track 1 from "a wake in shadows" by @Hilyard

https://hilyard.bandcamp.com/album/a-wake-in-shadows

a wake in shadows

Hilyard - mantle of memories

Written and Produced by Agustín Mena
Mastered by Taylor Deupree
Photography by Alexander Kopatz
www.go70north.com

Warmth - Ascent

In "The Floating Garden," I've ventured into a realm where generative synths and the spirit of ambient music converge to create a magical, calming oasis. This single is a reflection of my journey, infused with a tiny touch of neoclassical elegance amidst the vast expanse of classic ambient landscapes. I aimed to cultivate an environment that invites listeners to float away into a serene, ethereal garden of their own making. I hope it brings you the same solace and wonder it brought me during its creation.

The Floating Garden

Support

Drifting Sun

Heima

Arcadian

A sonic portrait of a city suspended in twilight, it traces the quiet pulse of urban dusk — moody and gently immersive. As the day exhales and the skyline softens, textures emerge — quiet synths, distant echoes, and the hush of passing lives.

Le Code is a French ambient artist known for creating soft atmospheric soundscapes with subtle synthesizer or piano sounds inspired by nature (especially water and the ocean). He also co-founded Mare Nostrum Label, largely continuing the ocean theme.

Produced, mixed and mastered by Alexandre De Charrin (Le Code)
Cover picture by Alexandre De Charrin
Cover design by Dionis Afonichev (Dionisaf)

Something in the Air

It Was Childhood

Bandcamp

Subpolar

The Composer Speaks:

I always knew that I wanted to be a musician when I grew up. Admittedly, there were times around the age 7 or 8 when I thought that that maybe I could become a scientist for, as a child of the 60s and besotted with space and rockets, science was a very big and popular part of my childhood. There were also times, somewhere around my first big double digit birthday, when I felt so alone and detached from children and adults alike, that I seriously wanted to be a horse - not that I particularly liked horses but it seemed easier than being me. Throughout all this though, playing in the background as it were, being a musician was the thing I really dreamed of being, and it was playing music that made me feel alive.

After the age of 11, I hated school so much that I simply stopped going. I educated myself by watching programmes for schools on the TV and reading encyclopaedias and the like. It was around this age that the classical music that I had listened to previously gradually gave way to more modern influences, mainly European bands, generally the stranger the better. At 13 I played my first gig, and at 16 I officially ‘left’ school and I threw myself whole-heartedly into music.

I’ve always written my own music; the songs of my youth have gradually given way to more instrumental compositions and now at 65, and edging ever closer to 66, lo and behold, I’m not only a musician but also a composer. The fundamentals of being a musician these days are so very different to when I first began; in those days I wanted to be successful and rich and so famous that I could have my own studio and be left alone to record and release music whenever I felt like it. Nowadays, although I’m neither remotely rich nor famous,  I do have my own studio, am more or less left alone and I can release music whenever I feel like it - so I guess, in a way, I’m living the dream; I’m living in Dreamtime.

This simple composition appeared beneath my finger tips as I sat in my studio thinking about all of the above; with the old nursery rhyme running through my mind that accurately says it better than I ever could:

“Row, row, row your boat 
gently down the stream;
Merrily, Merrily, Merrily, Merrily
Life is but a dream” 

Dreamtime

equanimity

winter

The sound of Logic Moon has graced the airwaves on esteemed labels such as Whitelabrecs, Archives and Ambientologist, among others.

Heima

Logic Moon

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