March Friends

Energy (19)

April Friends

This playlist is sort of my "diary" or timeline of the time I've had the privilege to spend here on SoundCloud since fall 2022. It therefore contains quite a lot of songs – of which each and every song is important – and for the said reason I also find it very hard to delete any songs from the playlist.

VintageKlavier1980s

December Friends

January Friends

Mixed for LILLI SUPPORT

devil's light bachal alright

featuring @4catsncoffee on violin
:
You can throw away your past, but the devil gently finds ways to bring it back...  Devil's Timepiece is a guitar-based alternative folk tune with southern gothic echoes. The fourth tune off the d'ville EP >soundcloud.com/jh0st/sets/dville

Devil's Timepiece
:
Traces of smoke
Lingering soft hope
Words spit like flames
under the up-town train
Together alone
through the heat summer storm

Yes it is…
faded away
No it ain't…
the way it should stay

Church bells of peace
The devil's timepiece
Once in a while
love speaks, to the right one
'Til then I pray at the station
Penn the hymn to the speeding train

Yes it is…
No place to stay.

I saw the city lights
turn dusty moon 

I saw the blue gas-light
split the summer sky

(Yes it is…)
Last place I'll stay
No it ain't…
the only doorway

Oh, gentle violence
Time will rewind it

Oh, blame the summer wind
Sound the sirens

Who will write this down?

Buy on Bandcamp

devil's timepiece [ft. 4catsncoffee]

I composed this music with the image of dramatic dance music. This is the first time I've written a music like this.

ABSTRACT SPHERE

See you soon

" this is the accident ... alien troubadour delight
this unbiased and neutral claim remains entirely unsolicited ...
void all prepared travel plans . void admittance to this fine dwelling . void all bodies and vessels . void all prior subconscious void . void this protocol"
The flies - meaninglessness

Blind Orphan Twins Plot Of Oath And Blood - Our Psychic Assassin Twins

not old at all but where the fuck does this fit in???
I need a bloody drink

H A T E C A T Z

Junaloonz

The Coffee Jitters Demo A

Still rediscovering my youth compositions on old tapes, and trying to save them as best as possible!

Bachal In Empty Space (For Dominique)- Bruno C

The Landmark

Nothing will end war unless the people themselves refuse to go to war. ~ Albert Einstein

As well as some surprisingly mainstream musos from back in the day, this mix features several current Ukrainian artists*, available on https://flamingpines.bandcamp.com/album/kaleidoscope (All proceeds to Ukrainian curator Igor who is donating to Ukranian charity and defence of his hometown Dnipro in Ukraine.)

Track list:
Edgar Froese – Epsilon in Malaysian Pale (excerpts)
Merry Clayton – Performance
Peter Gabriel – Slow Water
Alla Zagaykevych* – Voice-Way
Ry Cooder & Buffy Sainte-Marie –	The Hashishin
Third Ear Band – Dagger and Death
Brian Eno – Lizard Point
Giorgio Moroder – Cacaphoney
Tim Hecker & Daniel Lopatin – Uptown Psychedelia
Andrea Esperti, Henrik Meierkord & Marco Lucchi – Marco Polo
Motorpig* – Craving
Bernard Krause & The Merry Clayton Singers –	Turner's Murder
Ingvar Tautra – My Blood Is Strong - I Am My Ancestors - I Am Me. I Kneel For Nobody
Boson Spin – Ockpothela
Leafcutter John – Gulps
Giorgio Moroder – The Wheel
Brian Eno – Final Sunset
Third Ear Band – The Beach
Ry Cooder – Powis Square
rabbitsquirrel – Evenings lit by tallow and reed
Marco Lucchi & Wilfried Hanrath – piano pattern n°15
Wegrzyn – 3.3
Nihil – Stillborn
Monocube* – Hortus Amoris

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Eclectic current – Lighting the trip fantastic

https://youtu.be/jXDl1z-M0q4
A calm oriented chill beat with Japanese and Asian influences. A very calm and nostalgic, dreamy and peaceful piece in the modern Japanese style. Erhu and the electric piano give a completely different sound.

Beautiful Sentimental Anime

Lying To The Sheep..

NEW MIX.


More songs at www.korima.net

Cast of players:
SuZanne: David Copperfield
The Candies: James Steerforth, Markham, Grainger & Mrs Crupps.


Lofty Castle
A lofty castle of my own
Like Crusoe pulls up the ladder to be alone
Steerforth, he is our guiding star
Inns of molten blue; that’s our repertoire
“Fill full your cups”

I hear the squawk of corkscrew sound
Long before it’s needed for the next maroon round
I’ve laughed at my own jokes all night
How town sharpens an appetite

Trickling trust divine
“Crackling fever” free
“Unaccustomed wine”
What deceiver it could be

“Vast truths that mortals seldom” found

I heard someone fall down the stairs
False reports the tumbler was in fact truly yours
Perhaps there’s foundation after all
I’m on my back on the passage floor

Trickling trust divine
“Crackling fever” free
“Unaccustomed wine”
What deceiver it could be

“But still we held as time flew by”

Who’s that smoking right by the fireplace? It was me!
Who’s that leaning out of the window? It was me!
Contemplate one self in the mirror? That was me too!

Trickling trust divine
“Crackling fever” free
“Unaccustomed wine”
What deceiver it could be

“Drink to me only with your eyes”

Lofty Castle

Sublimation

Disco Funky

lyrics, vocals, mixing by Tam Jennifer, on synthetic guitar loop (anon.) Two loops have been chopped up, arranged and mixed in with the vocals to accent emotion. 

Indie experimental trap. 

Vocals recorded and mixed using Audacity and RODE USB Mini Microphone

FOR MY MOTHER

Cover generated using Stable-Diffusion.. design by Tam Jennifer. 

. 

I originally recorded a version of this song just two months after she died. Here is the original. 

Listen to Mother mother (DEMO 20191118) by Tam Jennifer Music on #SoundCloud
https://on.soundcloud.com/r6jbs

Where Did She Go ( I Wanna Know, 2022 )

Youtube Video Link: https://youtu.be/fUNMcnzG7Yo

This song is about that dividing line between reality and the in-between. That space where your chattering mind continues to chatter but that wise essence speaks just beyond the still harbor breathing; allowing your loud to be just a little bit softer now; floating down near that water line. You can paint your masterpiece from there too; perhaps along a quiet beach. Muddle the fresh mint leaves my friend; yes, Sugar and Lime, stirred easy.

Groovy Mon; I want to go there dude

Paint With No Color
by David Husted

The ocean doesn’t mind, mind, the ocean doesn't mind, mind
Drifting down from the water line,  down from the water line
Your loud's a little softer now, Your  oud's a little softer now
Floating down, floating, floating, floating, floating down 

Muddle the fresh mint leaves; yes
Sugar and Lime, stirred ea…………sy          
White………………… Rum………………, 
Hot……………………. Sun……………….,  

The beaches of Shoal Bay East;  yes 
Beyond the still harbor, brea………..thing out 
Mind's…   rush ………………………..
Fear's…crush……………………..

Paint with No Color

Shoal Bay East

Paint With No Color

From my Album "Selected Chillwave Works Volume 1"  (On Bandcamp & Spotify) )This synthwave, chillwave, electronic genre track in based on a news article about a Japanese man having a digital holographic girlfriend that talks to him using AI, that was simply the inspiration. other than that I wanted the track to sound really good and listenable. It is an incredibly complex track below the surface as I wanted to make something as original as possible that would sound great in 100 years too. From the past, in the future, but now. thx Tena Lock

Digital Girlfriend Edit - As feature on New "Phaser Set to Stun" Album March 2024

Scarface (Expanded Motion Picture Soundtrack)

Gina

U-Intermezzo

Innovisions

My Girl (feat. Joe "Bean" Esposito)

Before the storm

WOMAN IN A BASKET

World Wild

Songs by another project "little big bird"

2023/1/1

Website

星の種

At nearly the end of the year, a cover of one of R.EM. most incredible songs. Tried to put on a little epicity and to amplify the inherent darkness of the song, which its musicalization, in the original version, tends to diminish. Enjoy

Losing My Religion - cover ( REM)

Naturalne odgłosy zostały nagrane późnym wieczorem 30 listopada 2022 roku w Ostrołęce przy ulicy Jana Pawła II.
The sounds of the street were recorded late in the evening on November 30, 2022 in Ostrołęka(Poland) at Jana Pawła II Street.

Krople czasu / Drops of time

This sounds good and I would really appreciate some opinions

transparent

This psychedelic journey began with Tez sending me a guitar track for the cover of the Syd era Floyd song. I added some bass, organ, and lead guitar. Tez then added some organ of his own and some more guitar. Then, we sent it to our drummer friend Ken, who added the drums. Tez then mixed and produced this one for the final version. And a heroic job both he and Ken did, too. Neither mixing this nor adding drums to it could've been easy. My hat's off to them both.

Interstellar Overdrive (Transatlantic Trio) A Floydy Interpretation

Vidya - https://youtu.be/bHRDq0xLtcg

Here's another killer jam with STONERJAZZ.  

It's a cool mostly acoustic piece where STONERJAZZ does most of the heavy lifting with his killer playing.

Vidya

The Hummingbird - jam w/ STONERJAZZ

Collaboration work, a new version of this track with a talented guitar player and composer Neno J.
Please enjoy his awesome works here: https://soundcloud.com/user-442202241/tracks
Initial track: https://soundcloud.com/syntaleta/in-solitude-1
Welcome to my Facebook artist page: https://www.facebook.com/syntaleta/

In Solitude by Syntaleta/Collab version (Feat. Neno J. on electric guitars)

Ambers song Genesha was born out of a new collaboration with ParQushea.

In the midst of our hot tropical summer we start the new year off with an ambient chill flow.
Ambers delicate vocals weave through fields of contrasting atmospheric harmonies.
Chris's guitar infusions complement the soundscape with Neil Orange Peel's percussion.
Arrangement, & production By Orange Peel
His vision brings all the elements together in a chilled ambient track.

Vocals ,Rhythm Guitar : Amber Legay
Guitars : Chris O'Shea
Bass & Percussion : Neil Parker
Song & Lyrics : Amber Legay
Recording ,Arrangement, & production By Neil Orange Peel

Ganesha

Radiator

Taken from his forthcoming album 'Spells' out June 10 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP085
iTunes: http://snip.ftpromo.net/spells
Spotify: http://snip.ftpromo.net/goldentimes
Bandcamp: http://snip.ftpromo.net/spellsbc
or any other good record store worldwide

"It's just incredible" – Mary Anne Hobbs, BBC 6 Music
“Strangely upbeat nocturnes" – The Wire

‘Spells’ merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut ‘Gravity’ left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”. 

His intricate, humanised programming – enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. 

Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums. The first single, ‘Golden Times 1’, received a world premiere by BBC 6 Music’s Mary Anne Hobbs, proclaiming it as "incredible." An alternative version of ‘Sleepers Beat Theme’ – composed for the soundtrack to a short film about the Trans-Siberian Express – opened Jon Hopkins’ Late Night Tales album from 2015, who noted “I thought it was such a calming and sensitive piece that sounded to me like the beginning of something...the warmth and depth of the sound entrances me every time”. 

Though ‘Spells’ and ‘Gravity’ are his first albums recorded under his own name, as acclaimed electronic producer HECQ he’s released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Finding my views understood, reflected and welcomed by Erased Tapes was an encouraging experience, crowned by the offer to release ‘Spells’ and re-issue ‘Gravity’ with them. Through many caring conversations with Robert I felt that there’s no better home for the existing ideas and no better cradle for new ones.”  – Ben Lukas Boysen 

TRACK LISTING:  	

01. The Veil  02. Nocturne 3  03. Sleepers Beat Theme  04. Golden Times 1
05. Nocturne 4  06. Keep Watch  07. Golden Times 2  08. Selene

Spells

Golden Times 1

Buy LP/CD/DL

Ben Lukas Boysen – Golden Times 1

Digits

Opening track + track two from the ambient album 'This is soon too late'. 
FDL#05.

Support independent music?
https://federleicht.bandcamp.com/album/this-is-soon-too-late

Herbstlaub - Tijd als beloven / Du nahmst ganz einfach meine Hand (FDL#05, 2016)

Taken from the album "Communication", released by Preserved Sound, November 21, 2016. Purchase, download, stream the full album:

Communication

Change

Change – Max Ananyev

New Edition - Mr. Telephone Man

01 - NI - Session Guitarist - Picked Acoustic - Tonight
02 - SA - PS - Tubular Bells - Short Soft Sticks
03 - SA - PS - Xylophone - Swarmed Sticks Hot F
04 - SA - OACE - Chamber Grid

Winter Heat

Greg Haines - Azure

Awakenings

The 17 Brent Thugs - Id(i)o(t)lize

Welcome here to all music lovers and thanks for your support 🎈 

[ 🛎️ Important information (October 2024) :
I’m distributed now on other - more mainstream - platforms where you’re very WELCOME TOO !
You will hear on them some songs that were here but in remastered and more efficient versions.
And also some of my new stuff in the future !!

However I keep my Soundcloud especially for fantastic colleagues and public I’ve met here, and I hope I have time to publish soon some others of my more alternative, raw and low-fi tracks ! ]


Multi- styles composer,  guitarist , bassist and author / singer, I present here a blend of very different songs or instrumentals, recorded on more than three decades

        So you can find here ones with my rock band  The CATS BLEED, who had a bit of success in France in the mid nineties.
 Some with GOLDEN AGE , an Anglo-French pop-folk duet in the mid 2000s.
And some totally solo as LOONY in the early 2000s or later
 Or BRUNO C for my first compositions, from mid 80’s to 90’s 

      


https://open.spotify.com/artist/1mDnyuPaI4RhiGaTRDjJFW?si=Z5xa7rwVRQSqwyZ_UIkE1w


https://youtube.com/channel/UC4Rf_HIxsZlLGE9sKnhzfMw

https://instagram.com/loonydebussy?utm_medium=copy_link

brunochassaigne.mus@gmail.com

Bachal In Empty Space (For Dominique)- Bruno C

LOONY DE BUSSY