LoNe WolF - "The Ranger"




Written & Composed By: LoNe WolF


Mixed & Mastered By: LoNe WolF






#scfirst #getmoreplays 












The Ranger [Single]

The Ranger

"LoNe WolF" (a.k.a. Loud Noize) is a solo alternative rock artist that has been evolving within the music scene of northern Illinois since 2018. He's been involved in many open mic and solo concert performances at multiple venues in the Dekalb, IL area including: "The House Café" (before it closed down), "Ax-In-Hand Guitar Shop," "La Calle Bar & Music Venue"(Nov. 2023), and at the Historic Ellwood House...featuring in "Hypnotizame: Beatles Night" at the end of October (2019)...with the latter two events being hosted by "Wooden Box Theater."


His major influences include: Green Day, Nirvana, The Ramones, Social Distortion, Alice in Chains, Bush, Stone Temple Pilots, Staind, and Silverchair.

shedding skin into audible compositions 
         stream anywhere else
soundcloud is stealing my listens
the felines demand nutrition
collab? want to use my music? got question ? ?voxthaera@gmail.com

0NLY M3H

. https://www.instagram.com/fallen_prevail/

. https://mobile.twitter.com/fallenprevail

. https://music.apple.com/us/artist/fallen-prevail/1511742064

. https://open.spotify.com/artist/6zGjeuzrLB3aXsTlazS0nC?si=36PqtAwCT3ys-5ifWaVfpw

. https://youtube.com/channel/UCFFQ8b-1GiHg2tQldUmCJUw

. https://www.google.com/search?q=fallen+prevail&ie=UTF-8&oe=UTF-8&hl=en-us&client=safari

. https://youtu.be/ccZJn-pntf0

🎼💰🍀 Gwuap Gang 🍀💰🎼
🌍 Sub 4 Sub 🌍
YouTube.com/@Gwuapgang

✍👨‍💻  FEATURE 4 FEATURE ✍👨‍💻
   🫂Yungchild228@Gmail.com🫂

T𝐞t𝐫𝐚 V𝐚i𝐧 could be considered as Sound Architects navigating between chaos and intuition, blending DJing, music production, and songwriting into unique sonic experiences. Their eclectic nature and interests brings in this platform a wide variety of musical genres, so if you follow us expect the unexpected! 
Their work is a journey through electronic improvisation, spoken word, rhythmic experimentation, and remix/mashups where every mix and track takes shape in the very moment of its creation. Almost everything is recorded from live jam sessions and with few adjustments later on Ableton. Most of the Djs recording are done without a prearranged tracklist, selecting tracks on the spot and seamlessly fusing basslines, synths, and vocals up to 4 decks playing in synchronicity creating something unnique. Their sonic flow disregards classical rules, balancing unpredictability with elegance to create an immersive journey.
T𝐞t𝐫𝐚 V𝐚i𝐧 also explores the raw, introspective side of music through original productions. Their spoken words /rap-traap releases delve into deep, unfiltered reflections on love relationships and emotional turmoil, weaving electronic experimentation with strong storytelling providing for each track the lyrics for more immersive experience.
Rather than adhering to a single genre, T𝐞t𝐫𝐚 V𝐚i𝐧 is an explorer of sonic perception. Every set, every track, is a ritual where sound becomes experience, and experience becomes sound.

𝑪𝙡𝒊𝙘𝒌 𝒕𝙝𝒆 𝒍𝙞𝒏𝙠 𝙗𝒆𝙡𝒐𝙬 𝙩𝒐 𝒔𝙪𝒑𝙥𝒐𝙧𝒕 𝒕𝙝𝒆 𝒊𝙣𝒅𝙚𝒑𝙚𝒏𝙙𝒆𝙣𝒕 𝒎𝙪𝒔𝙞𝒄 𝒑𝙧𝒐𝙙𝒖𝙘𝒕𝙞𝒐𝙣 𝙤𝒇 𝒆𝙢𝒆𝙧𝒈𝙞𝒏𝙜 𝙖𝒓𝙩𝒊𝙨𝒕𝙨 🖤🖤🖤🖤
https://www.paypal.com/paypalme/TetraVain?country.x=IT&locale.x=it_IT

-----ITALIAN-----

T𝐞t𝐫𝐚 V𝐚i𝐧 potrebbero essere considerati degli Architetti del Suono che navigano tra caos e intuizione, fondendo DJing, produzione musicale e songwriting in esperienze sonore uniche. La loro natura eclettica e i loro interessi portano su questa piattaforma un'ampia varietà di generi musicali, quindi se seguite aspettatevi l'inaspettato!
Il lavoro è un viaggio attraverso l'improvvisazione elettronica, la poesia parlata, la sperimentazione ritmica e i remix/mashup, dove ogni mix e traccia prende forma nel momento stesso della sua creazione. Quasi tutto è registrato da jam session dal vivo e con pochi ritocchi successivi su Ableton. Tutte registrazioni dei DJset avviene senza una tracklist pre impostata, selezionando le tracce al momento e fondendo perfettamente linee di basso, synth e voci fino a 4 deck che suonano in sincronia, creando qualcosa di unico. Il loro flusso sonoro ignora i canoni classici, bilanciando imprevedibilità ed eleganza per creare un viaggio immersivo. T𝐞t𝐫𝐚 V𝐚i𝐧 esplora anche il lato crudo e introspettivo della musica attraverso produzioni originali. Le loro uscite spoken word/rap-trap approfondiscono riflessioni profonde e senza filtri sulle relazioni amorose e sui tumulti emotivi, intrecciando la sperimentazione elettronica con una narrazione incisiva, fornendo all'ascoltatore per ogni traccia le lyrics per un'esperienza più immersiva.
Piuttosto che aderire a un singolo genere, T𝐞t𝐫𝐚 V𝐚i𝐧 è un'esplorazione della percezione sonora. Ogni set, ogni traccia, è un rituale in cui il suono diventa esperienza e l'esperienza diventa suono.

𝑪𝙡𝒊𝙘𝒌 𝒕𝙝𝒆 𝒍𝙞𝒏𝙠 𝙗𝒆𝙡𝒐𝙬 𝙩𝒐 𝒔𝙪𝒑𝙥𝒐𝙧𝒕𝒕𝒆 𝒕𝙝𝒆 𝒊𝙣𝒅𝙚𝒑𝙚𝒏𝙙𝒆𝙣𝒕 𝒎𝙪𝒔𝙞𝒄 𝒑𝙧𝒐𝙙𝒖𝙘𝒕𝙞𝒐𝙣 𝙤𝒇 𝒆𝒆𝙧𝒈𝙞𝒏𝙜 𝙖𝒓𝙩𝒊𝙨𝒕𝙨 🖤🖤🖤🖤
https://www.paypal.com/paypalme/TetraVain?country.x=IT&locale.x=it_IT

Musicien intervenant de métier je compose et joue également sur scène en tant qu'artiste. Ce que j'aime, allier pédagogie et pratique artistique auprès de tous les publics.
Retrouvez l'ensemble de mes publications sur Youtube, Deezer, Spotify, Instagram et Apple music.
Pour me contacter : Damien.ochle@gmail.com

I’m Hanna Horn. I’m 24. I make music. Streaming on all platforms.

Hello Everyone!
My name is Mark and I come from Poland.
City BOARCITY no wait Czestochowa Yeah I know bad joke  since Czestochowa is holy city, anyway I produce mainly dubstep, mixed styles( I love to mix Riddim with tearout) complextro/electro and classic soundtrack.
I use ableton 11 suite And best synth ever serum. Please consider to check my other songs,other social media and of course Like/share/follow! Thanks! 
Have fun and enjoy!
best wishes from BOARCITY!
Ps. Want collab? Write!

AD📈🧪💨
Auto Driven 
(619) [San Diego] 
⬇️dropping demos till I can't anymore⬇️
hmu to be on the album 🔥
💽 Album coming soon. I'll let you know when I have a set date. 

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

The Ranger

LoNeWolF (Inc.)