Llahuar Leh is an experimental music and sound art project that combines organic ambient atmospheres with chaotic rhythms derived from industrial and techno, all composed with soundscapes recordings made by Erick Ruiz Arellano in more tan 30 countries since 2002, mainly in Asia and America.

The sounds are cataloged, edited and sampled with a technique inspired by cinematographic montage, creating imaginary scenarios that result from the improvised mix of sounds from different parts of the world.

Llahuar Leh not only contemplates the harmonious side of the planet, its nature, languages and rituals, but it is also an expression of its dark side, its decay, curses and malfunctions, the extinction of calm.

Jalgaon

Teul

"For the composition, Llahuar Leh uses a technique inspired by film editing. He makes recordings of soundscapes from around the world that later decants, deconstructs and intervenes to generate new imaginary places, out of the laws of physics. There is nothing left in the earth, except for these completely sonic environments that are debated in the tensions of light-darkness, sound-silence. The last animals, rocks and plants have no bodies, they are only noise to which these beats and these voices intend to tame. Echoes that bounce inside a binaural sphere. A record not only of our decline but of our last luminous moments.
Sound science fiction, each of these tracks seems to relate a stage of our extinction narrating with organic atmospheres, a powerful melodic base and chaotic rhythms from both industrial and techno. Each of the sounds of Nada En La Tierra, from the natural organic environments until the last beat heard, were collected by Erick Ruiz Arellano on trips through Asia and Latin America for almost 20 years. This is how the human imagination always takes components of reality and turns them against it. " - Iván Soto.

Llahuar Leh

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