The composition and performance are both full of passion and energy.

Il y a une belle lumière dans cet inattendu..💫

Relentlessly romantic. Comprehensively delightful. Straight into my best of soundcloud and best instrumental playlists.

This is part 2 of some improvisational recordings I made with Pat Howell's beautiful handcrafted-from-a -kit dreadnought acoustic guitar.  Part 1 details the guitar's journey a little more and here I wanted Pat to hear his guitar in drop D tuning, and I thought you'd like to hear it too:)

For My Friend--Part 2

One of my first pieces I wrote in 2013, but have just made another recording...
Hope you will enjoy listening...

Art picture by Ray-hennessy on Unsplash

L'Inattendu

Serenade To Yesteryear, a symphonic poem for chamber orchestra

Analogue

SEARCHING YOU
-----------------------------

Theme composed during the last three months.

An authentic dream to have shared this work with these formidable musicians. Thanks to both.

Dan DT. Digital Voices
Loue Ghazi. Synthesizers, guitar and part of the percussion
Midisound. Synthesizers, guitar and part of the percussion.

Vídeo by Loue Ghazi.

youtu.be/YS2I8-qlfGQ

Mixing and editing Loue Ghazi

Cover art, by Loue Ghazi.

thanks for repost, likes and comments.

Paco.

Searching you (Loue Ghazi, Dan DT & Midisound) - See video link in descrption

In a Dialogue with Gravity and Matisse's Gardens – Boléro  
Listen in the Playlist: https://soundcloud.com/bruce-klepper-1/sets/in-a-dialogue-with-gravity-and
Based on Marice Ravel’s "Boléro" 
Duration: 3:15 
Danse Etoile Ballet (www.danseetoile.org) premiers two contemporary ballets June 3-4.  “In A Dialogue with Gravity” explores the parallel between modern architecture, movement and the need to push and defy gravity.  “Matisse’s Gardens” brings to life the bold color and forms that Henri Matisse first explored in his collages and drawings.
Matisse first visited Morocco in the winter of 1912.  Matisse found Morocco so different and exotic that he ended up making numerous sketches, drawings, and paintings of it, or more precisely, of what he saw in it.  Matisse was quite struck by the people’s physiognomy and colorful garments, the architecture, the daily outdoor scenes, and routines… and it shows in most of his works from this period (1912-1913).  This music for the ballet, using ethnic instruments and percussion, reflects on this time of Matisse's life in Morocco.
Cover design by Maire-Jose Payannet 
For strings, ethnic instruments. harp, marimba, timpani and percussion

In a Dialogue with Gravity and Matisse's Gardens – Boléro

Track 3 from Evanescent, on Triplicate Records, March 2022.  Download the album on Bandcamp: https://triplicaterecords.bandcamp.com/album/evanescent  Featured as a Bandcamp New and Notable selection.

Also on all streaming platforms.  https://open.spotify.com/album/1x2kz7xlmqxTtRRCiwewiS

Evanescent

Marginalia

An unconscious exploration of the conflict and growth at the birth of a season, also the conflict within myself as I explore this art form further. I had no idea what was going to be explored within the music until it happened.
Helen x

Our process started off with a simple repeating chord progression on the piano for Helen to improvise over. We gradually added more elements once the vocal parts were complete and the final element is a field recording of the dawn chorus, recorded at 5am in our back garden.
Andy

Words and Music: Helen
Music and production: Andy

Impatient awakenings

A nod to minimalism.  I'd hate to fall into a rut.

The Glass Forest

Sadness

Music played simple, smooth, and sweet on the nylon string guitar and bass. Arranged and performed by Mark Achuff.

Stardust

MY APOLOGIES TO ALL MY LISTENERS, BUT I SHALL BE ABSENT FOR A WHILE….

My daughter's quote...


"Angels talking through your music....."

I hope you will enjoy listening......

Thank you for your time here....

L'Inattendu

Liz Dicker

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Amos De'genius ⚕️

J.O.

Patros15

Paul Maurice Roche, Composer

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