Human Rain Delay is an EP consisting of reworked versions of songs recorded at various points over the last ten years or so that never found their way onto a record. If that makes them sound like sweepings from the cutting room floor then, well, there's probably some truth in that. But having gone back to them I think they're worth putting out into the world anyway. Hopefully you'll agree. On Repeat has been sat on my phone as a rough demo for years. I'm fond of it, but it never seemed to quite fit with previous collections of tunes. The Final Hit is a tune originally intended for the album Out Beyond the Radar that I never got around to finishing until now. One Twenty Four is new and was originally going to be on a new album called Free the Night which will definitely be coming out this year (I've been saying that now for three years, but this time I really mean it). Human Rain Delay is a song I recorded 10 years ago and if you dig around in the Victory Kicks back catalogue on Bandcamp you can still find that version. This one isn't much different, but it does have a backing vocal cameo from my sister - thanks Harriet. And for anyone wondering, Human Rain Delay is one of the many phrases from baseball glossary that I'll probably end up stealing for a song title. It was coined for former Cleveland Guardian's first baseman Mike Hargrove, each of whose plate appearances took roughly the length of time it will take you to listen to these four songs.

Human Rain Delay [EP]

The Final Hit

Despot

"Roll Me Over" is the final single by "Lonely Gimmick" before the release of their first album/E.P "Stay At Home to Sleep In" at the beginning of next year. 

Centred on the same girl as an earlier single (“Grumpy Days”) "Roll Me Over" reflects on the relationship’s aftermath. LG bares their soul right away, describing the beginning of the end with their opening lines. They place the blame completely on themselves whilst trying to soothe by saying "everything will be alright", "the night sky is full of stars".  Despite the hurt inside LG, their sole concern is to not cause further pain to themselves or anyone. 

This is the first track by Lonely Gimmick to start with vocals only: a bold move.
By focusing on lyrics more than music, LG demonstrates how deeply they feel about the song's meaning.  Whether that feeling originates from a sense of guilt or a search for forgiveness is, like most of LG's music, down to the listener to decide. 

The music accompanying the introduction is comparable to the sound of "King Krule". Following a slow, sober start the song hails back to the dancey indie disco days of LG's youth. The song’s structure could be juxtaposed with "When the sun goes down" by "Arctic Monkeys".  A heavy club kick drum and funky guitar drive the sonic motto of LG's production style "if it doesn't get your head boppin’ it ain't worth nothin".

This new release is almost a sibling to "Grumpy Days" but different enough to show there is still much to be explored in that sound.  A fiery jangly guitar riff and a vocal hook guaranteed to have you singing along within seconds. "Roll Me Over" explodes with energy and compassion, proving that LG is not afraid to take risks.

Roll Me Over

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Linorbeatz

[FREE] Sad Type Beat 2023 - "Black Window"

💐💐💐💐
galanthus is available now on analog horizons, taken from my new album 'rewilding' (24/11/23)

electronic producer/singer songwriter based in the north of england

“mediative and hypnotic” - the unsigned guide

“dorsal is a prime example of the ever-evolving (but always-fantastic ) leeds music scene.” - pretend magazine

https://linktr.ee/dorsalmusic

saxophones: tom kettleton
mastering: hippocratic mastering

artwork: maya yakobi

galanthus

Hocus Pocus - Deeplight (feat. JMillyTheKid)(prod. MightyBoy)

This song is called "36 Candles," and it was the second song that I started with this project. This song is driven by a Suzuki Q Chord that I purchased in the spring. As I was playing around with it, this is the first chord progression I played. I enjoyed it so much that I decided to write the whole song around it. This song also features number station audio which I got from the Conet Project, and the end of the song features a glockenspiel which I purchased right before the pandemic. 

This song is about my battles with depression and anxiety, and how there always seems to be some hope that things will get better one day. This will be a common theme in the whole album.... some day, everything will be alright. 

Thank you for listening to this track.

36 Candles

Wat Hopen We Dit Jaar

mixing n cover by me



tags:

soundcloud, music, Hip Hop, rap, newmusic, rapper, osamason, smokingskul, squillo, tdf, perc40, thrty, twovrt, boolymon

moneysodrip (prod worldkup)

Nick Di Marzo: Vocals, Guitalele, Acoustic guitar, ebow, percussions

Vocal recordings and editing at Black Cave Recordings studio, Edinburgh
Mixing and Mastering by Rota Carnivora

Lyrics:
Drawing lines in the sand
that i can hardly say
reading faces under the sun
in the hope i can get a pun
while the daemons are here behind me
and I am putting my armour down...

Have i failed your love?
i am doing it all wrong
being the lonesome one
it's lonesome gone

the storm between you and me
blame meteorology
did i just spot a sudden blush?
you know, it's already been forgotten
wishing each other goodnight
and the wine from the south of France 

it's going to carry us on
how about one more glass?
before the night is around us
and the euphoria gone...
it's lonesome gone
into the sundown

every step back i take
no religion to be saved
Is just an own selfish god?
the only one i am aiming for....
Have i ever given my all?

gone
gone

i am doing it all wrong
and you are still giving your all
to the lonesome one
the awkward one
it's lonesome gone 
it's lonesome gone

Lonesome Gone

LISTEN TO THE FULL EP RIGHT HERE: https://ericLavien.com/ROCK

The shiny (and Rock!) EP includes:
"Turn Back Time", "Sweet Escapade", "Illusion & Dream", "Love Will Find You Again."

Plus, a sweet acoustic instrumental version of "Love Will Find You Again."

Recorded at: Home Studio
Equipment used: FLStudio, Cubase, VST, Audacity
Vocals by: Eric Lavién
Vocals Recording equipment: Shure Beta 58A, AKG P220, Focusrite Scarlet
Music Recording equipment: Yamaha Clavinova Midi Piano, Guitar Yamaha Pacifica

Illusion & Dream

Love Will Find You Again

Lonely Gimmick is the brainchild of Samuel Powell. Formerly an anonymous artist also going by the alter ego Max Pow. Samuel Powell used both these names as pseudonyms to hide their real identity. Recently retiring the "gimmick" of being anonymous as they felt it no longer aligned with the direction their music and image was heading. Lonely Gimmick's work is self-recorded and produced, with the vast majority of the instruments featured on each track played by Sam himself. LG has been building up a following online since 2020 releasing singles such as "Blue Ticked Influencer" and "Grumpy Days". All the while winning praise from online music press outlets such as American Pancake, Obscure Sound and featuring on BBC introducing.  
"Ear-catching music" -Obscure Sound
"The living embodiment of futuristic and avant-garde compositions" -Iggy Magazine
"Pure dance feverish escapism" -American Pancake
"refreshingly original approach to music making" - Alfitude 
"definitely Unique" - giveitaspin

Roll Me Over

Lonely Gimmick

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