2021

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Untitled_part2

you can probably already tell who inspired this. 

mmmmmmmmmmmmm

ECHO PATHS EBB AND FLOW
Taken from the new EP 'Natural Aerials'
Out Now on Greco-Roman - https://bfan.link/natural-aerials

CREDITS
Written, performed, produced and mixed by Matt Cutler at Port In The Storm, Nottingham - December 2021 / January 2022.
Mastered by Matt Colton.
Published by Warp Publishing. 
Photo credit - Annie Spratt.
P&C 2022 Greco-Roman Ltd.

Natural Aerials

Echo Paths Ebb And Flow

Listen + Buy

With the latter half of 2013 being dominated by a flurry of activity from the newfangled Ultramajic imprint, Berlin based label founder and scene veteran Jimmy Edgar reflects on the growing discography by remixing 'Whip', a standout track from the burgeoning canon.

With the original cut having garnered early support from the likes of Boys Noize, Loco Dice and Scuba, Edgar flips the the dub sensibilities and Chicago style
vocal chops off the elusive Aden into a proper New Jersey house joint, teaming with exuberant keys and irrepressible bounce.

Set for release at the beginning of 2014, it prefaces EP's from the likes of Sophie (Numbers / Huntleys & Palmers) and Danny Daze (Hot Creations / Plant Music).

Tracklist
1. ADEN "WHIP"
2. ADEN "WHIP" (JIMMY EDGAR REMIX)

Buy on Beatport - http://btprt.dj/L00mTO

Whip EP

Buy on Beatport

ADEN "WHIP"

Brilliant Trees

countdown

messageinthemusic

"Nectar Of Joy, the pure elixir of happiness."

iTunes: https://goo.gl/PfsZJM
Spotify: https://goo.gl/zWiDnn
Bandcamp: https://goo.gl/j1nMMb

Chambray - Nectar Of Joy

First track from the new Jon Hassell album 'Listening To Pictures (Pentimento Volume One)' - Out now:
http://smarturl.it/listeningtopictures

pen·ti·men·to / noun
Reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over.

Forty years since its creation, Jon Hassell's Fourth World aesthetic remains a powerful influence on modern electronic music. Continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing, fragments of performance are sampled, looped, overdubbed and re-arranged into beguiling unexpected shapes. Hassell applies the painterly technique of ‘pentimento’ to the arrangements, teasing out texture by the overlaying of sound upon sound, or a carefully timed reveal of the delicate bones pinning the frame of a track together.

The release of this new album also sees the launch of Jon’s own label, Ndeya (pronounced “in-day-ya”), which will be a home for new work as well as well as selected archival releases, including re-presses of classic sides and some astonishing unreleased music.

FURTHER READING ON JON HASSELL:

Fourth World in the 21st century: https://www.residentadvisor.net/features/2984
Brian Eno on Jon Hassell: https://www.theguardian.com/music/2007/nov/09/jazz.urban
https://www.jonhassell.com/

Jon Hassell - Dreaming

Martyn releases new album ‘Voids’, his first for Ostgut Ton

‘Voids’ is in a few ways markedly different than previous Martyn records; it features no guest appearances or collaborations and at 9 tracks, is musically stripped down to the essentials. It’s also a highly personal take on forging new paths forward in genres where the Berghain/Panorama Bar resident has long been known for his production wizardry and innovation: post-dubstep and UK garage.

The LP is roughly split between these musical foundations, recontextualized with elements of Nyabinghi, drum ‘n‘ bass, and gqom to form snarling, bass-driven hybrids. The direction was hinted at last November on his ‘GL Outtakes’ – reworks of his landmark 2009 album ‘Great Lengths’. In contrast however, ‘Voids’ is also an attempt to work through personal trauma and loss, including recovering from a heart attack and dealing with the passing of close friend and fellow producer Marcus Intalex aka Trevino, to whom the track “Manchester” is dedicated.

The sound of ‘Voids’ is big and unapologetically rough around the edges. It is music as therapy, drawing on the healing elements of music past, but is far from retrospective. Indeed, Martyn is no stranger to electronic futurism, as his numerous solo productions for Ostgut Ton, Dolly, Hyperdub, Brainfeeder, Ninja Tune, Warp and his own 3024 label (run together with visual collaborator Jeroen Erosie) have shown. On ‘Voids’, however, these futuristic sonic qualities coalesce into something darker, more biographical and untethered from expectations.

Buy LP

Martyn | Voids Two

Cry, but Go

Let Me Go

Text While Driving If You Want To Meet God!

4 Year Break (126 BPM)

Management: 
sean@mwmgmt.uk

Bookings (excluding Americas):
ben@higher-ground.de

Americas:
andres@surefireagency.com

Echo Paths Ebb And Flow

Lone