Management: jared@mammothmusicgroup.com

Anchor Bay, California based electronic music artist and producer Michal Menert draws breath from the world that surrounds him, transmuting daily inspiration into music that is singularly his own. 

“A synthesis of past, present, and future, elegantly woven together by the hands of Michal Menert.” – Huffington Post on Space Jazz

A youth steeped in a broad swath of both Eastern and Western musical traditions gives Menert a deep palate from which to draw; his passion for original analog sounds coupled with a vast knowledge of music history has given him a unique ability to pull from the global creative canon with ease. A multi-instrumentalist, he incorporates live guitar and keys into his final production for a full sound and rich feel. 

As Menert co-produced the chart topping Pretty Lights album Taking Up Your Precious Time it was natural that he was the first artist to join Pretty Lights Music. His debut solo album Dreaming of a Bigger Life was released in 2010, followed by 2012’s mega-LP Even If It Isn’t Right. In winter of 2015 Menert released the highly anticipated Space Jazz, followed by fall 2015’s debut release by his band Michal Menert & the Pretty Fantastics, 1. His next release is expected in winter 2018.

In the live realm, Menert supplied sound design for Dead & Co tours in 2016 and 2017. Additionally, he supplied sound design on Mickey Hart’s Planet Drum rerelease in Fall 2016. Building on that relationship, Menert in both a featured performer and co-producer on Hart’s next studio record, slated for release in the fall of 2017.

Menert’s reputation as a live performer continues to grow, as he brings his music to fans nationwide via both his septet, Michal Menert & The Pretty Fantastics, and his 22-piece all-star ensemble the Michal Menert Big Band. His collaborations have led to the formation of myriad ongoing side projects including Manic Menert (with Manic Focus), Half Color (with Paul Basic) & Club Scouts (with Mux Mool). Over the years Menert has shared the stage with a number of musical luminaries including STS9, Bassnectar, Umphrey’s McGee, and more, and played legendary venues including the Fillmore Auditorium in Denver, The Gorge in Washington and the Red Rocks Amphitheatre (twice in 2016 alone.)

Committed to a community driven approach to collaborative creativity, Menert works hand in hand with producers he chooses for his own record label, Super Best Records. A dynamic and ideological producer, collaborating and working closely with a new generation of hip-hop & EDM producers, Menert is dedicated to bringing a new musical vision to life free from limitation.

Contact: michalmenertmusic@gmail.com

Born of a life-long friendship rooted in music, paired with an endless appetite for elevating and evolving their craft, indie-jam rock group Aqueous has definitively carved out their place on the national music scene. Following several full-length studio albums, EP’s, and live releases, high profile performances at music festivals like Electric Forest, The Peach Music Festival, and Summer Camp Music Festival, as well as favorable press from Billboard, Huffington Post, and Guitar Player Magazine, the band finds themselves touring all over the United States.

With instrumental prowess channeled through pop infused hooks, meaningful songwriting, and all out rock n’ roll, the band is a joyful musical tour-de-force. Being no strangers to improvisational music, the natural extension of many songs live is what makes every Aqueous show unique. No two shows are ever the same. Blurring the lines between a multitude of styles and genres, Aqueous' sound is explosive, fresh, and undeniably their own.

In a career spanning thirty years, Phish became one of the most significant live music phenomena of all time. On the basis of word-of-mouth about their performances—with virtually no radio or video support—the band grew from playing club gigs along their native East Coast to drawing 100,000 music fans to remote corners of the country. At every turn, Phish managed to win over newcomers and casual fans as well as maintain the loyalty of their devotees with a singularly broad repertoire, virtuosity, and by making a unique event of each show.

Marcus Rezak is a recording artist, touring musician, session guitarist, and music theorist releasing his debut album on Nov. 9th 2018 entitled, "Gateway To The Galaxy" ft. Bill Evans (sax, Miles Davis), Arthur Barrow (bass, Frank Zappa), Kris Myers (drums) and Joel Cummins (keys) (Umphreys McGee). You can order this album now at www.marcusrezak.com 


Lead guitarist and original member of Chicago based electronic super-group Digital Tape Machine ft. members of Umphreys McGee. Marcus Rezak's diversity in musical styles lands him many live and studio sessions across the globe which sets him apart from other guitarists. Known as a master of jazz improvisation and the art of the sit-in, Marcus is a frequent call among bands and musicians carving out his unique niche in the performance world. 

As a lead guitarist, Marcus carves out a distinguished style in the world of Guitar with several well-known cutting edge groups including Katharsis, Shred is Dead, FrankenZaps Monster, Digital Tape Machine, Stratosphere All-Stars, and as artist at large. He has performed at some of the most elite music festivals across the globe in various genres. Having a commanding stage presence, Marcus takes the euphoric freedom of live music and directs its path into a unique approach, as if every jam is a live recording session. By keeping exceptionally comprehensive mental notes on what works, what doesn't, and how to improve is what has led Marcus to respect in the music world and to such integral heights. 

In 2008, The Hue, Marcus' original progressive rock band from Chicago, IL released two albums entitled, "Unscene" and "Beyond Words" and peaked at a performance with the Aristocrats at Martyrs in Chicago. In 2011, Digital Tape Machine, which featured Joel Cummins and Kris Myers of Umphreys McGee released 2 albums entitled, "Be Here Now" and "Face Behind The Face". The group rose to new heights playing such music festivals including Electric Forest, Summer Camp, North Coast, All Good, Somerset, and more. In 2014, The Stratosphere All-Stars began keeping Marcus busier than before with rotating members within the jam-rock scene including Steve Molitz (Particle / Phil Lesh and Friends), Michael Greenfield (Lotus), David Murphy ( STS9 ), Todd Stoops (RAQ), Hayley Jane, and many more. Having performed at late night set at the Catskill Chill Music Festival and Brooklyn Comes Alive in New York, tours across the Eastern seaboard, they quickly gained attention across the nation. 

Marcus is working on a Colorado based project called Katharsis which features Dave Watts ( The Motet), Todd Stoops (RAQ, Electric Beethoven), and Charles Jones (Dopapod) performing funk-rooted psychedelic jams and improvisation. The band just released an album including the title track " Diabolical " now available for streaming, in addition to tours and performances across the country. 

As a session guitarist and live performer Marcus has collaborated with a vast array of musicians from members of Frank Zappa, David Bowie, Umphreys Mcgee, Jerry Garcia Band, Melvin Seals, The Motet, Dopapod, Primus, Ratdog, The Disco Biscuits, SCI, Lotus, STS9, Lettuce, Garaj Mahal, Robert Walters 20th Congress, Circles Around The Sun, The Aristocrats, Steve Vai, Megadeth, Art Blakey and the Jazz Messengers, and many more. In addition to live performances, Marcus focuses heavily on remote and live studio guitar tracking, editing, and mixing sessions working with a variety of artists, composers, and producers such as David Bowies pianist of 20 years Mr. Mike Garson. 

As a guitar instructor, he built his own freelance clientele, teaching primarily Jazz students, but also having no limitations to this as well. Marcus Rezak has a B.M. from Berklee College of Music in Boston, and a M.M. degree in Jazz Composition from DePaul University in Chicago, IL.

Cabinet is a band with roots firmly planted in the Appalachian tradition. They wear their influences like badges, honoring the canon of roots, bluegrass, country, and folk, weaving these sounds into a patchwork Americana quilt. But this music isn’t romanticizing or rehashing the past. Cabinet makes it mark on today. The steady aim of their harmonies soar straight onto target each time, the soaring vocals giving voice to the story of each song. Their music takes the long way home, treating its listeners like passengers on a ride through scenic back roads. Their live shows are inclusive, celebratory, and community-building. Everyone will want to get on the wagon with Cabinet. Members Pappy Biondo (banjo, vocals), J.P. Biondo (mandolin, vocals), Mickey Coviello (acoustic guitar, vocals), Dylan Skursky (electric bass, double bass), Todd Kopec (fiddle, vocals), and Jami Novak (drums, percussion), all live and love music, and their polished sound belies their young age.

The band‘s latest offering, THIS IS CABINET - SET II, a seven song effort – six originals and a cover of The Byrds’ “Mr. Spaceman” – was recorded in March of 2013 at Stage One in Fairfield, Connecticut, and Club Metronome in Burlington, Vermont. The set is diverse yet cohesive, ranging from the melancholy of “Caroline,” which unfolds into a purposeful jam, to the modern Americana rock of “Heavy Rain,” which closes the album. Along the way, we have the ambling “Doors,” the upbeat and fun “Poor Man’s Blues” -- which would not sound out of place at an Old And In The Way show -- the snaky, reggae-tinged “The Dove” and the instrumental “Susquehanna Breakdown,” another Cabinet contribution to the tried-and-true bluegrass tradition. The group’s take on “Mr. Spaceman” is relatively faithful, but with some Cabinet flair, and offers a glimpse into the band’s myriad influences.

By now, Cabinet’s ability to get a festival crowd dancing and rip tasty instrumental breakdowns is a given. With “Set II,” the band displays its continuing development not only as players, but as songwriters who know how to get to the point – and have some fun going down that road. 

Cabinet formed in 2006, bringing together players from various musical and personal backgrounds. Some of the members were barely old enough to drink legally, but their thirst for older music was unquenchable. Whether its rustic "American Beauty"-era Grateful Dead or old-timey bluegrass, Cabinet has digested it all. But that is not to say that Cabinet recreates older styles. No, this is music that might have its roots in the past, but it is current and vibrant, with a sense of celebrating the now.

Lotus has crafted a unique musical style outside of simple genre limitations. On a given weekend the band could be the only group with guitars at an all electronic music festival and then the next night crash a traditional rock festival with their dance heavy beats, synths and samples. Equal parts instrumental post-rock and electronic dance, the band's distinguishing feature is the ability to maintain a decidedly unique musical voice and remain current while bucking passing trends.

No matter what the venue, the energetic joy and catharsis of a Lotus show is infectious. The band slowly built a devoted fan base through steady touring and the crowds have grown at an increasing pace. This grassroots growth has made the band in high demand for festivals including Bonnaroo, Outside Lands, Ultra, and Rothbury and earned the band sold out shows at the country's premier theatres and clubs.

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