera ce temps.

Il faut taire le temps, se faisant si rapide
A moquer le présent sans le rendre stupide
En vivant les instants… en vivant simplement.

IL FAUT TAIRE LE TEMPS (Chanson Française)

Recorded in Modesto, Ca. Featuring Flute solo. Soprano Saxophone solo. Steinway Acoustic Piano solo. Vibraphone solo. Acoustic Bass. Trap Drum kit full set 22" Zildjen Ride & crash Cymbal.

Swinging

Smooth Swing

Smooth Swing.WAV

March On

Full release on Album: "Travelogue" on:
- Spotify: https://open.spotify.com/album/73xuLKbM0EEYSIuy8pQ0k2?si=FJqkpMHrTQqR3ucZ8MDIaQ
- Apple Music: https://music.apple.com/gb/album/travelogue/1808904936

Kit: uKORG, Fugue Machine, Launchpad, Mono/Poly, Teraverse, Volca FM, Boss Waza Delay, TCP:Reich, Logic Pro X

Acknowledgments:
Cover Art: "Mathematical form: Surface 0005" (2004) by Hiroshi Sugimoto (rotated 90° about X-axis).

Ding Dong Express (excerpt)

Acknowledgements :
Kit: uKorg, Fluss, Sampletank for piano and cello, Drumcomputer, Minimoog D, Logic Pro X.
Audio Samples:
1) "Debris on the Scioto River" (2014) by Kelly Latimore is licensed under a Creative Commons Attribution 4.0 : CC-BY.
2) Modulated and mashed samples from the Choral Matins service at the Royal Military Chapel, London, February 2024.

Cover art: Detail from "Dream – Spontaneous Combustion" (2008) by Olaf Brzeski

Debris, filtered and mutated (ft. Kelly Latimore)

Second collaboration with https://soundcloud.com/progrockdan1 *, consisting on my immersion into one of his complex proposals for several weeks, and successful? survival by means of inspiration, my guitar & one of my few old sonnets. 

* https://soundcloud.com/esemanolain-ruizzo/ella-huyo-she-fled

LETRA/LYRICS:

Sonidos de ayer  /  Yesterday sounds

Este cielo negro de suaves alas,  /  This black sky with soft wings,
que hoy de mi frugal sueño es techumbre,  /  which today for my frugal dream is a roof,
en este vasto mar, allá en su cumbre,  /  in this vast sea, there up its top,
hallo para mi anhelo puerto y calas.  /  I find for my longing port and coves.
 
Este oscuro manto que se ilumina  /  This dark mantle that is illuminated
con titileos de almas de cristal,  /  by clinkings of crystal souls,
trae a mi mente recuerdos sin mal  /  brings to my mind memories without evil
y otros tristes vientos de dura espina.  /  and other sad winds of hard thorn.
 
Mas es la pálida luz de la luna,  /  However is the pale moonlight,
corazón sin latido en este cielo,  /  heart without beat in this sky,
quien con sus mudos cánticos me acuna.  /  who with its mute chants cradles me.
 
Ella, álgida burbuja de hielo,  /  It, culminating bubble of ice,
me trae sonidos de ayer; la luna  /  brings me sounds of yesterday; the moon
me amanece. Y sonrío. Y vuelo.  /  dawns me. And I smile. And I fly.

ER00EC13

Sonidos de ayer (with ProgRockDan1)

森の中で踊っギター

Za Bakdaz: The Unfinished Opera

Cre Spoda

Kit: CS2x, PO-33, iMono/Poly, uKORG, iMini, Launchpad, Aparillo, Sonar X1...
Vocals: SpinningMerkaba, SackJo22
Cover Art: “Cave” by Antony Gormley

Acknowledgements: [Vocal samples]
- Hope Is (Like A River) by spinningmerkaba (copyright 2010) Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/jlbrock44/28031

- Lamadio Tiado Vocals by SackJo22 (copyright 2011) Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/SackJo22/33441

- Indelible Choices -- Background Vocals by SackJo22 (copyright 2011) Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/SackJo22/32703

- Untethered (BG Vox) by SackJo22 (copyright 2010) Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/SackJo22/27512

Hope is like a river (ft. SpinningMerkaba and SackJo22)

a.k.a.  -..-
Pre-releases and Experiments
- Final releases via https://linktr.ee/dashdotdotdash (Apple Music, Spotify)
Support creativity through Bandcamp.

- Artists: 
  (1) -..- , xperimental 
  (2) XLab3 , xperimental
  (3) Ding Dong , vintage electronica

- xmachines: Logic Korg Yamaha Orchid Moog Teenage Engineering iApps ccMixter freemusicarchive field recordings radio
- Header Image Acknowledgement: (my silhouette in front of) an excerpt from the video, 'Plato's Alley' by Charles Atlas (2008)
- Profile Image Acknowledgement: 'Switching Marys' by Mike Kelley (2004-2005)

- History: 
1980s - Casio VL-tone, Wasp synth, Moog Concertmate MG-1, 2 track compact cassette recordings: tape to tape mixing ... emergence of Ding Dong. Revelled in the limitations in lo-fi sonic pallette and student budget...
1990s - Upgraded to 4-track compact cassette recordings... Casio CZ1000.
2000s - finally onto DAWs & xmachines & budget soft/hard synthesis & quirkiness in the Hikari Monos......Cakewalk>Sonar>Logic