Immerse yourself in Echoes In The Rain — an audible trance journey through neon-soaked streets and endless rain. Inspired by Blade Runner and the ethereal synthscapes of Vangelis, this track blends haunting atmospheres with pulsating rhythms. Shimmering arpeggios, ambience, and drifting pads create a dreamlike sense of motion — like walking alone beneath a flickering skyline after the credits roll.

Perfect for late-night drives, introspective moments, or when you want to disappear into the glow of the future.

✨ Genre: Trance / Synthwave / Cinematic Electronic
🌧️ Mood: Futuristic • Melancholic • Atmospheric • Immersive

Echoes In The Rain

The 'mechanical' beat has stopped. The 'fight' is over, and what remains is the sound of the release: exhaustion and a vast, quiet emptiness. This is 'Adrift.' The 'celestial' self is no longer caged, but it is unmoored, floating in a vast, 'shadowy' void. Beatless and expansive, the track is carried by a new 'celestial' harmony—a deep, shimmering pad. The Cello and Kalimba are no longer striving; they are 'low and away,' their voices distant, echoing, and 'adrift' in the ambient dark.

Adrift

The 'adrift' float has ended. We are no longer moving, but have arrived, suspended in a new stillness. But this stillness is not silent. This is 'A Hum Draped in Shadows.' A beatless, tense interlude, the track is the sound of an unanswered question. The Cello 'shivers' with a long, dissonant, 'shadowy' hum, while the Kalimba echoes like a ghost in the dark. This is the 'hum' we've been chasing, a mysterious and uneasy 'calm before the storm.

A Hum Draped in Shadows

The march is over. 'Traces' is the sound of the arrival. This is the 'calm before the storm,' a beatless, suspended "breath-hold" before the album's emotional climax. The 'mechanical' world is gone, replaced by a 'glowing,' "charged" atmosphere. The Kalimba returns, a 'questioning' whisper—the first 'trace' of the memory, 'knocking on the door.' Above it all, the Cello is no longer 'fighting' or 'marching,' but 'singing' a beautiful, lyrical, and searching melody in the stillness. It's the sound of pure, tense anticipation.

Traces

This is the 'flood.' The 'calm' of the previous track breaks, and the 'memory' bursts open. The Cello 'steps through the door' and is met by a 'cascading' flood of celestial Kalimba notes. This is the 'Atlas of Whispers'—a beatless, timeless, and soaring 'vision.' The Cello's voice is at its most passionate, a pure, orchestral catharsis. Then, the 'vision' completes. The beat returns, and the 'self' (the 'Persist' theme) is 'transformed,' fused with the memory's power. This is not just a climax; it is a 'transformation.

The Flood

The 'flood' has receded. The climax is over. 'Traces of Salt' is the sound of the 'aftermath'—the beautiful, quiet 'resonance' left behind. Beatless and reflective, the track is a peaceful "afterglow" of shimmering, warm pads. The Cello is no longer 'striving'; it's 'resolved,' singing a final, peaceful duet with the 'crystalline' Kalimba. This is the sound of the memory, no longer a 'flood,' but a 'trace'—a quiet, bittersweet catharsis.

Traces of Salt

The 'peaceful afterglow' of the memory begins to cool. 'Fading' is the sound of 'deconstruction'—the memory losing its sharpness and becoming a distant 'ghost.' Beatless and ethereal, the track is an echo of the album's climax. 'Worn' and 'distant' fragments of the Cello and Kalimba melodies appear, 'fading in and out' like a lost signal. The entire track is 'muffled' in a 'lo-fi' filter, as the warmth recedes and the 'celestial' vision 'fades' back into the dark.

Fading

The 'mechanical' loop fades, and the 'return to reality' is complete. This is 'The Final Exhale.' The album's journey resolves into a beatless, peaceful "release." The Cello, the 'self,' offers one final, "resolved" statement. The Kalimba, the 'memory,' echoes with a last 'crystalline' chime—the final 'trace' "fading from your lips." The "mechanical" world is gone, the "celestial" vision has faded, and all that remains is the 'ambient stone'—the room, now at peace, transformed by the journey as it fades to silence.

From Your Lips

Winter vibrations (beatless version)

1) Silver - Dusky
2) I Am Sorry - Gregory Isaacs
3) Sunworshipper - Mylo
4) Nostalgia - Artcool
5) Whispers - Dave Mathmos
6) Outside (Intro) - Giraffi Dog
7) Georgy Porgy  (Ramsey Hercules French Edit) - Toto
8) What I'm Feeling (Good) - Nightmares On Wax
9) Ain't Nobody (Remix) - Rephrase
10) Colours - Framewerk
11) Inhaler (Sergio Manifesto Re-Edit) - Foals
12) Night Travel (Monoteq, Almanah Remix) - Frau Mai
13) A Happening - Framewerk
14) Paris (Cotton Dubs Ambient Aeroplane Edit) - Friendly Fires
15) Enjoy The Silence  (Rich Lane mix) - Depeche Mode
16) Discopolis (Rich Lane Cotton Dub) - Lifelike & Kris Menace
17) Aftermath (Rich Lane Cotton Dub) - Reel By Real
18) Can You Feel It (Rich Lane Edit) - Mr Fingers
19) Talking with Myself (Poolside Rewerk) - Electric 101
20) Last Rhythm (Poolside Rewerk) - Last Rhythm
21) Siberian (Live) - Rich Lane
22) Stick By This - Dusky
23) Random Events - Framewerk
24) Pasion (Alex Kassian's Mandarine Dream Mix) - Pianoman
25) Soothe (Framewerk Rewerk Parts One & Two) - Furry Phreaks
26) Outside - Giraffi Dog
27) The Age Of Love Suite (Rewerk Intro) - Framewerk
28) Octave One - Hober Mallow
29) The Ecstasy of Gold - L'Estasi Dell'oro

Organics 69 - Chilled Special 23/11/2025 - Ultimate Dance Radio

DJ with 20+ years experience of underground music, I'm known for playing a combination of sounds, but over the last few years I've focused more on House and Tech. As far as studio mixes and radio shows go, I still keep a lot of variety in my output. Anything goes, and usually goes OFF...

You can usually find me popping up at house related nights in the Telford and Shrewsbury area, and currently resident at the newly relaunched Masquerade parties. Played some great venues across the West Midlands, be glad to add a few more to the roster :)

If you like what you hear you can catch me every Thursday 6-8pm GMT running the Organics show on www.housemasters-radio.com.

Always looking for opportunities to work with like-minded promoters in the Midlands, so contact me on here or Facebook for bookings.

New to the world of music songwriting, just enjoying life and creating music people can relate to. Nothing better than a good tune to get you dancing. Enjoy! My atrist names include Darius Endovins, Maurice Videns, and Les Nouveaux Digitale.

My name is Taras Chypurka, from L'viv, Ukraine
I am chillout, psybient, psychill and chillgressive DJ and music producer. Focused at melodic music.  I am also Ecstatic Dance DJ.

From childhood I liked different types of electronic music.
Starting from Synth Wave, Techno and New Age in 90s then moved focus to Trance music (Progressive trance / Progressive house) , later to trip-hop / downtempo and finally arrived to psychill / psybient / chillgressive genres which are closest to me.
Because I'm looking in music for 2 main things -  1.The melody, 2. the ambiance. (atmosphere) So I'm trying to find those in modern electronic music and include them in mixes and also play at live events.   
That's why music I'm including is based on emotion and also has only soft sounds and rhytms.

Additionally I'm diving into world of Ecstatic Dance music where different rhytms, genres and emotions are combined into single music treatment journey.
I love this for ability to combine different music into one single piece which guides people through own emotions and different states of mind.

New tracks tagged #Beatless