An excellent heavy interpretation, great guitarwork

instumental part and vocal part are awesome!

Fun cover! I admit to being surprised by those opening guitars, then I saw the ZZ tag!!! Love the contrast!!

@user-138663860 Thanks - it was certainly fun to bash this one out 😎

well played i love this song and i love your deliverance

Superb interpretation of a superb song. Great stuff.

Llanpsych and Blue Al grow long beards and turn up the amps for this cover of Marvin Gaye's classic :))))
Blue Al - vocals and bass
Llanpsych - guitars and production

I Heard It Through The Grapevine - Llanpsych and Blue Al

My bands latest release...Dr.Sound... from @bandlab.com....@soundmindproject @dr_snave @icepicksyndicate and myself @hvymtlhpp   ...

#original #drsound #putsomethinggoodinurear


The Rise (of the Build).... Dr.Sound

Funky Metal

Dawn

Five Acres

"Move to the Beat of My Drum" composed by Babatunde Olatunji 
Arrangement by Kristen Williams
I first started playing this song in 2022. I rerecorded it after exploring and researching for the Identity project. The voice at the end is that of my grandfather, recorded in the early 1970s singing (translated) "The Caratal drums sound like bells."

Beat Of My Drum Together Dallas 2024

Komposition - 602220240202 (Ambient Night)

Photography, painting and music are inextricably linked for me. My paintings and photographs are created on an equal footing with my songs. Sometimes they are mutually dependent, arising simultaneously in a creative process. This led to an idea for a video to bring you closer to my pictures and my music:
YouTube: https://youtu.be/n13TdtRdiy8?si=RUHeT9A52veBCZoG
Composed after a painting from a current series. Music created in interaction with painting and vice versa.
_____
Fotografie, Malerei und Musik sind für mich untrennbar miteinander verbunden. Meine Gemälde und Fotografien entstehen gleichberechtigt mit meinen Liedern. Manchmal bedingen sie sich gegenseitig und entstehen gleichzeitig in einem kreativen Prozess. Daraus entstand die Idee für ein Video, das euch meine Bilder und meine Musik näher bringen soll.
Zu sehen auf YouTube: https://youtu.be/n13TdtRdiy8?si=RUHeT9A52veBCZoG
Dieser Song ist komponiert nach einem Bild aus einer aktuellen Serie. Die Musik entsteht im Zusammenspiel mit der Malerei und umgekehrt.

Komposition - 602220240202

Lyrics Donna Marilyn http://www.reverbnation.com/donnamarilynrichblend
Music Sarah Paradise-Brown
Vocals Aleisha Kingswell

Hiraeth

Hiraeth has fallen upon me 
A longing for something I’ve never known 
The glimpse of a treasure I’ll never be shown 
 
Hiraeth has fallen upon me 
A yearning for someone I’ve never met 
Won’t ever remember but still can’t forget 

The unbearable soul-ache 
For what never was nor will be 
 
Perhaps it’s the lingering wisp of a dream 
An elusive melody’s call 
Maybe a lover whose face would be dear 
Or an Eden that’s Home to us all 

Hiraeth has fallen upon me 
The grieving for somewhere I’ve never seen 
That erases how lonely the journey has been 

How it tugs at my blood 
At the so human heart of me

Hiraeth

RELEASE NOTES

A collaborative jam featuring Stonerjazz (@user-911083679) on vocals,
Turab Khan (@turab-khan) on guitar, Zanshin 残真 (@soundsofthekosmos) on
drums & Teth Sin (@teth-sin) on guitars, bass & vocals.
This collaboration started back in 2020. Myrh (@myrhyum) suggested Teth
Sin to track a guitar part on "Mazdoor Funk (loop jam with Raza)" -
Original track by Turab Khan:
https://soundcloud.com/turab-khan/chichora-23. The project was then left
aside for various logistical and technical reasons.
A couple of years later Zanshin 残真 sent Teth Sin a sample of his cool
street drumming, which was synced to Turab Khan's jam. Teth Sin, at that
point, decided to cut out the bass and drums from the original piece,
leaving only Turab Khan's guitar. Then he chopped up his guitar solo and
redistributed it across various tracks. He also added a new bass line,
which helped vary the structure of the song.
In late 2023 Teth Sin asked Stonerjazz to kindly add lyrics and vocals.
He mixed and mastered the song, and the result is this enjoyable
funk-rock jam, featuring a sample of Stonerjazz's exquisite
post-beat/psychedelic poetry.
Please note that every element was recorded in a different continent:
drums in Australia, some guitar in Pakistan, other guitars in Tunisia,
bass in Italy, vocals in the USA. Still this virtual jam sounds so
cohesive, despite a world that seems to be increasingly fragmented and
disjointed. At the end of the day, we should always remember that we all
revolve around That Giant Ball Of Burning Gas...

LYRICS by Stonerjazz:

Just out here in the middle of the void,
spinning fast around a giant ball of burning gas
that's hurdling thru the deepest darkest space.
Meteors and comets are zooming by at breakneck pace
The situation seems to be a little bit precarious,
some might even say Nefarious,
how can it be that tragedy can sometimes  almost  be  hilarious.
Stupidity it seems to be the order of the day.
But here we are and here we go onward out,
like warriors without a clue,
and everyone will play their part,
of this i'm sure, i know it's true.

That Giant Ball Of Burning Gas - Feat Teth Sin, Turab Khan, Zanshin 残真

Recorded in Modesto, Ca.   Featuring Acoustic Godin Nylon Guitar solo. Alto Saxophone solo. Fender Rhodes Electric Piano solo. Fender Electric Bass. Roland Synthesizer Bass.  Clavinet Rhythm. Steinway Brothers Acoustic Piano Rhythm. Trap Drum set, full kit. Percussion Ago go Bells, Cow Bell, Zildjan 22" Ride Cymbal.

Carmel

Eclypse

To What Extent is the first single to be released on Scratch Kelly's forthcoming album, of the same title.
A reflective outpouring of sound, inspired by the search for some kind of limitation. An emotive soundtrack, set to a shifting seasonal atmosphere, anchored by a heavy synth bassline and mixed downtempo beats.

Available for download here:
https://scratchkelly.bandcamp.com/track/to-what-extent

To What Extent

💿

Psych sounds, dub vibes and a whole bunch of FX in operation
SoundCloud collabs most welcome. Remixes, guitar bashing, conceptualising (a big word for a guitar player, I know) or whatever you have 😎

Member of the transatlantic music machine that is The Eclectic Collective

Member of Mid-Wales’ premier cheezepunk band The Recursives - watch us get down and booogie!!
https://youtu.be/NilRLxx6D8E 

Logo and cover art by Marianne

You may wish to check out my older dub based stuff here 
https://soundcloud.app.goo.gl/TwJYv9QgWsDdKNvu9

I Heard It Through The Grapevine - Llanpsych and Blue Al

Llanpsych

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