A collaboration between myself and Berlin-based artist Xanah, on vocals. Characterized by stilted beats heavy 808s, and dark droning synths, along with icy vocal samples, this beat is surely a very different direction for me. I hope you enjoy it.

Production: Atlas Glaas
Mixing: Atlas Glaas
Mastering: Atlas Glaas.
Vocals: Xanah

Cover Art: Wren Krisztin (www.wrenkrisztin.net)

Ambrosia Ft. Xanah (Single) [Dub Techno / Trip Hop]

Historian Professor Yorinsco's Narration:

"One must try to understand, from an historical perspective, the modern form of techno possibly did have it's foundations at the Thames Iron Works"

"The tapping of 'irons' created all musical possibilities"

"Large expanses of rolled iron created the perfect bass tone"

Thames Iron Works

Faz girar o mundo em marcha lerda.

Navegando em um mar de merda,
Só se herda da merda o mar e
Do mar a merda.
_________________________

Vocais - Negro Leo
Voz, baixo fretless & all synths - LL

O poder da merda feat. Negro Leo

'KRUTCH' is Newcastle duo Yeah You's black-hearted return to Slip: poisonous, weaponised pop, spat out on the roam.

Father-daughter Mykl Jaxn-Elvin Brandhi's defiantly other improvisations tangle up defouling sermons with ragged beats, gnashing bass, and ear-worm synths.

Recorded in a black Renault Clio in Holland and Germany, and at Aurora, Budapest throughout early 2017, 'KRUTCH' is the 'You at a freshly terrifying apex, filtering the desperation of black metal through an unerring pop nous.

'KRUTCH' [SLP043] is available on 12” vinyl from September 2017. Artwork by Elvin Brandhi. Mastered by Stephen Bishop.

12" Vinyl + DL: www.slipimprint.bandcamp.com/album/krutch

"Skin (I have only lived once)" video: www.vimeo.com/227049387

"Two generations re-occupy themselves through disinheriting trend, appropriating cultural frustration to inject what will keel the market. 

A HERALD TO SCANT REGARD LANK PATIENCE< An Ominous refrain ‘distain, distain’ ]"

@yeahyou1
@elvin-brandhi-1
@gwillyedmondez
www.vimeo.com/yeahyou
www.slipimprint.co.uk

LP/DL

Skin (I have only lived once) - Yeah You

A transcendental sound journey into the inner depths...

Endless

Sheep Police [Jack]

The Finns loves everything that goes with a combustion engine. In the spring making firewood with a chainsaw is a must and the absolute most dominant sound of summer is the infernal noise from the lawn mowers. No so small lawn at a holiday house that it couldn't be cut one's a day or even twice.

From an over-night recording nearby, a little shortened.

(MKH8020 ab60cm, 32>24/48, no processing, 24 bit flac)

Fishing boat, Herring Gull, Barn Swallow

Jan Eerala Finland

Finnish Summer - 16/7/2020 - Makholma Shore

Yvan Etienne has developed a work which takes shape as “things” made of sound. Designed like spaces, moments to experiment, his work is generally linked to certain contexts, climates induced by the specificity of sites and/or by invested materials. Made with electronic and acoustic instruments, his arrangements explore the processes and the states of sonar perception. As extension of his research, he co-directs the “Oh cet écho” series at Presses du Réel and teaches the sound practice and intermedia at HEAR.

YVAN ETIENNE - LUFF 2020 - Samedi 17 octobre

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

O poder da merda feat. Negro Leo

os sons de Löis Lancaster

Recent comments

Leo Alves Vieira

George Christian (BR)

Related tracks