Inspired by melodies heard in dreams, late-night musings, and hypnagogic half-visions. This EP, especially in its instrumental sections, is an alchemical attempt to capture something numinous, profoundly subtle, and wordless. The sometimes dissonant melodies here represent contrasting angles of liminal space; at once chaotic, yet at the same time harmonious, whispering of some truth between the lines, yet aside from sight or thought. Let the textures take you, journey beyond the walls of 3-dimensional space, see what is within.

Piasenn (skader Mix)

I met Sting In a Wimpys in 1993 and that's what inspired me to become The Techno mollusc.

 I split my time between pressing buttons and my partner; The Ghost of Micheal Jackson. He does love me.

Praise BoB.


Hobbys:

Phonic weaving
Solo rain spotting
Red and yellow
Returning VHS Tapes

https://youtu.be/kKUlO60ykGs?si=CppOx1oWblevJvwO

Speedcore, noise, industrial, industrial hardcore, experimental, abstract techno, death industrial, power electronics, powerviolence, digital hardcore, breakcore, hip hop, rap, gangsta rap, drone, dark drone, ambient, dark ambient, ritual ambient, terrorcore, hardcore, acidcore, acid, noisecore, 8bit, chiptune, breakbeat, hnw, harsh noise, harsh noise wall, splitter core and extratone professional musical artist, producer, mix engineer from Darwin, NT, Australia. Currently living in Wodonga, VIC, Australia. Making extreme music and funny skits/sound collages since 2011.

External links: 

https://www.facebook.com/cornholecrucifixion/
 
https://www.youtube.com/channel/UCqk6JGm4fyOFHR_g2gLdOuQ

https://cornholecrucifixion.bandcamp.com/

https://bandcamp.com/cornholecrucifixion0

https://www.discogs.com/artist/4820783-Cornhole-Crucifixion

https://www.mixcloud.com/cornholecrucifixion/

https://www.mixcloud.com/blaze-vansyl/

https://enderecords.bandcamp.com/album/ende85-dj-california-crisis-cornhole-crucifixion-dj-californiacrisis-cornhole-crucifixion

https://speedcoreworldwideaudionetlabel.bandcamp.com/track/armee-der-toten-cornhole-crucifixion-remix

https://cornholecrucifixion.bandcamp.com/album/cornholecrucifixion-album-bitchezzz

https://cornholecrucifixion.bandcamp.com/album/the-crucification-of-cornhole

https://brokentothecorerecords.bandcamp.com/album/bttc-03-cornhole-crucifixion-vs-low-entropy-extreme-speedcore-disorder-ep

https://cornholecrucifixion.bandcamp.com/album/rift-in-anal-prolapse

http://extratonerecords.blogspot.com/2018/08/cornhole-crucifixion-rift-in-anal.html

http://lowlifehighvolume.biz/LLHV-16.html

https://lowlifehighvolume.bandcamp.com/album/enjoyable-cornhole

https://plataformarecs.bandcamp.com/album/hell-machine-series-001-03-cornhole-crucifixion-antoine-trauma

https://plataformarecs.bandcamp.com/album/split-misantropskia-vs-cornhole-crucifixion

I love electronic music. I listen to underground, indie artists. There are so many diamonds in the rough. I just want to share them with the world.

Having risen out of the 90s rave scene and making music for over two decades under various aliases, Loneist has had music featured on Dntel's Dying Songs, and has performed mixes on (the now sadly retired) Penryn Space Agency alongside the likes of Luke Vibert, EOD, and Jodey Kendrick.





https://youtu.be/sv_EkPtevhc?si=COXl6b_nrVlp3Zo9


https://youtu.be/LJyeB065S1c?si=GvVRBE288I_tqmwG


https://youtu.be/SP5y6K8xw3Y?si=heKuwZ6JLigDnggu

https://youtu.be/Cz9LXUXZWY4?si=PBAxSQXgwn0Muiek

In Iceland, there's a saying - Sá vægir sem vitið hefur meira - and that means if you're stupid, keep going


I found this interesting, because for a lot of my generation Aphex Twin is the true sound of Cornwall. And whilst I can appreciate the music and social effect of brass bands, choirs and traditional music, I’d be lying if I said I could relate to much of it. The music of Aphex Twin can be beautiful and sublime, but it can also be nightmarish and jarring. A bit like Cornwall.

It’s challenging at times and uncomfortable, whilst being progressive, original and resourceful. A bit like Cornwall.

It’s made a massive impact on the rest of the world, whilst being clearly influenced by the surroundings and landscape in which it was made. A bit like Cornwall.

I’m often reminded of the opening sequence to David Lynch’s film Blue Velvet (1986), where the camera drifts into the soft, sunlit safety of an American suburban neighbourhood. Deep red roses line the white picket fence, a fireman waves from his truck, children cross the road and a man is watering his lawn. But as the sickly sweet music plays on, the man in his garden suddenly collapses in pain. He writhes with agony on the sodden ground – is it a stroke or a heart attack? The hose pipe sprays wildly, as a dog barks, unaware of its suffering owner.

Then, slowly the music fades, as the camera burrows into the grass, deeper and deeper, until we see an enlarged wriggling mass of shiny, black beetles and worms. A sinister reminder of what lies beneath the pristine shine of a “happy place” – there’s a dark side that we don’t want to talk about as much.

That’s how I feel about Cornwall sometimes; behind the squeaky clean veneer of holiday cottages, sunlit beaches and quaint heritage – a strange, wild and sometimes ugly underbelly awaits. You’ll find it once the visitors have gone, late at night, if you look hard enough…

https://youtu.be/nS_8LI5whIY?si=GnOAJfZNoOO2niH3

https://youtu.be/RBgr3da2yDM?si=TvV5p4jJDr9u7VCJ

https://youtu.be/8cIgt5CUZMI?si=4qeAhDrrYq-1wGW4

https://youtube.com/shorts/JiRkdW6OK5Y?si=gIipmD2fHhpDd59W

https://youtube.com/shorts/qRnCEmmf7Yg?si=W-JmIveRQSQrWn5n

https://youtube.com/@connieramos?si=85beZj8OitBXZ5Sx

https://youtube.com/shorts/t0nohx7auDw?si=LZsjZ6eJT_47yOUr

https://youtube.com/shorts/JqaiSIAkQB8?si=egcPoAQmDH5j-Z2E

https://youtu.be/WsZCudVYvQg?si=pjsdIzWMLerpABoS
https://youtube.com/shorts/Expb582GxVk?si=xSLPXA1zl_BgDoIK

https://youtube.com/shorts/WWFMcy6K_iM?si=Z6Sbzlza9WbcvPQt

Piasenn (skader Mix)

𝙻𝚘𝚗𝚎𝚒𝚜𝚝