"And Now I Am Born To Die" from the upcoming Daniel Bachman album, Orange Co. Serenade, July 15th.

And Now I Am Born To Die

the last show of all the touring was at home in Chicago playing the beautiful GAR Rotunda on the 2nd floor of the Chicago Cultural Center. recorded on a hand held set about 30 feet away from the amps.

Live Fall 2014 Side A - Chicago Cultural Center GAR Rotunda - Inclusion / Water 4 / Going Home

track "Murmur" on the album Appa, by Tashi Dorji, release date March 31, 2015, Bathetic Records

http://batheticrecords.com/release/appa/

Tashi Dorji - Murmur

From the forthcoming compilation 'Suso Sáiz ‎– Odisea' 2016 © Music From Memory

Buy 2xLP

Suso Saiz - The Guardian (6:04)

Roberto Musci - A Tale For C (03:28)

1/2 of annual Halloween split with Julian Glander available at:

https://nobones.bandcamp.com/

U Won't See Me (On Halloween)

Balsams

Chuck Johnson- Balm Of Gilead

What the hell is Americana, anyway? Wedged right between the luddite folkisms of Jack Rose and the modal movements of Jim O'Rourke, you might find Post Moves. A band who called their first tape Little Jews and who sound like Jandek backed by a funk band doesn’t sound like Americana, but when was the genre about fitting in? Post Moves make Americana about an America that makes no sense; pastoral, shambling and strange. 

We last saw Post Moves in 2016’s Mystery World Science Show, a hushed collection of low-key groovers fit for nighttime drives. Now we have Boogie Night at the Edge of Town, eight tracks of homespun offbeat country, indie and experimental pop. We still hear Wenc’s obsession with ethereal slide guitars and with rambling stories-as-song. In Boogie Night, we find a bigger palette of sounds; harmoniums, bells, and choruses abound. The band found a sympathetic duo in recording engineers Kevin Christopher and Lahm Hiddendale, who took the band into their hideaway studio in Olympia, WA to coax out the album’s eight otherworldly tracks. 

Boogie Night stages its drama on a grander scale than previous Post Moves outings. “What is our nature?” demands guitarist Sam Wenc throughout opening countrified meditation on existence, “The Cavern.” In the writing of Boogie Night, Wenc reflects “I found myself reaching for immersive, bodily music...music to get lost in.” He found himself deep in the mantric (and manic) music of Tony Conrad and Sir Richard Bishop. Wenc’s guitar weeps cascading melodies over the mantric harmonium of “Reg” and through the Blind Owl Wilson influenced, “Harvest.” 

Alongside labelmates like neo-drone act RON and the pop-imbued Layperson, Post Moves materialize as part of a larger concept of weirdo indie. Too un-American to be Americana, too gun-shy to be country, Post Moves emerge on Boogie Night wholly themselves, comparable only to their past records. - Mac Pogue
credits
releases July 7, 2017 

Design + Layout by Lobby Art 
Recorded at Heavy Meadow in Olympia, WA by Kevin Christopher & Lahm Hiddendale 
Mixed by River Nason 
Mastered by Timothy Stollenwerk 

Lobby Art // LA006

Post Moves - The Boogie Down (ft. Philip Grass)

Hay hombres que luchan un día
y son buenos.
Hay otros que luchan un año
y son mejores.
Hay quienes luchan muchos años
y son muy buenos.
Pero hay los que luchan toda la vida:
esos son los imprescindibles.
Bertolt Brecht

Phonic Mirror - Part 5 -- Helado Negro DJ Mix

often peaceful // short run tapes and vinyl from sam & ximena

Post Moves - The Boogie Down (ft. Philip Grass)

Lobby Art

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