like the sounds!! those melody notes work great!!

nice wet and clear sandy fogy beach morning dawn

track 7 from the newly remastered and expanded edition of Black Brunswicker’s debut “In The Age of Aristocracy”

Name your price on bandcamp: https://blackbrunswicker.bandcamp.com/album/in-the-age-of-aristocracy-2nd-anniversary-extended-edition

In The Age of Aristocracy: 2nd Anniversary Extended Edition

Black Brunswicker - Vltava

From the Distant|Spirals EP on Past inside the Present:
pitp.bandcamp.com/album/distant-spirals

released May 3, 2019

Past Inside the Present 
This is PITP16 | MMXIX Digital Series

PITP

Distant

Logic Moon and Atmøsphäre come together for the first time to bring forth ‘Fading’, a carefully assembled study of light and dark - or rather, the convergence of the two. Rarely is one without the other, and their ever changing interaction inspires curiosity and humility. One minute light dances in the dark, and the next minute the shadows mime their way across illuminated canvases.

Logic Moon’s deliberately faint compositional style, coupled with Atmøsphäre’s ear for musical space, combine for something noticeably more affective than their previous solo outputs. Hints of early Tim Hecker and Bersarin Quartett shine through, placing the listener in a quiet contemplation, as controlled thought flickers in the stillness. Light fades in, and then fades out again.

Fading

Support

Logic Moon & Atmøsphäre - Dancer In The Dark

A new collection of work titled 'Sodium Light' from myself has just been released on Lee Norris's excellent NeoTantra label. The work was inspired by a series of night walks my daughter and I took towards the back end of 2019; pre all the states we find ourselves in at the moment. It's an impressionistic work of night-time cityscapes. Mastered by Fraser McGowan.

Sodium Light

Night #3

'Night #5' - Taken from the release 'Sodium Light' - [Neotantra, 2021]

From Woven Songs, out Feb 2022 on LP and digital

Rosales - Loom

Taken from PERILS - S/T (Pathway010)
PERILS is Benoît Pioulard and Kyle Bobby Dunn.

Mutual admirers of each other’s work, Thomas Meluch (Benoît Pioulard) and Kyle Dunn (Kyle Bobby Dunn) endeavored to put together a collaborative recording that ruminates on painful realities, disappointments, and transitioning to new homes, in the hopes of finding a coping mechanism to bring them through to the other side.
PERILS began auspiciously in 2012 at transitional points in these artists’ lives. Kyle was living in a small town called
Belleville, Ontario trying to complete Kyle Bobby Dunn and The Infinite Sadness (Students of Decay) and coming to grips
with the fact that this great endeavor was at its end. Given the enormity of the record and the emotionally and physically
exhausting process of recording the album, Kyle found himself drained with unforeseen questions and confusions. Working only at night, Kyle immersed himself into this newfound nocturnal work, finding a path in the midst of wondering. Thomas, meanwhile, was in a state of literal transition: uprooting from the UK and relocating to Seattle during the recording process of PERILS. In a state of flux, nearly drowning under the anxieties of living on uncertain ground, Thomas channeled these emotions into musical escapades. Thomas recorded in his spare moments, sending sonic puzzle pieces one by one to Kyle, who would in turn explore the musical sentiments Thomas had shared, adding his own billowing sounds to the seething mix.
The ten pieces created for this release are culled from a poutine- and whisky-fueled trudge through the dark corridors of an as-yet undiscovered or possibly imaginary mystic temple. Commencing with the shimmering guitar and tape loops of “Colours Hide My Face,” the album crawls out of the grooves with a slow-churning turmoil, coaxing the listener to embark along its path. The dirge-like guitar clang and vocals of “(Dead in the) Creekbed Blues” could be an 18th century blues standard emitted from a buried radio. On PERILS, Thomas Meluch and Kyle Bobby Dunn lock arms and together chart the upheaval in their lives to bridge the liminal gulf between the once-was and the soon-to-be.

PERILS - Flaw

Gift of the Caves from the album 'Inward'
https://atmosphare.bandcamp.com/album/inward
Collaboration with @VictorYibril
https://victoryibril.bandcamp.com/

Inward

Gift Of The Caves

Atmøsphäre & VictorYibril - Gift Of The Caves

Krapilasa

~ blip Vol.5 ~

01000101

Hotel Neon is a trio from Philadelphia, which has appeared on these pages [and hopefully on your rotations] ever since their self-released and self-titled Hotel Neon debut in 2013. The album has been subsequently picked up by Home Normal, with the band’s followups, Remnants (2016) and Context (2017) appearing on Fluid Audio, and migration with Means of Knowing (2018) to Agustín Mena’s (aka Warmth) Archives imprint. For their latest release, titled Vanishing Forms, the trio returns to Archives, with eight ambient atmospheres that blanket a spinning mind. The vastly spanning and highly textured pieces drown all anguish and polish the sharp edges of that troublesome thought. Listening to this music is like opening your eyes on the beach facing a boundless ocean, with an intense realization that at this moment all is real and everything else is just product of a projected and forever fueled in worry ego. This is how things truly are… And if you don’t have the luxury of an ocean near your dwelling, at least you can reflect on the presence in your headphones, with Hotel Neon spraying all the vapours of their waves.

- Headphone Commute - 

Music by Hotel Neon: www.hotelneonmusic.com
Mastered by Rafael Anton Irisarri: www.blackknollstudio.com
Artwork by Dalvin Byron: www.dalvinbyron.com
Design by Steven Kemner: www.stevenkemner.com

Buy CD/Dig

Hotel Neon - Burning Mist

"Rionnach Maoim" - shadows cast on the moorland by clouds moving across the sky on a bright and windy day (Gaelic)

Music by Benoit Pioulard
Artwork by Gregory Euclide 

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of  new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: https://stationarytravels.wordpress.com/place-language/

Benoit Pioulard - Rionnach Maoim

The sound of Logic Moon has graced the airwaves on esteemed labels such as Whitelabrecs, Archives and Ambientologist, among others.

Logic Moon & Atmøsphäre - Dancer In The Dark

Logic Moon

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