🫶🏽🫶🏽🫶🏽🫶🏽🫶🏽🫶🏽

https://www.youtube.com/watch?v=nBmyHvOGHa4 - Amelie lens Allnighter
https://soundcloud.com/emily-scott/house-mix-september-2016-emily-scott - Walk right In minuut 23:00
https://www.youtube.com/watch?v=aAVDN4TSkKk - De Sluwe Vos
https://www.youtube.com/watch?v=uDDwuFa33go - walk right in
fantompowa meets the geezer - governemt man

TECHNO

Alan Fitzpatrick - Skeksis (Original Mix)

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

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D-Unity - Sensation

This typically bombastic three-tracker of explosive, crowd-moving techno opens with ‘U Said U’. A massively hyped tracks that has been the subject of huge fan-demand since it first featured on Beyer’s Drumcode Radio in January. However, ’Love Siren’ will battle it out for the most attention from punters, packed with all the power and punch required to knock over festival crowds as it systematically builds and drops this is one for the big open air stages. ‘Rumours’ wraps things up in slightly more understated but non-the-less effective fashion with its drawn out, tension building intro mushrooming into a crescendo of sleazy chords and sparking melodies.

Love Siren

Love Siren [Drumcode]

MKB-DEEP02

2000 and One - Kawasaki [PURE098]

Ida Engberg @ Awakenings presents Drumcode Special 15-10-2015 
SoundCloud: @awakenings
Facebook: www.facebook.com/awakenings
Instagram: www.instagram.com/awakenings
Twitter: twitter.com/awakenings
YouTube: www.youtube.com/user/awakeningsevent
Website: www.awakenings.com

Ida Engberg @ Awakenings presents Drumcode Special 15 - 10 - 2015

Sessions 2.1  is a live mix of tracks and edits I've been playing the last couple of month including a few classics. It has an oldskool feel to it... it takes me back to my days at the DansSalon club 15 years ago... Feel free to listen, share, download. Enjoy! SR

Syben Ray TechSessions 2.1

Italy’s fastest rising name in house and techno returns to the respected Drumcode imprint with this blistering new 4-track EP, ‘Climax’. Featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track ‘Climax’ grows gradually with the introduction of a single synth note and skipping hi-hats. Two beatless breakdowns increase the pressure whilst a new synth melody is introduced in the second, making for a powerful ending as all the elements join together.

‘Boost’ starts out deep and dark, with a high-pitched call echoing over a determined beat. The track changes course mid-way through with the introduction of a bassy, low-pitched synth melody, helping ‘Boost’ evolve into a catchier, more playful track.

‘Spectre’, a no-nonsense closing piece featuring a jittering synth note, rattling hi-hats and a trademark tension-filled breakdown.

‘Over The Clouds’, as its name would suggest, is the gentlest of the four tracks. Filled with dusty textures over a rumbling bassline, twinkling synths move in waves before lower-pitched chords join, adding a real sense of depth to this production.

Overall, ‘Climax’ is an outstanding example of Faraone’s ear for detail as a producer: his experience as both a resident and touring DJ clearly feeds into his skill for manipulating tension in his productions like he does on the dancefloors. Having recently warmed up for Adam Beyer at Tenax, Marco Faraone’s relationship with the iconic label continues to grow.

Marco Faraone - Boost - Drumcode - DC154

Ida Engberg @ Awakenings Antwerp Day One 15-04-2016

SoundCloud: @awakenings
Facebook: www.facebook.com/awakenings
Instagram: www.instagram.com/awakenings
Twitter: twitter.com/awakenings
YouTube: www.youtube.com/user/awakeningsevent
Website: www.awakenings.com



Ida Engberg @ Awakenings Antwerp  15 - 04 - 2016

Another live mix I've recorded a few weeks ago. Enjoy!

Syben Ray TechSessions 3.1

Jeroen Search @ Awakenings x Len Faki present Figure Nacht (19-10-2016)
SoundCloud: @awakenings
Facebook: www.facebook.com/awakenings
Instagram: www.instagram.com/awakenings
Twitter: twitter.com/awakenings
YouTube: www.youtube.com/user/awakeningsevent
Website: www.awakenings.com

Jeroen Search @ Awakenings x Len Faki present Figure Nacht (19-10-2016)

Alan Fitzpatrick’s We Are The Brave imprint has undoubtedly laid down seriously solid foundations. Now well into double figure, the label’s catalogue is forming into a formidable body of work with Alan’s anthemic ‘We Do What We Want’ backed up with a string of club bangers from Gary Beck, Reset Robot and Boxia, plus Fitzpatrick’s mammoth ‘El Jefe’ collaboration with Sasha, which closed out the labels 2017 release schedule in grand style.

Never one to rest on his laurels, Fitzpatrick is back in the driving seat and raring to go again. “I feel a real strong energy right now around the label and I am massively focused on pushing on from the really great start We Are The Brave has enjoyed”, he enthuses. To be fair it is not hard to see why with landmark occasions such as the highly anticipated (and totally sold out) 5000 capacity Alan Fitzpatrick’s Day Festival happening in Dublin on 17th March. After all, who can argue with that most over-used of clichés - fortune favours the Brave!

Of course, Alan’s first release of the year is a mega one. “These tracks have all been born in a different time and space, ranging all the way back in 2015 through to the end of last year. But I think together they fit well, which goes to show that like everything really, but certainly anything creative, it doesn’t make sense to rush things” says Alan

Lead track ‘Colour Of A Dream’ comes with cleverly crafted percussion and energetic claps alongside a dominant vocal, making the track instantly recognizable in the depths of any dancefloor. “I found myself looking back through old hard drives and I guess I found a lot of fresh inspiration from rediscovering music. It feels good to know an idea that has been lay dormant can all of a sudden become relevant, given the right time and space” adds Alan.

Next up, surging with fierce authority is ‘Joy Rider’ with its trademark thumping Fitzpatrick kick drum. A ravey synthetic hook line creates a gritty warehouse vibe, which is in complete contrast to the melodic, end-of-night-euphoria experience that is ‘Together Until The End’ - a truly musical work that oozes texture and emotion.

Alan Fitzpatrick - Joy Rider

FREE DOWNLOAD: Sam Paganini - Desire (Mark Rosso 'Let's Jack' Edit)

It doesn’t get much bigger than this: Adam Beyer links up with Green Velvet and Drumcode’s outstanding rising star Layton Giordani for a debut collaboration.

Some musical partnerships feel fated. Both fans of one another’s work, for years Adam Beyer and Green Velvet had discussed writing music together. In turn, Beyer’s protégé Layton Giordani had admired the Chicagoan’s work for as long as he could remember. When the 25-year-old found himself playing alongside the green mohawked legend at Belfast’s Shine, the spark and subsequent friendship was immediate. With the links now set in place, it was only a matter of time before the trio’s creative chemistry would manifest musically.

‘Space Date’ was conceived organically and birthed quickly. Propelled by Green Velvet’s trademark vocal hypnotism, the triumvirate combine to craft a pumping intergalactic slice of techno laced in melody that’s highlighted sets by Beyer at Awakenings, Ushuaia and also EDC Vegas when Green Velvet dropped it to a raucous response. The track is complimented by ‘Rome Future’, the product of a year-long series of productions between Beyer and Giordani. Deftly combining crisp drum work, catchy vocal effects and a powerful bassline melody that gives the track an almighty kick, it will be familiar to many who’ve followed their sets over recent months.

Adam Beyer, Layton Giordani & Green Velvet - Space Date - Drumcode - DC193

Out now on Rekids: https://lnk.to/REKIDS145

Radio Slave’s momentous ‘Another Club’ receives two thumping remixes from SRVD and Charlotte de Witte.

‘Another Club’ was the 100th release on Rekids and dropped as the label celebrated a milestone ten years. It unquestionably became one of Techno’s biggest tracks ever made. Two years later, the landmark production receives outstanding remixes from two of the genre’s most salient artists: NovaMute producer Charlotte de Witte, who’s just collaborated with Chris Liebing on her newly launched KNTXT imprint, as well as the ever-impressive Patrick Mason and Radio Slave who team up again as SRVD.

Charlotte de Witte’s remix of ‘Another Club’ marches forward with pounding 909 style kicks, hooking acid hits, fleeting voice samples and haunting pads. SRVD’s remix then uses the vocals as stabs, adding tension with rave inspired synths, buzzing keys and splashing cymbals, while locking it all together with thundering drums and sub frequency rumbles.

Alan Fitzpatrick - Skeksis (Original Mix)

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