In the coming months, a lot of music will be released. Some will be bigger projects and some small, like this one, a track with a special vibe called 'Hidden Message'. These smaller projects will always be free to download.

Hidden Message

This track is quoted from the album 'youth'.
Listening to all tracks of the album and purchasing are available on the link below.

https://gallerysix.bandcamp.com/album/youth

written, mixed, mastered by Hidekazu Imashige 
cover photo, design by Hidekazu Imashige

Graduation

On February 24, 2022, at 5 am, Russian bombs began to fall on Kyiv and other Ukrainian cities. The perfidious invasion of Russian troops forever changed the history and face of this country. Every day, civilians and soldiers who defend their homeland are getting killed. This war is senseless and merciless. No decent person can remain indifferent. The Chitra Records label also took on a small mission of helping to rebuild Ukraine. We teamed up with ambient and neoclassical musicians from all over the world and released a two-hour compilation of calming, peaceful, and experimental ambient music. Our goal is to raise funds for the civilians of Ukraine. All proceeds from the digital sales of the compilation on Bandcamp for the first two weeks from the release date (until March 21, 2022) will be sent to the Red Cross Society of Ukraine.

https://chitrarecords.bandcamp.com/album/pacification

Music is a powerful calming force. We want this war to end as soon as possible. On March 21, we will publish the receipt of the donation transfer.

We ask for your help and support: tell your friends about this compilation and repost it on your social media.

https://chitrarecords.bandcamp.com/album/pacification

Peace and good music to you, friends!
credits
released March 7, 2022

Henrik Meierkord (Sweden) www.soundbread.se

Yellow6 (UK) yellow6.bandcamp.com

Kshatriy (Russia) kshatriy.bandcamp.com

Adrian Lane (UK) adrianlane.bandcamp.com

NK x [Ųvás Gøød It] (Ukraine) nkxmusic.bandcamp.com

FlownBlue (UK) soundcloud.com/flownblue

Michele Andreotti (Italy) soundcloud.com/michele-andreotti

Mortuus Auris & The Black Hand (UK) mabh.bandcamp.com

Sergio Mariani (USA) sergiomariani.bandcamp.com

Alejandro Fiori (Argentina) alejandrofiori.bandcamp.com

Dionisaf (USA) dionisaf.bandcamp.com

Macrogramma (Italy) soundcloud.com/macrogramma

Sebby Kowal (USA) soundcloud.com/sebbykowalmusic

Toni Dimitrov (Macedonia) The owner of the labels: www.post-global.com and elanvital.bandcamp.com

Alessandro Barbanera (Italy) alessandrobarbanera.bandcamp.com

Lelya (Russia)

KapTep (UK) kaptep.bandcamp.com

Federico Balducci (USA) federicobalducci7.bandcamp.com

fourthousandblackbirds (Canada) soundcloud.com/fourthousandblackbirds

A Distant Shore (Italy) adistantshore.bandcamp.com

Mastering by Dionis Afonichev (Dionisaf)
Artwork and cover design by Dionis Afonichev (Dionisaf)

Label playlist on Spotify: open.spotify.com/playlist/6NhkzsiLGCStuOkSjCfvso

Patreon: www.patreon.com/chitrarecords

Pacification

Support

Quiescis

'Astral Sleep' from the album Terraforming
https://faintmusic.bandcamp.com/album/terraforming

Written and Produced by Tobias Lorsbach and Tom Lievens
Mastered by Ian Hawgood
Photography by Alexander Kopatz.
www.go70north.com

Terraforming

Astral Sleep

Logic Moon & Atmøsphäre - Astral Sleep

In this collaborative record called ‘Inseln’, we welcome back Logic Moon, who contributed 2019’s ‘I See Planets’ to our discography, alongside cellist, musician and composer Henrik Meierkord. Logic Moon is Mainz, Germany based artist Tobias Lorsbach, who has also released music on labels such as Archives, Ambientologist and Faint. Henrik Meierkord is based in Stockholm, Sweden and he has numerous self-released records in his discography, alongside work for Ambientologist, Subcontinental Records, Projekt and Hibernate.

‘Inseln’ translates to mean islands and this record is intended to be a journey to beautiful imaginary paradise islands, far far away, in a time set way back in ancient history. Whilst cliché would have us think of exotic sun-soaked lands, full of vibrant colour and a thick, palpable heat, on listening to this record it will become apparent that the journey to paradise is not so simple. Tobias’ droning synthesizer soundscapes combined with Meierkord’s meditative strings, transport us to a medieval world, perhaps in times before we had discovered the existence of paradise, and when travel was an enormous challenge.

This album plays through the struggles of a journey to paradise, escaping the known present in search of an unknown, unpromising utopia. As we discover each new island, we can see another one on the horizon, lying undiscovered; an endless paradise only another struggle-filled journey away.

Written and Produced by Tobias Lorsbach & Henrik Meierkord
Mixed and Mastered by Tobias Lorsbach, Mainz/Stockholm
Painting by Maliana Wang
Art and Design by Andrew Heath

Tobias Lorsbach : Synthesizers, Piano and Soundscapes
Henrik Meierkord : Cello, Viola, Doublebass

Inseln

wlr119 Logic Moon & Henrik Meierkord - Inseln

From our Album "Inseln", released on Whitelabrecs

Logic Moon & Henrik Meierkord  - Inseln

Rumbo

Stringdrone

MELTING MEMORY is out now
The year of melting, sitting down, looking at walls and thinking. 
Finding out the joy and pleasure in short dark days and solitude.
It feels like I went into some kind of method production, and unpacking my music gear in my childhood room at my parents’ house as an adult felt like the most bizarre move. 
But along the way, I went through many of my old identities ~ sorting through old pictures and toys, and finding new rhythms and melodies.
 gratitude to friends and family who shared this with me:
Photos by ~ Michaela Pavelková
Cover visual by ~ Michal Chrastina
Mastering by ~ Martin Chrastina 

Vydanie diela z verejných zdrojov podporil Fond na podporu umenia./Supported using public funding by Slovak Arts Council

1891

Spotify: https://open.spotify.com/artist/6pPUZ52P1gD88pY6f29Ewl?si=DyUjS6dNQnuio4RMobuVeQ

Apple Music: https://music.apple.com/us/artist/robert-nord/1474446193

YouTube: youtube.com/@rynomusic?si=iXltZkFDznuK78A3

Instagram: https://www.instagram.com/ryno.rn/

Bandcamp: https://rynomusic.bandcamp.com/

Bandcamp

fade - slowed

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission II

The sound of Logic Moon has graced the airwaves on esteemed labels such as Whitelabrecs, Archives and Ambientologist, among others.