Сердце И Разум За Тобой Не Замечены

Не Замечены

Bandcamp

Dubsane, Booddaboo - Не Замечены

hspd: moksha

Solstice blessings everyone! Here to keep your body moving on these longest nights, a revamp of a psybreaks mix i did several years ago under my short-lived psybreaks DJ alias, 'Xoomi' ^.^ Published during this summer on Mixcloud, but now that i've got a Pro account back on here, i thought i'd upload it.

It was psybreaks that first pulled me into the world of psychedelic festivals, and part of my creative development from 2007-2015 involved learning how to produce electronic music from psybreaks and tech funk pioneer extraordinaire, Hedflux.

In 2014, underground breaks connoisseur, curator and mix wizard Quextal invited me to do a guest mix on his Quexotic Adventures internet radio show (the show that had inspired me to start my own webcast, New Moon Grooves). The mix included one track produced by myself during my psybreaks years, a skippy, glitchy little number with a sample of Sylvia Plath reading her prophetic feminist poem, 'Mushrooms' (https://vimeo.com/33107001).

The original can be found on Quextal's website (https://tinyurl.com/2bxths56), where you'll also find hours upon hours of quality mind-altering beats from some of the golden eras of psybreaks (so far...) and adjacent genres.

Wishing all a weird and wonderful return to the sunlight ^.^
❤

Tracklist:
Mood Deluxe - Amber (2006)
Xoomi - Mushrooms (unreleased)
Bad Tango - Into The Fray (2014)
Hedflux - Fractal Funk (2014)
DJ Mutiny - Turning Point (Far Too Loud remix) (2008)
Geon - Ghost (2011)
Hedflux & Neurodriver - Energy Vibration (TOO DUSTY remix) (2012)
Neurodriver - Sidewinder (2009)
Genuss - Spoof Criminal (2014)
MONK3YLOGIC - Evil Tweaky Cat (2012)

Quexotic Adventures Guest Mix (2021 Version)

A sublime selection of dancefloor beats and downtempo dubs from around the globe, Mixes + Mavericks features seven remixes by Pitch Black, two live tracks that couldn’t be more different in nature or tempo, one seriously unorthodox situation (an unauthorised remix of a remix) and a track in between states, all highlighting the breadth of the duo’s sonic palette.

Whereas their previous Rarities + Remixes collection was predominantly rooted in New Zealand, Mixes + Mavericks is undoubtedly a more international affair, with all the remixed artists hailing from the northern hemisphere. Many of the connections are the result of the duo’s touring and festival appearances around the globe: they first met Gaudi at a gig in Japan, Animat and Nick Woolfson (Sounds from the Ground) at The Big Chill festival in the UK, while downtemple duo Desert Dwellers were encountered in the Californian underground. 

Other connections were more straightforward: Brighton-based Ink Project (run by Kiwi Jez Lloyd) approached them to remix “The End” and Mexico’s Sudden Reverb was introduced by label-mates Deep Fried Dub. Meanwhile Mike bumped into Radioactive Man’s Keith Tenniswood (of Two Lone Swordsmen fame) while he was getting a 7” record cut. 

Uber-producer/Killing Joke bass player Youth features in two very different ways. First up is Pitch Black’s pulsating dub mix of his collaboration with Italian producer Gaudi, from their Astronaut Alchemists album. Then there is his unsolicited remix of epsilon-blue’s 1999 remix of Speech, over which he added bass, beats and blessings.  This mash-up lurked for years in the archive under the title of Helmsdub, but only as a corrupted mp3 file. Thankfully a little detective work discovered that, much to everyone’s surprise, it had been released as Speechless (Big Circle Flat Pain Remix) on a 2004 CD compilation. A copy was tracked down, the tune was carefully re-mastered and then correctly named.

Mixes + Mavericks also features two very different live offerings: Notting Pill is a dose of atmospheric moodiness from a rare ambient set at Notting Hill Arts Club in London, held to publicise the upcoming showcase of New Zealand music at Fabric in 2003. The banging G202, meanwhile, was captured by Andre Upston at Rippon Festival in Wanaka, NZ at the turn of the millennium, and later broadcast on Radio New Zealand. It was a track that, despite being a staple of the live show for many years, was never finished, and following software updates and data dumps, the only version that exists is this live recording.

It's a Future Dub is a similarly embryonic track – eventually it became It’s the Future Knocking, from the Filtered Senses album, but here it’s a fascinating hybrid caught midway between creation and completion. Many of the elements of its future self are present, but there is a whole lot more going on, making this a fascinating signpost on a possible road-not-taken. 

Beautifully accompanied by Tim Prebble's Cyanotype images, Mixes + Mavericks is a showcase of Pitch Black’s sonic diversity as remixers and maintains the trademark production aesthetic that has won them thousands of fans and filled dancefloors around the globe.

Download/Stream

Youth & Gaudi - The Gods Must Be Crazy (Pitch Black's Hubristic Prayerformance Mix)(preview)

https://lono-rec.bandcamp.com/album/prayer-one
https://oihspd.bandcamp.com/album/prayer-one

catalog: some040
artwork: t.me/zelenovosti
______________________________________________________________
изнуряющая цикличность времени
его тошнотворные повороты вспять
штукатурка сыпется
с чьего-то пола на чей-то потолок
история предсказуемо повторяется 
кирпичные стены в пыль
вряд ли это всё ещё страх
волны низкой частоты прилетают из-за горизонта 
пронизывают позвоночник
у них свой ритм. он пленителен
плен становится массовым явлением
можно застрять в текстурах одной из этих всё ещё стен
и услышать, что за ней происходит нечто
_______________________________________________________________________
exhausting cyclicality
of time
its sickening reversals
plaster crumbles
from someone's floor to someone's ceiling
history predictably repeats itself
brick walls to dust
hardly this is still fear
low frequency waves arrive from behind the horizon
permeate the spine
they have their own rhythm. it is captivating
surrender becomes a mass phenomenon
you can get stuck in the textures of one of these still left walls
and hear that something is happening behind it

hspd: Prayer One

hspd: Hostile Sky

About:
Analog Monoxide is frequently mistaken for being the name of a group, but is in reality a working alias of Stian Høyberg, musician and producer from Norway.

The music released under this banner is typically a huge mix of various influences over the years, ranging from experimental electronica to acoustic jazz, and anything in between.
Composition usually happens in his home studio, and is a very free-form process.

He started out as a piano player at an early age, and has worked for over 30 years honing his skills on guitars, vocals, drums, percussion, keyboards, synthesizers, and other instruments along the way. 
While studying music, learning to play jazz, and working with an analog studio recording to 8track tape, he also discovered computers and their increasing capabilities as music tools, while also allowing access to sampling and software emulation of synthesis. 
The workflow has undergone changes over time, with the development of technology and better tools, but it's essentially the same today. 
Currently heavily into the combination of Eurorack and various other hardware integrated with Bitwig, and loving this new workflow.

About this set:
These tunes are all either from recent live performances on various hardware/software combined, or done in studio within the last few weeks, as hardware/modular jams multitracked into Bitwig, then given some post production. 

Links:
https://linktr.ee/analogmonoxide
https://www.youtube.com/analogmonoxide
https://www.instagram.com/analogmonoxide/
https://analogmonoxide.bandcamp.com/
https://soundcloud.com/analogmonoxide/

Data Cult Audio 0259 - Analog Monoxide

Aether

this album is the sound of a heart breaking in a city that never stops glowing.

it lives in that emo space where everything feels too loud and too quiet at the same time then slams into edm / hybrid trap energy with y2k bass grit. the synths are emotional but sharp, the drums hit like a panic you can dance through, and the glitches feel like the moment you realize you’re not getting that text back. it’s messy in a good way: beautiful melodies, raw low-end, and distorted edges that make the sadness feel physical.

think late-night neon, headphones at 1am, bass that sounds like regret, and a drop that feels like you finally letting go.

----

emo edm, hybrid trap, y2k bass, gritty bass, glitchy edm, emotional electronic, bass music, cyber emo, sad rave, electronic heartbreak, melodic bass, future trap vibes

cheap cologne + empty promises

Options

Something I recorded along with my brother (Atomic), a deeply spontaneous and beautiful expression, which happened around 2015-2016. 


The stringy ambience was recorded from an electric Washburn guitar, simply by my brother tapping the headstock, which by itself produced those multi harmonic ambience background elements and then hooked to a reverb.
Then the melody and the accelerating car effect are from a digital synth I played.
Reminds me a little bit of the Fax Records classic ambient tunes

Atom Aura - South Shores

someone records reality to be glitched

lono-rec.bandcamp.com

hspd: Hostile Sky

LONO