VDL Music Publications, “Creating Music for the Marching Arts”

Jim Casella is a composer from Portland, Oregon. Internationally recognized as one of today's most prolific arrangers for marching percussion, Casella has served as a composer/arranger for the Santa Clara Vanguard (1996-2004), and The Cavaliers, 7-time world champion drum and bugle corps from Rosemont, Illinois (2006-09). 

Casella attended San Jose State University and the San Francisco Conservatory of Music where he studied with Anthony J. Cirone and Jack Van Geem. In Portland, he works as a composer/arranger for performance groups, as well as film and media projects. He also co-founded and operates Tapspace, a publishing company specializing in creative percussion music. 

His latest broadcast composition projects have included nationwide spots for Cadillac, ABC College Football, Regal Cinemas, and Goodwill Industries. His score to the award-winning short film "There's Something Out There" received great reviews, and his new score to Brian Pulido's feature film "The Graves" starring Tony Todd (Candyman) and Bill Moseley (The Devil's Rejects) had a nationwide theatrical release in 2010 as a part of After Dark Films Horrorfest 4 "8 Films to Die For." 

Jim Casella is a signature artist with Innovative Percussion Inc. who manufacture his popular series of drumsticks and keyboard mallets. In addition, Casella is an official endorser/clinician for Pearl Drums, Zildjian Cymbals, Remo Drumheads, and Sibelius Software. He is the co-founder of Tapspace Publications and the producer and programmer of the innovative sample library, Virtual Drumline.

Synth Presets, Sounds & Music Production Courses

Welcome to Deutsche Grammophon!

Recording great performances of classical music in the best audio quality has been Deutsche Grammophon's mission since it was founded in 1898. The list of artists who have collaborated with the label reads like a roll call of the greatest musicians of the past 100 years: Abbado, Argerich, Barenboim, Bernstein, Boulez, Domingo, Dudamel, Gilels, Horowitz, Karajan, Kleiber, Mutter, Netrebko, Salonen, Zimerman, and so on.

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

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