LoNe WolF - "The Ranger [Shortened Version]"





Mixed & Mastered By: LoNe WolF








#scfirst #getmoreplays 

The Ranger

The Ranger [Shortened Version]

"LoNe WolF" (a.k.a. Loud Noize) is a solo alternative rock artist that has been evolving within the music scene of northern Illinois since 2018. He's been involved in many open mic and solo concert performances at multiple venues in the Dekalb, IL area including: "The House Café" (before it closed down), "Ax-In-Hand Guitar Shop," "La Calle Bar & Music Venue"(Nov. 2023), and at the Historic Ellwood House...featuring in "Hypnotizame: Beatles Night" at the end of October (2019)...with the latter two events being hosted by "Wooden Box Theater."


His major influences include: Green Day, Nirvana, The Ramones, Social Distortion, Alice in Chains, Bush, Stone Temple Pilots, Staind, and Silverchair.

https://youtu.be/BatGBByxnBY?si=EnhiWHFSIMM52FhC

Check me out on Apple Music: https://artists.apple.com/i/OTVVgImh1

https://www.beatstars.com/arpegiobeats

https://open.spotify.com/artist/33ex9qiWUBflbNAHI8hPQN?si=pC10Me7HQ9WAXIgG_3C_Sw

https://youtube.com/@arpegiobeats

I am a catholic producer artist , I grew up listening deferent kinds of music in English and Spanish, nowadays I found the way to create my own music and discovered that I can share what I know with others, that is what I really like about music, but the most important to me is that I really thank God for the skills he had gave me.

Producer and Composer Score Film, Movie Soundtrack, Epic Cinematic TV Games...
Germany Born, Pavia based, Rino is a multi-instrumentalist, composer, songwriter, producer and sound engineer from Italy.
Specialized in hard rock, psychedelic rock, rock blues, pop, ambient guitar.
Experience with years of studio and live work as a musician and songwriter.

0NLY M3H

. https://www.instagram.com/fallen_prevail/

. https://mobile.twitter.com/fallenprevail

. https://music.apple.com/us/artist/fallen-prevail/1511742064

. https://open.spotify.com/artist/6zGjeuzrLB3aXsTlazS0nC?si=36PqtAwCT3ys-5ifWaVfpw

. https://youtube.com/channel/UCFFQ8b-1GiHg2tQldUmCJUw

. https://www.google.com/search?q=fallen+prevail&ie=UTF-8&oe=UTF-8&hl=en-us&client=safari

. https://youtu.be/ccZJn-pntf0

Born in Marseille and now based in Paris, Anisa Boualem is a 31-year-old French-Algerian singer who turns emotions into melodies like secrets whispered to the sky. With a voice both fragile and fearless, she navigates genres like chanson, soul, electro-folk, and modern French touch. Her music walks a line between dream and confession, southern sun and northern twilight. Anisa doesn’t sing to be heard she sings to make silence resonate.


Née à Marseille, bercée par les vagues et les voix du sud, Anisa Boualem est une chanteuse française d’origine algérienne, installée aujourd’hui à Paris. À 31 ans, elle compose des chansons comme on raconte des secrets à la lune. Anisa jongle avec les genres chanson française, soul, jazz, électro organique et sa voix tantôt douce, tantôt rugueuse, évoque les silences pleins, les souvenirs qui dansent, et les émotions à fleur de peau. Son art est une passerelle entre les rives : entre Alger et Pigalle, entre l’intime et le cosmos.

I love music of all kind. I love experiments.

This is the Blagovrecords record company page. We do the recording, digital processing (mastering and mixing), assist in the preparation and composition of the material and publish our musicians.

Hi, thanks for visiting my Soundcloud profile. Creating music is my passion (I love this chemistry). I don't accept artificial intelligence as a tool for creating music and art in any field. Of course, I don't use it . All my SC covers are photos taken with a DSLR camera, long exposure, mirrored (photoshop editing). I love electronic music—the sound of synthesizers...etc. Greetings to you all, and let's enjoy this short moment on this wonderful planet and the ability to create and implement any ideas.

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

The Ranger [Shortened Version]

LoNeWolF (Inc.)