Logical_Miracle’s Jazz Fusion Vol.1 (Postcards from the Jazz District) is a modern sophisti-pop suite: upright bass and Rhodes, fretless bass and vibraphone, horn sections, noir-tinged sax and gospel-lifted harmonies glide through jazz-pop, reggae-new wave, neo-soul and cinematic ballads. Across 20 tracks—anchored by sing-along hooks and conversational, jazz-inflected vocals—the record explores misfit pride, city romance, and luminous resilience.
For industry: this is sync-ready storytelling with clear moods (night-drive noir, hopeful dawn, city-swing joy) and distinctive arrangements (brush-kit grooves, marimba accents, Spanish guitar, brass swells). For curators: it slots naturally into Jazz-Pop, Sophisti-Pop, Neo-Soul, City Nights, Coffeehouse, and Retro-Modern playlists. For fans of Sting, Sade, Norah Jones, Lianne La Havas and The Police: expect thoughtful lyricism, warm analogue textures, and choruses that stay with you long after last call.

Jazz Fusion Vol.1 (Postcards from the Jazz District)

Bossa-jazz meets indie R&B optimism in A major. Acoustic guitar, shaker, soft pads and handclaps frame a hook that turns tiny choices into huge momentum. Smiling, precise vocal phrasing makes it an instant morning ritual track.
For industry: sunrise spots, wellness, feel-good retail; easy loopable sections. For curators: Bossa-Soul, Morning Motivation, Indie R&B Chill.

Bright Little Yes

“Alien in the Crowd” opens the album with upright bass swing, tremolo jazz guitar, brush drums, vibraphone sparkle and a soaring horn chorus. It’s a sophisti-pop/jazz-pop anthem about standing tall when you don’t quite fit—intimate verses bloom into a confident, gospel-tinted hook. For fans of Sting, Sade, and The Police, it blends B♭-major warmth at 98 BPM with sax flourishes and tailored-suit lyricism.
For industry: strong sync DNA (self-acceptance, city independence), clean edit points (intro/verse pullbacks, big chorus swells), and timeless instrumentation ideal for film/TV “stranger in a crowd” or premium brand spots. For curators: perfect for Jazz-Pop & Sophisti-Pop, City Night Walks, Confidence Boost, and Modern Retro.

Alien in the Crowd

Reggae-pop off-beats, marimba accents and fretless bass buoy “High Wire Hearts,” a sunlit A-major, 110 BPM sing-along about risk, trust and flight. Think Sting’s mid-80s sparkle with gospel-style backing shouts and brass fanfare that climbs into a key-lift finale.
For industry: feel-good, summer-brandable, chorus-first edit potential; hooks for promos, travel, lifestyle, rom-coms. For curators: adds lift to Jazz-Pop Sunshine, Reggae-Fusion, Feel-Good Friday. Fans of Sting, The Police, and Michael Franti-adjacent warmth.

High Wire Hearts

A soul-jazz waltz in D major (6/8): nylon arpeggios, brush kit, Rhodes and soft strings cradle a tender thesis—stay close, with room to breathe. It’s intimate, patient and deeply re-listenable.
For industry: wedding/anniversary, prestige drama intimacy; warm analogue palette. For curators: Slow Jazz-Soul, 6/8 Waltz, Quiet Promise.

Hold Me Like We Leave

Upright-bass swing, finger-snaps, baritone-sax riffs and Pentatonix-style a cappella stacks spin “Midnight Carousel” into an electro-swing-kissed jazz-pop banger (108 BPM, G minor). Big-band hits and call-and-response vocals make the chorus instant ear-candy.
For industry: high-energy cut for trailers, fashion, nightlife, heist capers. For curators: Electro Swing, Party Jazz, Retro-Modern Groove.

Midnight Carousel

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Welcome to Logical Miracle, a project where a lifelong dream meets the cutting edge of technology, brought to life by two passionate creators, one a musician and songwriter, the other an edu tech enthusiast who turns ideas into reality.

Like many, my journey started with big dreams as a child. I imagined myself as a musical genius, learning to play the recorder and later moving on to the violin and guitar. Back then, I had no idea how challenging the music industry could be. As life moved on, new adventures like jobs, holidays, and eventually starting a family took over, and my musical dream slowly faded into the background.

But the story didn’t end there. Over the past 40 years, technology has evolved in incredible ways, creating opportunities that were once unimaginable. Social media has reconnected us with old friends and memories, while AI and music software have revolutionised how we create and share music. The music industry, once an exclusive club, has had to adapt, leaving space for new voices to emerge.

This is where Logical Miracle was born, a collaboration between my love for music and the technical genius of my partner. For years, I wrote poems, not realising they were songs in waiting. Today, with the help of AI, music production software, and my tech-savvy partner, we’ve brought those words to life. The dream of working in a big studio isn’t necessary anymore; with the right tools and expertise, we’re able to create professional-quality music right from home.

Logical Miracle is the result of this collaboration. It’s not just a musical project, it’s a testament to the power of dreams and the possibilities that technology brings. What started as a simple idea has blossomed into something much bigger, a dream shared and fulfilled. Now, it’s time for our music to be heard.

So, whether you’re here to discover something new or to support two dreamers who have turned their passions into reality, we hope you enjoy the music of Logical Miracle. Your feedback means the world to us, if you like what you hear, let us know. And if not, that’s okay too, just be kind in your comments. Either way, we’ll keep creating, inspired by the knowledge that our partnership and technology have made this dream possible.

Thanks for listening, and welcome to the world of Logical Miracle.