'Frome XXIII' first appeared in the second of Andrew Hirst's 'Frome' pamphlets, 'Frome XXIV' (Longbarrow Press, 2008). This recording was made at the poet's home in autumn 2008. Released on the Longbarrow Press 3" CD anthology 'The Field' (2008).

Frome XXII (by Andrew Hirst)

The final section of the 'Sideways & Familiar' Sheffield poetry walk led by Andrew Hirst and Chris Jones and joined in Paradise Square by the musician Kerry McMullen. The walk, which started from the central train station, was designed to illuminate some of the iconic and historic sites of the city and explore the lesser known walkways that cut through the centre. The audience was guided to Paradise Square via a narrow, winding passage, to be met by the unexpected sight and sound of McMullen's music filling the otherwise deserted square. Poems in order of appearance: Chris Jones: 'Beyond the City' (excerpt); Andrew Hirst: 'Frome XI'; Chris Jones: 'Ones That Get Away'. Recorded in Sheffield, Saturday 17 October 2009. The text of 'Frome XI' can be accessed here: http://longbarrowpress.com/featured-poem-2/
 

Sideways & Familiar (by Andrew Hirst, Chris Jones, Kerry McMullen)

James Caruth's long poem, 'Dark Peak', was published by Longbarrow Press in 2008. This recording was made on location in South Yorkshire in August 2008.

Dark Peak (by James Caruth)

Recorded in a sea cave at Flamborough Head, East Yorkshire, August 2010. 'There are larger numbers and a wider range of cave habitats at Flamborough than at any other chalk site in Britain, the largest of which are known to extend for more than 50m from their entrance on the coast' (Wikipedia). 'Chalk' will appear in Matthew Clegg's forthcoming collection, 'The Power-Line' (Longbarrow Press). 

Chalk (by Matthew Clegg)

From the Longbarrow Press pamphlet and CD 'Distance a Sudden'. This version was performed at the Fat Cat, Sheffield, 24 January 2010 (as part of the 'Distance a Sudden' launch). Four machines (CD player, cassette player, two dictaphones) and one speaker (Mark Goodwin, whose contributions are infrequent and brief) make a 'tape fugue' of the poem 'Dark Bird With Corner' as it runs in and out of phase with itself. The distant voice and the distorted voice shift emphasis throughout. Tape op and mixing by Brian Lewis. 

Dark Bird With Corner (by Mark Goodwin)

'Frome XXIII' first appeared in the first of Andrew Hirst's 'Frome' pamphlets, 'Frome I-XII' (Longbarrow Press, 2007). This recording was made at the poet's home in autumn 2008. Released on the Longbarrow Press 3" CD anthology 'The Field' (2008). To read this poem, go to http://longbarrowpress.com/featured-poem-2/featured-poem-archive/

Frome II (by Andrew Hirst)

The introduction (performed by Rob Hindle and Ray Hearne) and first poem ('Manufacture of the Gibbet Iron', read by Rob Hindle) from the 2009 sequence 'The Purging of Spence Broughton, a Highwayman' (Longbarrow Press). Recorded at Hill Top Chapel, Attercliffe, Sheffield, 19 June 2009 (as part of the 'Spence Broughton' launch event). Listen to a further poem from the sequence: http://soundcloud.com/longbarrow-press/the-early-history-of-spence

The Purging of Spence Broughton (live) (by Rob Hindle)

One-off collaboration between Matthew Clegg and Andrew Hirst performed live at The Fat Cat, Sheffield, August 2009 (as part of the 'Dreamers' series of readings, performances and presentations). The performance begins with Hirst reading a Clegg poem, 'His Heart' (from the 2008 sequence 'Rag & Bone Shop); continues with an arrangement of Robert Frost's 'Acquainted With The Night' and Jacques Prevert's 'Breakfast' in which the texts (and the speakers) gradually meet, interweave and separate; and concludes with Clegg reading the final poem in Hirst's 'Frome' sequence (from 'Frome XXIV', 2008). 

Ungodly Hour (by Matthew Clegg and Andrew Hirst)

The first poem in Matthew Clegg's narrative sequence 'Lost Between Stations' (Longbarrow Press, 2011). Recorded on location in Leeds, 12 June 2010. See http://longbarrowpress.com for details of the CD and pamphlet editions of 'Lost Between Stations'. 

Lost Between Stations: 1 (by Matthew Clegg)

From the Longbarrow Press pamphlet 'Frome XXIV' (2008). Recorded in Sheffield city centre, September 2009.

Frome XIV (by Andrew Hirst)

From the Longbarrow Press pamphlet 'Frome XXIV' (2008). Recorded in Sheffield city centre, September 2009. 


Frome XIX (by Andrew Hirst)

Two poems ('Frome X' and 'Frome IX') from Andrew Hirst's 'Frome' sequence. Recorded at dusk in a back street near Grimsby docks, Saturday 16 October 2010.

Frome X and IX (by Andrew Hirst)

From 'Songs to Make & Mend' (Longbarrow Press, 2008). Recorded in Sheffield, autumn 2008.

'Yi Sha visits me...' (by Andrew Hirst)

From the pamphlet and CD 'XIV PIECES' (Longbarrow Press, April 2012). Recorded in Cambridge by Peter Riley, 17th, 20th and 21st March 2012. Features Percy Grainger's wax cylinder recording of 'Brigg Fair' by Joseph Taylor (recorded in Brigg, North Lincs, April 1905). To order the pamphlet and CD, go to http://longbarrowpress.com/current-publications/peter-riley/

Floating Verse (by Peter Riley)

'Lay down quietly now...' (by Andrew Hirst)

Three haiku and two tanka commissioned by the Off the Shelf literature festival in 2007. The poems were to be blasted into sandstone as part of a new riverside development (work on which appears to have been postponed indefinitely). Read more about the commission (and the full text of the poems) at http://www.urbanwords.org.uk/aplaceforwords/case-study-river-don.php. Recorded near Blonk Street, Sheffield, on the banks of the River Don, 28 September 2008, and included on a limited 3" CD produced for 'The river, the road' poetry walk led by Matthew Clegg and Chris Jones on 1 November 2008. Listen to the full 'The river, the road' audio sequence at http://soundcloud.com/longbarrowpodcasts/therivertheroad

Wicker (by Chris Jones)

From the Sheffield canal walk led by Matthew Clegg on Sunday 23 September 2012 (part of the Festival of the Mind's Arrivals Zone programme). Clegg (and an audience of 20) followed the canal from Victoria Quays to Tinsley. Recorded near Attercliffe bridge, Attercliffe, Sheffield.

Attercliffe (by Matthew Clegg)

Recorded in the lift area on the third floor of the Royal Hallamshire Hospital, Sheffield, 9 October 2012. From Angelina D’Roza’s debut collection Envies the Birds (published by Longbarrow Press in spring 2016).

Aseptic Technique (by Angelina D'Roza)

Recorded near a stream in Walkley, Sheffield, 27 November 2012. The full text of the poem appears here: http://longbarrowpress.com/featured-poem/featured-poem-archive/

Last Night (by Fay Musselwhite)

From the sequence 'Chinese Lanterns' (featured in Matthew Clegg's forthcoming collection 'West North East'). Recorded in Hillsborough, Sheffield, 3 May 2012.

A Letter From Tu Fu (by Matthew Clegg)

The fourth poem in the second of Andrew Hirst's 'Frome' pamphlets ('Frome XXIV'). Recorded in Sheffield, June 2008.

Frome XVI (by Andrew Hirst)

The first three poems in the 'Outskirts & Outposts' performance at Newstead Abbey, Nottinghamshire, 9 February 2013 (part of the Nottingham Festival of Words). Poems in order of appearance: 'Lost' (Chris Jones); 'Rurban Membrane, a Sheffield Rim, North East' (Mark Goodwin); 'Edgelands' (recorded excerpt) (Matthew Clegg). Recorded by Mark Goodwin. Additional mix and edit by Brian Lewis.

Outskirts & Outposts (Chris Jones, Mark Goodwin, Matthew Clegg)

From the pamphlet and CD 'XIV PIECES' (Longbarrow Press, April 2012). Recorded in Cambridge by Peter Riley, 17th, 20th and 21st March 2012. To order the pamphlet and CD, go to http://longbarrowpress.com/current-publications/peter-riley/

Alstonefield 1995 (by Peter Riley)

Chris Jones reading the poem 'Murmuration' outside Bloc Projects, Sheffield, Saturday 30 March 2013. The reading was part of a poetry walk led by Matthew Clegg and Chris Jones to coincide with 'The Song of Meeting and Parting', a new artwork by Paul Evans (commissioned by Sheffield's Bloc Projects and displayed as a billboard on Sylvester Street during spring 2013). A short film of Jones and Clegg reading poems further along the route can be found at https://vimeo.com/63092872

Murmuration (by Chris Jones)

Poetry publisher

Longbarrow Press records poets in performance and on location. One of the aims of the recording programme is to capture a sense of the environment in which the poet is reading. The recordings so far have been made in kitchens, back gardens and cellars; on common land, waste ground and moorland; and near roads, rivers and railways. See also http://soundcloud.com/the-footing, http://soundcloud.com/west-north-east, http://soundcloud.com/7-wonders, http://soundcloud.com/moving-with-thought, http://soundcloud.com/callandresponsehaiku, http://soundcloud.com/longbarrowpodcasts, http://soundcloud.com/longbarrow-press-scale, http://soundcloud.com/closertogroundtohear and http://soundcloud.com/the_halt

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