fda approved

old track made years ago

this track sums up everything i ever tried to make with dark jungle, wanted to create a hellish dark relentless kinda sound, being schizophrenic, this for me makes the voices in my head go fucking mental lol ... im not a serial killer honest, just an aries, like the darker music genres :) i cuddle up close to hermann my little teddy bear of an evening

hope you like it

Terror Angel

Dark Angels - Dark Heavy Amen & Dark Samurai - Made In 2015

This tune was smashed by LTJ Bukem and many others now remaster and finally ready to see the light of day in 2020.

OUT 17.08.20

BLADE - WHO WE ARE (original mix) OUT 17.08.20

This mix was taken from 'The Different Drumz 12th Birthday Double Weekender' event that was broadcast live on Different Drumz radio to celebrate 12 years of Different Drumz showcasing the best in quality drum and bass with live radio shows, events and releases!

To view the full feature with event details, audio streams and previous mix downloads visit - https://www.differentdrumz.co.uk/different-drumz-12th-birthday-weekender

@different-drumz @nemy-3

Different Drumz 12th Birthday Double Weekender

Stream / Download

Nemy Different Drumz 12th Birthday Mix

LV|426

Forthcoming on Influenza Media - November

Simstah - Where Does This End

Freak 008 - released circa 2004 ... I am eternally grateful to dylan & rob mason both great friends ... fuzzy logic

MASON & FUZZY LOGIC - PUNISHMENT (FREAK008 - A)

Smooth N Groove are pleased to announce Phat Playaz eagerly awaited return to the scene with his brand new 'Planet Earth' LP. 

The LP showcases 10 solid tracks from one of drum & bass cultures very best. Featuring a wide variety of production skills including his signature groovy deep bass lines, crisp standout drum work, and excellent mixing of soulful vocals. The vibes are bright, punchy and vibrant throughout!

Smooth N Groove Records are proud to present the Phat Playaz 'Planet Earth' LP. Locked and ready to drop across all online stores 24th November.

More info on Phat Playaz:

Soundcloud: @phatplayaz

Phat Playaz - Black Hair And Red Lipstick (Out 24th November)

mix.cd-by-Fuzzy.Logic recorded in 2002
using 3 Tech 1200s & 1 Pioneer CD-J

ADVANCED.ROBOTICS_mix.cd-by-Fuzzy.Logic (classic from 2002)

Els In Wonderland - You're Pushing Us

BUY NOW >>> https://www.vinylfanatiks.co.uk/product/dj-exodus-woody-a-classic-skank-ep-vfs030

Al first started to DJ back in 1988, inspired by the acid house sound that was taking a hold of the country during that year. The Summer Of Love was a wonderful experience for those lucky enough to be in the right place at the right time. And DJ Ruffcut was one of those lucky enough to have been there. But it wasn’t just the music that pushed him in that direction, there was a higher force at work, a voice he couldn’t escape, that of his Dad! “My Dad use to put on raves, the illegal ones in warehouses and fields around London. He loved the music and the scene so he advised me to stop playing hip hop and start playing acid house and rave. I was 15 at the time. My dad bought me my first deck and told me to pay for the other, as a way of motivation and to install a sense of independence in me. By the time I was 16 in 1989, my dad was pals with The Scientist, so I managed to get him to blag me into his studio so I could meet him. I then started to hang out there and through that studio I met Krome & Time in the same year as well as DJ Hype and the artwork supremo Junior Tomlin. It was really exciting for a young kid to be able to do this and start to understand how the records I was playing were being made. At this time I was also DJing at my Dads raves as well as Telepathy, Sunrise and Mirage. As these were illegal parties there were no age restrictions and I was 6ft 5” tall, no one ever questioned me for being there. It was around this time I started to think about my name, DJ Ruffcut. I felt it just didn’t fit the scene at that time, it sounded too hip hoppy, not really the right vibe. So I started to give it some thought and remembered the Bob Marley track ‘Exodus – The Movement Continues’. I couldn’t help but think of me playing at these events and seeing the movement of the people in front of me every weekend, so Exodus came from there”.

Being a punter myself back during that time, attending both legal and illegal parties, I can relate to this visual. I was part of that ‘movement’, being a part of one huge family, all looking upwards at the DJ, being taken away on a rush. It was such an amazing experience. And can anyone else recall how you could leave your mates, go for a mashed up wander, and come back and find them again? It was like voodoo magic how you could always find your mates again. Now we just call them on our mobiles and get a google pin sent to us!!!

Al continues “I started going to Labyrinth with Krome & Time as they really liked my dad. This was probably 90/91. I was in my element as I always listened to their sets on Fantasy FM and I would phone up for a shout out. Around this time I was working as a drivers mate, delivering beds around London. I was all over the place and every area you would visit would have a record shop. I would go in there and tell the assistants what kind of music I needed and asked them to put a bag of records aside that they think I may be into, so I could return a week or two later and buy them. I got so many rare acid tunes this way, white labels that only a few were pressed, top notch stuff. I was going into so many shops that I rarely missed anything. And I still own every single one of those records now!”

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ADVANCED.ROBOTICS_mix.cd-by-Fuzzy.Logic (classic from 2002)

L0G!C|BoMB_Recordings