reaccionandobien2

Minimal

When Radial Gaze meets Nicola Kubebe, the result is Iron Pinky Toad — a title that sounds either like a secret kung-fu move or a lost cartoon book. But don’t be fooled — this one hits hard.


The long-awaited collab brings three original tracks — Phantom Limb, Lights of Phoenix and the title cut Iron Pinky Toad — that effortlessly bridge the gap between slow-burning tribal techno and the raw pulse of new beat nested into an early techno nutshell. Imagine dancing barefoot in a ritual under a disco eclipse — you’re getting close.

To seal the record, Playground Records boss Martin Noise steps in alongside rising sensation Anastasia Zems, pushing the release into full-blown dancefloor sorcery. The groove is deep, the bass is sweaty, and the toad… well, the toad is on fire !

Dropping Friday, July 18, 2025, via THISBE Recordings — available on vinyl and digital. Spin it, stream it, or whisper its name into the smoke at 3AM — either way, the dancefloor won’t know what hit it.

Let the amphibian groove begin.

  

 

Artwork by Christoffer Budtz

Iron Pinky Toad

Iron Pinky Toad (Martin Noise Rave Version)

Buy on Bandcamp

It’s twins! Following the birth of his first child, and a failed (yet noble) bid for the Papacy, Bawrut returns with Papa Bawrut Part 2, the second holy chapter in his ongoing musical sermon. While fatherhood may have brought sleepless nights, it’s also delivered wild inspiration, with this EP offering up a brace of fearless, genre-defying cuts.

Leading the release is La Notte, a creative late-night jam inspired by an hypnotic performance of “Klan” by Italian pop star Mahmood. “I had forgotten how amazing the the repetition of ‘La Notte’ sounded, so I used it as the foundation for the track,” Bawrut explains. “Because when do we all come together to dance? La Notte, of course.”

Next up is Vibracall, a bold middle finger to lazy nostalgia. “A lot of club music today sounds like it’s stuck in the year 2000,” says Bawrut. “If I’m going to use the past, I want something iconic.” Enter: the vibration tone from the first-gen cell phones. Reimagined, repurposed, and flipped.

Closing the EP is a deeper, darker reinterpretation of La Notte from Irish producer and friend Hammer. With bubbling synths, ghostly vocal textures, and precise percussion, it adds a moody exhale to Bawrut’s high-energy offering.

Papa Bawrut Part 2 is untamed, unpredictable, and undeniably him.

Follow :
https://www.instagram.com/bawrut_silencio/
https://soundcloud.com/bawrut

https://instagram.com/thehammerhits
https://soundcloud.com/thehammerhits

Bawrut - La Notte (Hammer Remix)  [Pets Recordings]

Follow: @sam-scheme @dad-of-the-year @johnny-posh

Download / Stream

Dad Of The Year x Johnny Posh - Limbo (Sam Scheme Remix) | Stripped Recordings

Dad Of The Year  x Johnny Posh- Limbo (Original Extended Club Mix) | Stripped Recordings

BUY LINK: https://fauverecords.bandcamp.com/track/ah-si-si
Label : Fauve Records (https://soundcloud.com/fauverecords)
https://www.instagram.com/fauverecords/
> Camiliani (https://soundcloud.com/swaanparadise)

"Ah si si" is a blend of EBM and italo disco, where taut grooves flirt with a bittersweet melancholy tinged with 80s hues. At once an invitation to dance and an introspective dive, the track plays with contrasts — between rhythmic tension and nostalgia.

The voice, sensual and slightly enigmatic, acts as a guiding thread: it ties the influences together, blurs the lines, and gives the whole piece a cohesion that makes it effortlessly ready for the dancefloor.
The italo disco elements are a deliberate nod to Camilliani’s Italian roots and his deep attachment to that musical culture.


Camilliani is no newcomer. In 2007, he made his debut with Pervert Teen, an electro EP released under the name Chairs on Backs, a duo with Yan Wagner on the Missive label. Two years later, he went solo with Fucking Day, a more radical techno EP under the alias Swaan, on Estrella Rec.

After a long hiatus, he returns under a new identity, Camilliani, and unveils Ah si si, his third project.

BUY LINK

PREMIERE : Camiliani - Ah Si Si

https://liquidluvediscs.bandcamp.com/album/back-to-the-mood

@djbalaton
@lqldiscs

Premiere : DJ Balaton - Reso 02 (LQLDISC01)

pre-order link - https://mikeparker.bandcamp.com/album/epilogue

Following the reissue of his debut album Dispatches, Field Records is proud to return to the seminal work of Mike Parker with an overview of his releases on Prologue — a truly original strain of steely, hypnotic techno that has touched upon many diﬀerent waves within the wider scene.

Having pioneered a hard-edged, reductionist style via his Geophone label since the mid-90s, around 2010 Mike Parker found himself at the vanguard of an emergent sound alongside artists like Donato Dozzy and Cio D'or exploring the possibilities of immersive, profoundly transcendental club music. The Prologue label came to define this cult zeitgeist, where reduction and repetition took on a truly psychedelic quality and the subtle details made all the diﬀerence. It ran from 2008 to 2015, laying the foundations for the deep techno sound that remains a vital, evolving subculture in the present moment.

From Parker's first appearance on Prologue with the Subterranean Liquid EP in 2011 through to the Lustrations LP in 2013, he delivered some of the most incisive music of his accomplished career — teased-out rhythms carrying exquisitely engineered textures veering from the subliminal to the visceral, locked into endless, cyclical oblivion and maintaining a stern, machinist veneer. This collection on Field Records combs through Parker's Prologue output and makes a considered selection, gathering key pieces from the first two EPs alongside six of the album tracks on a triple vinyl pressing, alongside a further eight cuts on the expanded digital edition.

Not just a straight-forward reissue, consider Epilogue a thoughtful reframing of a key point in Mike Parker's stellar career. In every exacting pulse, every inch of tacit spatial design, it's the work of an expert sculpting a sound which remains influential in the here and now.

Mike Parker’s ‘Epilogue’ arrives on triple vinyl and digital via Field Records on October 24th.

Tracklist
A1 Ringing Bass (Edited Length)
A2 Subterranean Liquid
B1 Forward (The 5 AM Mix)
B2 Forward (Donato Dozzy Remix)

C1 Pulse Trader
C2 Moisture (Treatment 3)
D1 Lustration Four (DaiKaiju)
D2 Lustration Five (息)

E1 Lustration Six (Megalith)
E2 Lustration Eight (Contours)
F1 Lustration Eleven (Sarychev)
F2 Lustration Twelve (Derecho)

Download only:
Cio’s Underwater Track
Ringing Bass (Original Length)
Lustration One (Khonsu)
Lustration Two (Nor Easter)
Lustration Three (Atlantic)
Lustration Seven (Forms)
Lustration Nine (Drums)
Lustration Ten (Pressure Zone)

https://www.instagram.com/mike_parker_geophone/
https://soundcloud.com/geophone
https://www.beatport.com/de/artist/mike-parker/

GTG Premiere | Mike Parker - Pulse Trader [Field038]


https://song.link/vd5bjdt548fb9


TOTAL 25… Another anniversary in a year that is already rich in anniversaries. For the 25th time, the Kompakt family is gathering for its annual rendezvous. Prick up your ears, here we go!
ROBAG WRUHME has named his new track ‘Total’ and sings in the chorus with his family for the first time.


01. Pop Vampires Cologne - Karianne
02. Superpitcher - Pandora’s Box feat. Alexis Taylor 
03. Jürgen Paape - Grace (A Tale) feat. Hella
04. Triola - Arcadia feat. Irene Kalisvaart (The Modernist Mix) 
05. Reinhard Voigt - Zahl an einem anderen Tag 
06. Gui Boratto - Panorama X-Press 
07. Robag Wruhme - Starsow Total 
08. Michael Mayer - Brainwave Technology (Wassermann’s Brainwave Inferno Mix) 
09. Michael Mayer - Erdbeermond 
10. Hardt Antoine - Let Me Go (Extended Version)
11. Wassermann - Sog

ROBAG WRUHME - STARSOW TOTAL

UK Minimal

„Tutto passa, ma nulla si perde.“

Few sentences capture the essence of Italian-Venezuelan artist Ricardo Baez better than this. Born and raised in Florence, he has become one of the most compelling bridges between club culture, emotion, and identity. With his debut album Tutto Passa, Ricardo distilled his musical and personal journey into a work that is at once introspective, universal, and profoundly human.
Baez’s story begins in a family where music was never secondary: his Italian father, a collector of old blues and jazz records, and his Venezuelan mother, who accompanied dance classes with 1980s pop cassettes. This blend of melancholy, rhythm, and nostalgia forms the DNA of his sound. Yet for Baez, music is never an archive – it is movement.

This ethos runs like a red thread through his work. As a DJ, producer, and founder of the legendary Florentine party series Tropical Animals (since 2010), he stands for openness, curiosity, and a sound that blurs boundaries.

Ricardo Baez exemplifies a generation of artists who see music as a mirror of inner motion. He moves between studio and dancefloor, Florence and Berlin, emotion and structure – always searching for what remains when everything changes.

His new release, LTMP / Some Days Are Suspicious, continues this exploration. Staying true to the themes of his musical DNA, Baez fuses influences from breakbeat, house, and deep house into a layered, meticulously arranged work. Nothing is accidental – every sound is deliberate, every layer tells a story. Once again, Ricardo Baez demonstrates that change is not a contradiction, but the driving force behind true creativity.

The visual identity of LTMP / Some Days Are Suspicious was created by Konstantin Fürchtegott Kipfmüller, a visual artist studying at the Hochschule für Gestaltung in Offenbach under Heiner Blum. His practice centers on subtractive painting—a process in which color is not applied, but removed. By scraping away layers of monochrome pigment, Kipfmüller reveals unexpected spatial dimensions and textures beneath the surface. Deeply influenced by the urban environment, his work transforms traces of decay, weather, and time into abstract visual narratives. The cover thus mirrors Baez’s own musical exploration: both uncover hidden layers, both search for meaning in what remains.

Ricardo Baez - Some Days Are Suspicious

As the name states Live at Robert Johnson is the associated label of the respected venue in Offenbach and incorporates what the club stands for. The imprint has been establishing a solid ground for the new Frankfurt sound since 2009. By featuring internationally acclaimed artists LARJ has been providing DJs and audiences with essential tunes in an extensive range of high-quality house music. Laid-back dance-floor awareness with a sense for particularity in sound is what might describe best most of the releases and artists.

Ricardo Baez - Some Days Are Suspicious

Live At Robert Johnson