One more gem of this excellent label.   :)

spring stick

THE LIGHT THAT YOU GAVE ME TO SEE YOU

E+E - OMEGA PLATE

cracid

Born To Love The Rain

Johanna wollte den unbedingt. Ich sitz hier mit Julez und morgen kriegt sie den Marlboromann tattoowiert. Von mir. Ich bin ein Multitalent. Ich übergebe hiermit an Julez. Hey ich bin Julez. Ich bin Chaya aus Berlin und mag Sophia. Danke fürs durchlesen. Cheers. Mit fünf Bier vor Vier ist das Leben viel besser. Ist euch mal aufgefallen das in Berlin echt viele Füchse leben für eine Großstadt? Die sind teilweise erschreckend dünn. Manchmal frage ich mich wo die schlafen. Anyways… der Sommer kam und Berlin wurde zum schönsten Ort den ich mir vorstellen konnte. Bis auf den Alexanderplatz. Auf ernst, wer chillt da? Ganz ganz schlimm dort. Geht lieber ein Buch lesen oder auf klebt euch auf die Straße oder so. Nochmal, danke fürs durchlesen und Kuss ihr Junkies. Haben Sie SoundCloud Go ? Ich persönlich habe ein Labubu im Enddarm. Wart ihr schonmal mit eurem Labubu im Berghain ?

Ich kann nicht schlafen - für Jo

Gods Favorite

pista 3 de #CAS19, compilado que busca contribuir a la ayuda humanitaria que México necesita debido a las perdidas que dejó el sismo del 19 de Septiembre del 2017

first attempt luv (from Centro De Acopio Sonoro)

bruised ∪ beaming ∪ both live

When U See Me

produced by : @les-halles-les-halles
label : @not-not-fun-1
release date : May4th
link : https://halles.bandcamp.com/album/zephyr

Zephyr

Les Halles - Final Mirage

Pre-order Afterglow: smarturl.it/Yamaneko
Buy tickets for Yamaneko's London live debut: https://www.residentadvisor.net/events/1142563

--

Since breaking through with his acclaimed debut album Pixel Wave Embrace, Yamaneko has been one of the key artists combining electronic and ambient music - with a fragile sound equally inspired by grime, new age cassette music, video game OSTs, keygen compositions and techno. 

Despite being his first release, Pixel Wave Embrace became a cult classic - quietly but notably influential on both the artists around him and further afield. Yamaneko has continued to spread his influence since, soundtracking an advert by Supreme, providing the music for a short film by Oliver Payne (work shown at MoMA, The Serpentine, The Tate, Whitechapel Gallery and more), teaming up with Mr. Mitch as Yaroze Dream Suite and composing music for a series of European spas, collected in his 2017 mini-album Spa Commissions. 

On Afterglow, Yamaneko tears up the rulebook once again. His darkest, fullest release to date, it finds him shredding, distorting and reversing trance signifiers into brutal, broken compositions, honing in on the most unhinged aspects of euphoria. As ever with Yamaneko though, there are key moments of bliss to offset the darkness - centre-piece ‘Oslo House Sunrise 4K’ strips things back for one of his most gentle but arresting songs yet, and the melodies of closing track ‘Hydrokinesis’ linger long after the record has finished. The insert of Pixel Wave Embrace declared that “gentle can be powerful”, and never has Yamaneko combined the two like on Afterglow. 

Yamaneko will bring Afterglow to life with a new live AV show this Autumn, at London’s Rye Wax on September 19, plus Uganda’s Nyege Nyege Festival and Norway’s Insomnia Festival.

Yamaneko - Second Encounter (from LOC043 - Afterglow)

Download via WeTransfer - we.tl/PnATdCNmJS

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DOWNLOAD

I Thought The World Of U

AVR - Orion Dub

No Man's Land

Petina

ARTIST: Pulse Emitter
ALBUM: Swirlings

To be released on LP on Hausu Mountain, 1/17/2020.
hausumountain.bandcamp.com/album/swirlings/
________________________

Portland-based composer Daryl Groetsch’s output under the name Pulse Emitter forms a catalog of nearly one hundred physical releases since the early ‘00s. The full scope of his wide-ranging experiments in synthesis and electronic arrangement encompasses everything from expansive new age drift exercises, to purely textural noise sculpting, to the strain of post-Berlin School cybernetic prog composition that characterized newer albums like Through The Portal (Phinery, 2016) and Digital Rainforest (Beer on the Rug, 2015). Swirlings, his first full-length LP on Hausu Mountain, follows a split release with Brett Naucke (HAUSMO53, 2017), and albums on labels like NNA, Immune, and Constellation Tatsu. Swirlings finds Pulse Emitter tempering his more recent melodic streak with a host of time-distorting compositional strategies from the ambient and drone traditions, yielding a hybridized vision of his music that spans distinct eras and styles of his output. Taken in the context of his cosmic song titles and long-standing incorporation of sci-fi themes and imagery, the album bears the outward signs of the ambient record that seeks to evoke the experience of deep space travel, or observing a lush garden of alien flora from the deck of a starship. Groetsch ornaments his gorgeous harmonic whirlpools and majestic spreads of smeared drones with layers of crystalline melody and flourishes of granular processing. His pieces stretch through minimal expanses in which individual pads and bass notes sketch out a churning rhythmic grid before blooming into mosaics of interlaced arpeggios and lead voices. Pulse Emitter approaches electronic composition from the perspective of a master craftsman, harnessing a fine-tuned sense of narrative development and a penchant for juxtaposing contrasting synth voices from far-flung corners of his arsenal of softsynths, app-based programs, and hardware instruments. While he conjures time-lapse vistas of galaxies and nebulas in our mind’s eye, the sophistication of his arrangements and the universal beauty of his harmonies pushes the lens inward on the self, resulting in a journey that is as personal and internal as it is celestial.

Swirlings represents a culmination of diverse modes of creation that Pulse Emitter has developed over the course of his recent releases. As on 2018’s Xenharmonic Passages, Groetsch moves beyond traditional tonalities and western scales to incorporate elements of microtonality into his percolating black hole soundscapes. As on his five volume series called Meditative Music, he hones in on 6 to 7-minute drifting pieces that balance a sense of delicate stasis with great depth of detail and movement. The lead lines present on Swirlings continue Pulse Emitter’s fascination with emulated instrumental tones characteristic of ‘80s synth composition, as more chintzy or brittle voices collide with patches of ultra high-fidelity synthetic pointillism. Far from the realm of plug-and-press-play ambient computer music, his hands-on input on his system of machines can compress time into pockets of acute structural turbulence, or lock into streams of slow equilibrium where one can trace his live manipulation of single voices or textural parameters. With Swirlings, Pulse Emitter taps into the benevolence and natural curiosity at the heart of his practice. After decades guiding us down a network of distinct paths through the cosmos, Groetsch has become the wise traveler that we turn to transfix and entertain us, to kindle a spark of warmth in the cold void of space.

Swirlings

Pulse Emitter - Fairy Tree

Record label, music family.
info@localaction.co

Yamaneko - Second Encounter (from LOC043 - Afterglow)

Local Action

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