Counterfeit Heart is logical_miracle’s most cinematic statement yet: a soulful, strings-kissed pop opus about quiet resilience, hard boundaries, and hard-won self-worth. Across anthemic ballads and modern R&B-leaning pop, the record pairs grand pianos, deep toms, orchestral swells, and intimate, up-front vocals with stories of healing and identity. RIYL Sam Smith, Adele, Kelly Clarkson, Dua Lipa, Teddy Swims, and the atmospheric lift of Florence + The Machine/London Grammar. Built for mood-driven editorial, pop-soul, adult contemporary, and cinematic playlists, Counterfeit Heart invites listeners to breathe, stand taller, and choose peace—loudly or quietly.

Counterfeit Heart

Closure, no re-entry. “Don’t Look Back at Me” (96 BPM, G minor → A minor) is a modern soul/cinematic pop declaration with dry-up-front vocals, chamber strings, rhythmic guitars, and a confident Kelly Clarkson-meets-Dua Lipa bite. Built for empowerment and post-breakup anthems.

Don't Look Back at Me

Billie-led art-pop at 98→108 BPM—whisper-close verses in E♭ minor bloom into a G♭-major choral release. Tremolo cellos, detuned pads, gated snare, and Florence-style harmonies trace the cost of carrying someone else’s blame. For moody cinematic, art-pop, and alt ballad playlists.

Borrowed Alibi

Glossy disco-pop at 120 BPM: B-minor verses burst into D-major choruses, then a half-step finale to E♭. Chic-style guitars, rubbery disco bass, real disco strings, and bright synth-brass fuel a flirty “plans changed” banger. Target dance-pop, feel-good, and kitchen-dance playlists.

I Had a Plan

A tender soft-rock/orchestral pop ballad about invisible burdens. Felt piano, brushed kit, warm P-Bass, and gentle strings cradle Billie-intimate vocals with Dua-warmth; verses hush, choruses widen. For late-night reflection, mental-health, and chill cinematic playlists.

Weight of Quiet Things

“Now I Know My Name” is an identity-claiming pop-soul ballad (88 BPM) that swells from E minor to a soaring G-major chorus and a warm C-major bridge. Grand piano and evolving strings lead; organic toms and analog shimmer add lift; the vocal channels Adele’s gravity with cinematic restraint. A perfect fit for empowerment, self-worth, piano pop, and breakup-to-glow-up collections.

Now I Know My Name

A widescreen pop ballad where pain turns to gold. At 82 BPM in A major (modulating to B♭ for the final chorus), “The Other Side of Blue” layers concert grand, legato strings, clean electric guitars, and gated-snare lift—RIYL Kelly Clarkson with a touch of Adele. Flugelhorn colors the bridge for a cathartic, grown-up glow. Aim at adult pop, heartbreak-healing, and cinematic ballad playlists.

The Other Side of Blue

A stadium pop-rock stand-up at 112 BPM (C minor → E♭ tension → A♭ chorus). Gritty palm-mute guitars, wide saws, choir pads, and Pink-style chest belt with Dua harmonies. The message: stop shrinking. Perfect for empowerment, alt-pop-rock, and “break the mold” playlists.

The Unwritten Rules

Boundary-setting electro pop-rock (118 BPM) in E♭ minor with a B♭-minor chorus and a C-minor bridge lift. Punchy EDM kick, trap-snap snare, analog stabs, and cyber-choir pads power a don’t-text-me anthem. For attitude pop, breakup boundaries, and gym-energy playlists.

Return to Sender

Anthemic pop-rock built for liftoff: verses at 86 BPM in A minor accelerate to 96 BPM C-major choruses and a 102 BPM D-major finale. Crunch guitars, pop grand, tom builds, chamber strings, and a hook-forward topline (“Built for the breakthrough”) target gym, motivation, and pop-rock playlists.

Built for the Breakthrough

Magnetic connection in a noisy world—dance-ready at 112 BPM. F#-minor verses bloom into widescreen choruses, with side-chained bass, funk stabs, bright polys, and a final key lift to G minor. Dua-coded delivery with Becky/Rita/Sabrina-style stacks. For dance-pop and night-drive playlists.

Sparks in the Static

A studio-epic pop ballad that climbs from C major to an E-major finale (78→84 BPM). Grand piano, lush strings, soft-to-big drums, and horn pads frame a Céline-worthy lead with Adele/Kelly edges. “Braver Than Before” is built for cinematic pop and inspirational editorial slots.

Braver Than Before

An intimate-to-stadium pop-rock confession (84→90 BPM) about burning flimsy connections. Felt-to-grand piano, tight pop kit, P-Bass, clean Strat sparkle, and real strings drive a G-major chorus and A-major key-lift finale. For breakup strength and pop-rock editorial.

Paper Bridges

Céline-coded orchestral pop that rises from 78 to 90 BPM and modulates Bb → C → D. Grand Steinway, choir, French horns, fretless bass, and soaring strings deliver a steadfast love vow. Perfect for adult contemporary, wedding-ready ballad, and cinematic love playlists.

I'll Find My Way to You

A dark dance-pop heartbeat (104 BPM) with Billie-tight verses and Dua-lift choruses. F-minor secrecy explodes into A♭-major hooks, then a whole-tone modulation to B♭ for the finale. Distorted side-chain bass, brass-synth stabs, and tremolo strings—perfect for late-night, moody pop, and drama playlists.

Double-Booked Heart

Disco-sparked stadium pop about self-coronation (118→120 BPM; E minor → G → A). Funk guitars, octave bass, power-guitar strums, violin stabs, and a chant-ready hook. For workout, boss energy, and femme empowerment playlists.

Queens Don't Wait For Crowns

Dua/Zara-energy dance-pop (118→120 BPM) about equal pace in love. Four-on-the-floor, side-chained synth bass, funk guitars, DX plucks, and a key-lift to D♭ major in the last chorus. Pure feel-good compatibility for dance-pop and cardio playlists.

Match the Stride

A slow, cinematic soul ballad at 82 BPM, “The Quiet Kind of Brave” honors the people who choose peace over spectacle. In B minor with a D-major lift, logical_miracle’s tender lead floats over grand piano, upright-electric hybrid bass, brushed snare, deep toms, and swelling strings—think Sam Smith emotion with a hint of Teddy Swims grain. For playlists centering self-care, soft empowerment, and modern orchestral pop-soul.

The Quiet Kind of Brave

Thriving under pressure with a grin—groove-driven pop at 112 BPM that turns stress into fuel. Tight kick/snare, octave-jumping bass, clean funk guitars, and bright stacks power a productivity-friendly anthem. Slot into focus, study, office pop, and feel-better dance playlists.

Dancing on the Deadlines

A 104 BPM pop-rock anthem in A major (up to B major) about choosing vulnerability. Punchy kit, bright piano, crunch guitars, octave lead, and stacked hooks deliver stadium shine with Pink/Dua polish. A natural fit for confidence, pop-rock, and “new beginnings” moods.

I'm Wide Open

Addictive dark-pop (112 BPM, F# minor) where adrenaline meets confession. Tight kick-clap drums, dirty side-chained bass, plucky detuned arps, and choir-padded final chorus. Billie’s edge with Dua’s confidence—aim at toxic-patterns, late-night pop, and cinematic dark pop playlists.

Serial Lover Syndrome

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Welcome to Logical Miracle, a project where a lifelong dream meets the cutting edge of technology, brought to life by two passionate creators, one a musician and songwriter, the other an edu tech enthusiast who turns ideas into reality.

Like many, my journey started with big dreams as a child. I imagined myself as a musical genius, learning to play the recorder and later moving on to the violin and guitar. Back then, I had no idea how challenging the music industry could be. As life moved on, new adventures like jobs, holidays, and eventually starting a family took over, and my musical dream slowly faded into the background.

But the story didn’t end there. Over the past 40 years, technology has evolved in incredible ways, creating opportunities that were once unimaginable. Social media has reconnected us with old friends and memories, while AI and music software have revolutionised how we create and share music. The music industry, once an exclusive club, has had to adapt, leaving space for new voices to emerge.

This is where Logical Miracle was born, a collaboration between my love for music and the technical genius of my partner. For years, I wrote poems, not realising they were songs in waiting. Today, with the help of AI, music production software, and my tech-savvy partner, we’ve brought those words to life. The dream of working in a big studio isn’t necessary anymore; with the right tools and expertise, we’re able to create professional-quality music right from home.

Logical Miracle is the result of this collaboration. It’s not just a musical project, it’s a testament to the power of dreams and the possibilities that technology brings. What started as a simple idea has blossomed into something much bigger, a dream shared and fulfilled. Now, it’s time for our music to be heard.

So, whether you’re here to discover something new or to support two dreamers who have turned their passions into reality, we hope you enjoy the music of Logical Miracle. Your feedback means the world to us, if you like what you hear, let us know. And if not, that’s okay too, just be kind in your comments. Either way, we’ll keep creating, inspired by the knowledge that our partnership and technology have made this dream possible.

Thanks for listening, and welcome to the world of Logical Miracle.