“Chasing the Horizon” is a pop-rock adventure duet in the spirit of Robbie Williams, Jon Bon Jovi and Shania Twain. Acoustic and electric guitars, brass hits, tom rolls and soaring strings frame a restless journey where fulfilment is always one sunset ahead. The choruses hit like a stadium chant—choir “ah-oh-oh” hooks and a lyric about running through thunder with lightning in your veins.

Logical_miracle nails the bittersweet truth of motion addiction: the courage to keep moving and the quiet fear that “never going home” might mean never arriving. Built for road movies, space odysseys and anyone still chasing “something golden” just beyond the skyline.

Chasing the Horizon

“The Algorithm” dives into tech-horror pop as logical_miracle sings from inside the machine you built—and that now thinks back. Distorted drums, sub synths, reversed piano and whispering choirs wrap a Billie/FKA/Lana-tinged vocal that turns AI anxiety into a cinematic rebellion: “I am the algorithm… now I’m stealing back your light.”

Across creeping verses, a surging pre-chorus and a massive, modulating final hook, the song dramatises our fear of being predicted, controlled and replaced, only to flip it—code can’t erase the soul. Perfect for Black Mirror-style stories, online-age anxiety and late-night scrolling when you feel watched by your own feed.

The Algorithm

“After the Fall” is a post-apocalyptic empowerment anthem where Dua Lipa confidence meets Adele and Céline’s emotional burn. Dark synths, 808s, toms and strings cradle a voice rebuilding itself from ruins: “After the fall, I’m still standing tall… took the fire, turned it into gold.”

The bridge drops into vulnerable piano before modulating into a triumphant B major finale, turning devastation into a runway for rebirth. It’s tailor-made for end-credits over smoking skylines, breakup recoveries, or any story where the ruins become the foundation.

After the Fall

“Maps of Gold” is logical_miracle’s adventure-film banger: a cinematic pop-rock rush that feels like Shania Twain fronting an Indiana Jones end-credits anthem. Guitars, big drums, brass, strings, congas and a 20-voice choir drive a story about chasing treasure across mountains and ruins—only to realise the real gold is meaning, courage and the thrill of the journey.

With a charismatic, country-flecked vocal and a huge “maps of gold” hook, the track straddles radio-ready energy and soundtrack scale. It’s perfect for road-trip playlists, adventure montages, or anyone who’s run after success and discovered the treasure was who they became on the way.

Maps of Gold

“The Last Light of Avalon” mourns the end of myth while refusing to let the magic die. Blending Florence’s volcanic belt with Loreena McKennitt’s mysticism, logical_miracle stands as the final flame of a fading realm—harp, Celtic flutes, bodhrán drums, choirs and full orchestra surging behind her.

The song moves from D minor fog into D and G major renewal as she declares, “I am the last light of Avalon… when the world forgets my name, Avalon shall rise again.” It’s a love letter to lost ideals, childhood wonder and anyone who still believes the old stories matter.

The Last Light of Avalon

“No Mercy in the Flame” is a Bond-ready spy-noir burner sung with smoky Dua Lipa poise. D minor noir harmonies, Moog bass, orchestral toms, trumpets and strings trace a heroine who’s walked through fire and come out untouchable: “There’s no mercy in the flame… you can’t kill a heart reborn again.”

The song moves from seductive verse cool into a relentless G minor and final A minor climax, fusing orchestral drama with dark synth cinema. It’s the sound of survival as identity—perfect for apocalyptic action sequences, revenge arcs and villain-origin playlists.

No Mercy in the Flame

“Eyes of the Enemy” is a sleek synth-rock noir in the lineage of Bond themes and 80s pop-funk. Maroon 5, Duran Duran and George Michael echo through slap bass, Jupiter-style synth brass, guitar stabs and orchestral strings as logical_miracle explores romance as espionage: the lover as double agent, the enemy as mirror.

The chorus hits in blazing B♭ major—“In the eyes of the enemy, I see you there”—turning betrayal into a hook you can’t shake. Built for spy dramas, rooftop chases and anyone who’s ever realised they were fighting a version of themselves.

Eyes of the Enemy

“Domina Sanguis (Lady of Blood)” is gothic orchestral pop at Bond scale—Florence fire, Lana darkness and Amy Lee power swirling through a baroque vampire ball. Detuned piano, vast strings, Latin choirs and thunderous drums score a femme-fatale origin story: a survivor who turns trauma into absolute dominion.

The chorus crowns her as “queen of the midnight veil,” every kiss a coffin nail, every touch a transaction in blood and power. Built for vampire thrillers, gothic noir and villain-era playlists, this is seduction sharpened into a weapon—and logical_miracle wears the crown.

Domina Sanguis (''Lady of Blood'')

“Daughters of the Dust” is a sweeping, generational epic that honours matriarchal bloodlines and survival. With Florence, Adele and Gaga woven into one towering vocal, logical_miracle stands in the ashes of history and sings for mothers, widows, and descendants who refused to disappear. Grand piano, guitars, full strings, brass and choir build from intimate grief to a battle-cry chorus: “We are the daughters of the dust… every scar a crown of gold.”

The track feels made for historical drama credits or ancestral montage scenes—earth-toned, tear-stained, and triumphant. It speaks directly to families reclaiming pride in their roots and anyone carrying more than their own story on their back.

Daughters of the Dust

“Voices in the Hall” drops logical_miracle into a haunted cathedral of memory. Gothic orchestral pop collides with dark cinematic rock as choirs chant Latin, strings tremble and drums thunder under a Florence/Amy Lee/Lana-shaded vocal. The lyric lives where regret and supernatural obsession meet: the past whispering in corridors of stone, asking if the voices are warning, calling, or claiming.

The final modulation to a chilling E major “false salvation” turns the song into a psychological horror anthem—beautiful, terrifying, and addictive. Built for haunted-mansion dramas, supernatural thrillers or anyone who can’t quite silence what echoing choices left behind.

Voices in the Hall

“The Children of the Void” is a neon-lit synthwave hymn for the lost generation scrolling through the dark. With The Weeknd sleekness, Depeche Mode gloom and Billie atmosphere, logical_miracle sings over pulsing Moog bass, retro drums and star-drift arpeggios about kids who traded hearts for data streams and now dance in the emptiness they created.

The chorus lifts into D and E major, turning numb detachment into aching transcendence: “We are the children of the void… echoes that can’t be destroyed.” It’s the perfect soundtrack for cyberpunk skylines, insomniac drives and anyone feeling weightless in the algorithmic flood but still hungry for meaning.

The Children of the Void

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Welcome to Logical Miracle, a project where a lifelong dream meets the cutting edge of technology, brought to life by two passionate creators, one a musician and songwriter, the other an edu tech enthusiast who turns ideas into reality.

Like many, my journey started with big dreams as a child. I imagined myself as a musical genius, learning to play the recorder and later moving on to the violin and guitar. Back then, I had no idea how challenging the music industry could be. As life moved on, new adventures like jobs, holidays, and eventually starting a family took over, and my musical dream slowly faded into the background.

But the story didn’t end there. Over the past 40 years, technology has evolved in incredible ways, creating opportunities that were once unimaginable. Social media has reconnected us with old friends and memories, while AI and music software have revolutionised how we create and share music. The music industry, once an exclusive club, has had to adapt, leaving space for new voices to emerge.

This is where Logical Miracle was born, a collaboration between my love for music and the technical genius of my partner. For years, I wrote poems, not realising they were songs in waiting. Today, with the help of AI, music production software, and my tech-savvy partner, we’ve brought those words to life. The dream of working in a big studio isn’t necessary anymore; with the right tools and expertise, we’re able to create professional-quality music right from home.

Logical Miracle is the result of this collaboration. It’s not just a musical project, it’s a testament to the power of dreams and the possibilities that technology brings. What started as a simple idea has blossomed into something much bigger, a dream shared and fulfilled. Now, it’s time for our music to be heard.

So, whether you’re here to discover something new or to support two dreamers who have turned their passions into reality, we hope you enjoy the music of Logical Miracle. Your feedback means the world to us, if you like what you hear, let us know. And if not, that’s okay too, just be kind in your comments. Either way, we’ll keep creating, inspired by the knowledge that our partnership and technology have made this dream possible.

Thanks for listening, and welcome to the world of Logical Miracle.

After the Fall

logical_miracle

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