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Alan Fitzpatrick - Skeksis (Original Mix)

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

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A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration.

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint.

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014.


For An Endless Night (Jel Ford Remix)

DC140 For An Endless Night (Jel Ford Remix)[Drumcode]

We can't think of anything better to kick start the day, than some completely fresh sounds entering our ears. That's why, when we heard our old friend, Deas, had a new EP on the way, we just had to be the first to have it.

Signed to KMS Records - the brainchild of Detroit luminary, Kevin Saunderson - the Pressure EP offers 3 tracks of stone cold techno, from the pulsating nightmare of the title-track, to the robotic funk of 'Goldfinger' and the driven 'Program Error'.

The Greek-born, Krakow-based producer has been turning a lot of heads over the past few years, with his own Secret Room Records, and work for Bush, Proton and Monique Musique (the latter of which we premiered here). Through his KMS debut, Deas solidifies his rightful place amongst the contemporary techno elite, and we have a feeling this is still only the beginning. 

The Pressure EP is set to drop June 15th; here you can listen to clips before anyone else in the world, so what are you waiting for? Crank up your system and get the weekend started early.

Deas - Goldfinger (SNIPPET)

Skober - You Want It [Alleanza]

Pan-Pot - The Other One EP
[SECOND STATE: SNDST009]
 A: Pan-Pot - 808 Nirvana
B: Pan-Pot - Pina

VINYL
Decks.de: http://bit.ly/1IR319a

DIGITAL
Beatport: http://btprt.dj/1CGPwMR

With Pan-Pot’s eagerly anticipated album, 'The Other’ on the horizon, it's only fitting that we begin early with a glimpse of what’s to come. 

'The Other One' is the first of two EPs from the duo's upcoming long player and with the two carefully selected tracks; 'Pina' and '808 Nirvana', it's exactly what you come to expect from the duo. 

'808 Nirvana' is a white knuckle ride laced with fast paced stabs, shakers and snares while meteoric rises carry you into deep space. 'Pina', aptly titled after the newborn addition to the family, is a bundle of energy. It constantly grows larger and more complex before finally unleashing a fierce, sonic blast that wouldn’t seem out of place on the soundtrack to a Hitchcock film. In perfect Pan-Pot fashion. 

'The Other One' is the perfect teaser ahead of the full album release, with both tracks the epitome of the Pan-Pot sound. 

Big room, serious, dramatic techno.

@pan-pot
@secondstateaudio

Beatport

Pan-Pot - 808 Nirvana

New release by Enrico Sangiuliano and Secret Cinema - Alone in this Place EP.
www.facebook.com/secretcinema.gem
www.facebook.com/enricosangiuliano
Bookings: robert@gembookings.nl

Shop

Enrico Sangiuliano & Secret Cinema - The Feeling Of Being In This Place

Sin Parar De Bailar

Through you

Italy’s fastest rising name in house and techno returns to the respected Drumcode imprint with this blistering new 4-track EP, ‘Climax’. Featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track ‘Climax’ grows gradually with the introduction of a single synth note and skipping hi-hats. Two beatless breakdowns increase the pressure whilst a new synth melody is introduced in the second, making for a powerful ending as all the elements join together.

‘Boost’ starts out deep and dark, with a high-pitched call echoing over a determined beat. The track changes course mid-way through with the introduction of a bassy, low-pitched synth melody, helping ‘Boost’ evolve into a catchier, more playful track.

‘Spectre’, a no-nonsense closing piece featuring a jittering synth note, rattling hi-hats and a trademark tension-filled breakdown.

‘Over The Clouds’, as its name would suggest, is the gentlest of the four tracks. Filled with dusty textures over a rumbling bassline, twinkling synths move in waves before lower-pitched chords join, adding a real sense of depth to this production.

Overall, ‘Climax’ is an outstanding example of Faraone’s ear for detail as a producer: his experience as both a resident and touring DJ clearly feeds into his skill for manipulating tension in his productions like he does on the dancefloors. Having recently warmed up for Adam Beyer at Tenax, Marco Faraone’s relationship with the iconic label continues to grow.

Marco Faraone - Boost - Drumcode - DC154

Adam Beyer’s Drumcode juggernaut attracts more fans and critical plaudits with each passing year. Holding firm on its future facing ethos, techno’s number one label presents a new volume in its acclaimed A-Sides series with 20 prime tracks to signify its 20th anniversary. 

Such is the volume of quality music Adam Beyer receives throughout the course of the year, releasing all of it would be impossible. Enter the blue chip A-Sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn’t fit in their regular EP release schedule. 

With an eye on future talent, as much as the label’s established roster of heavy-hitters, the compilation showcases the full breadth of Drumcode’s multifaceted techno sound, equal parts inspiring and functional.
 
Led by the stealth techno funk of ‘Nine of You’, Beyer’s deft collaboration with Mark Reeve, the compilation takes in exciting highlights from big guns such as Alan Fitzpatrick, Dustin Zahn, Bart Skils, Pleasurekraft, Luca Agnelli, Jay Lumen, Kaiserdisco and Gary Beck. 

The rich vein of form displayed by emerging techno talent is similarly given prime position. Rising DJ/producer Boxia makes his Drumcode debut, fresh from a well-received warm up set for the crew at the hugely successful Junction 2 festival in London, while the likes of Enrico Sangiuliano, Juan Sanchez, Ian O’Donovan and Timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016. 

Reinforcing the global scope of the label, artists such as The Junkies from Toronto and Layton Giordani from New York, prove techno is winning a place in the heart of the new generation of artists coming out of North America. 

Adam Beyer & Mark Reeve - Nine Of You - Drumcode - DC159

Midfield EP

Luigi Madonna, Roberto Capuano - Midfield

Adam Beyer’s Drumcode is growing from strength to strength, year after year, with a non-stop release schedule showcasing both the labels new and most established artists with cutting edge techno beats. After 20 years since its inception, Drumcode continues to push the boundaries, firmly grounding their position as the world’s No.1 techno label.

Drumcode’s youngest rising star, Layton Giordani, exploded on to the scene after his debut album “Where It Begins” back in February, after scoring some of the biggest festivals in Europe this summer, he now returns with an exciting collab titled “Live Again”.

NY born and bred, Danny Tenaglia has always been a true inspiration for Layton since his teenage years, so when the opportunity to collaborate with the fellow NY legend was on the cards, it was a dream come true.

Danny and Layton join forces for the lead track ‘Live Again’. Its deep and dark with a slowly building pad wrapping around a modulating synthetic hook. The dark and effected vocal echo takes the track into a hypnotic vibe.

‘Take It Back’ delivers a pumping drive the moment it fires up. Snapping percussive force and an infectious rhythmic groove will unhinge dance floors nationwide, whilst ‘Secrets of Vibration’ has a rattling, yet blistering low end presence to it.

The New Yorkers unite on this energetic and exciting collab.

Layton Giordani - Take It Back - Drumcode - DC180

FREE DOWNLOAD: Sam Paganini - Desire (Mark Rosso 'Let's Jack' Edit)

Get it here: https://bit.ly/DC210BPES

‘Camargue’ gets a fresh treatment on Drumcode, as a handful of techno’s finest give new life to an R&S classic.
Coming from the studio of CJ Bolland and Portuguese journeyman The Advent, the track was born out of a golden age of Belgium dance music and first released in 1992.

Enrico Sangiuliano delivers a trademark cosmic rework underlined by tribal bass stabs and twisted synth lines to accompany the famous riff. It’s an outstanding remake that’s already a big summer favourite for the Drumcode crew. 

“Camargue is one of my favourite tracks of all-time and has been part of my life for 25 years. To put it out on Drumcode with fresh remixes is a dream come true.” – Adam Beyer

Alan Fitzpatrick - Skeksis (Original Mix)

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